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Robert Deutsch Posted: Mar 23, 2013 0 comments
Another room that made no claim to being anywhere close to "entry level," featured the ultra-expensive Constellation electronics (Virgo preamplifier, $27,500, Centaur monoblocks, $54,000/pair, and Cygnus Media Player, $29,000). The speakers were the Magico S5s; at $29,500/pair, these are below the median of the Magico price range. The sound was admittedly lovely. Pictured (left to right) are Irv Gross of Magico and Peter Madnick of Constellation.
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Robert Deutsch Posted: Nov 30, 2009 0 comments
"Are You a Sharpener or a Leveler?" was the title of my "As We See It" in the February 2009 issue. The terms sharpening and leveling come from work in the field of perception by the early Gestalt psychologists, sharpening referring to the exaggeration of perceived differences, leveling to the minimization of those differences.
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Robert Deutsch Posted: Mar 31, 2014 0 comments
Montreal dealer Coup de Foudre's Wilson/Dan D'Agostino room had Wilson's new Sasha II speakers ($29,900/pair), combined with Dan D'Agostino's Momentum Line stage preamp and stereo power amp ($32,000 and $29,000, respectively). The sound was truly excellent.
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Robert Deutsch Posted: Jan 14, 2015 1 comments
Walking the halls of the Venetian, you often hear music emanating from the rooms, the sound prompting you either to want to check it out or to walk on by. I was attracted by the music coming from the room identified as Crystal: a clear, lively sound that could be appropriately described as "crystalline." I assumed that the exhibitor was Crystal Cable, which I knew to make some excellent speakers, but which have prices above my CES report coverage limit of $10k/pair. Nevertheless, I went into the Crystal room to have a closer listen—and discovered that the exhibitor was not Crystal Cable, but a company called Crystal Acoustics, based in Greece.
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Robert Deutsch Posted: Jun 02, 2006 1 comments
A CD player that combines the transport from a Sony PlayStation, an output section using rare New Old Stock tubes, and no remote control? That’s the DynaStation II CD player ($6000), said to have a cult following in Germany, and now imported by Avatar Acoustics. You can have it somewhat cheaper if you want less esoteric tubes, or pay more if you want even more esoteric ones. The system with Ascendo System E speakers, using the DynaStation II as the source, sounded really good, though.
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Robert Deutsch Posted: Jan 18, 2012 0 comments
This Kim Kristiansen slide illustrates the effectiveness of Dali's SMC/linear drive magnetic system in reducing distortion. I believe the lowest curve shows the distortion levels of this the woofer—built completely in-house—that uses the linear drive magnetic system with SMC.
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Robert Deutsch Posted: Apr 14, 2007 0 comments
Dan Wright's career in audio started as a modifier of D/A converters and CD players. Although his company, ModWright instruments, still does digital source component modifications (he says he finds SACD players to be the best candidates for modification), he has also developed his own preamplifiers and phono stage. The latest of Dan's preamps is the LS 36.5 balanced tube line stage ($4995), which uses his own custom-designed MWI capacitors, 6H30 Russian Super Tubes, and a 5AR4 tube-rectified power supply. He also introduced the new SWP 9.0 SE phono stage at FSI.
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Robert Deutsch Posted: Jun 02, 2006 2 comments
David Wilson seems excited about his new Series 8 Watt/Puppy speaker system, and, having heard the demo, I can appreciate why. The company gets bonus points for listing the music used on a poster outside the door of the dem room.
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Robert Deutsch Posted: Mar 31, 2010 8 comments
Take a dCS Scarlatti digital front end ($68,000), combine it with a pair of Nagra VPA tube amplifiers ($20,000/pair, pictured), and a pair of the new Verity Audio Amadis loudspeakers ($29,995) and you'll have a pretty good-sounding system, right?
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Robert Deutsch Posted: Jan 08, 2016 0 comments
The Monitor Audio Platinum II involves some major improvements in driver technology. Dean Hartley told me that they had moved a good way towards completion of these changes when the original Platinum Series speakers were introduced, but they felt that further improvements were possible, and they wanted to be absolutely sure they got it right, so they played it safe by going with the existing technology.

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