Sam Tellig
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Sam Tellig, Corey Greenberg Aug 31, 2009 Published: Dec 31, 1987 0 comments
Sometimes products are too cheap for their own good, and people don't take them seriously: the Superphon Revelation Basic Dual Mono preamp, Rega RB300 arm, AR ES-1 turntable, Shure V15-V MR cartridge, and the B&K ST-140 power amp. They can't be any good because they cost so little, right?
Thomas J. Norton, Sam Tellig Aug 31, 2009 Published: Apr 01, 1991 0 comments
"Hello, it is I, C. Victor Campos."
Sam Tellig Feb 06, 2000 0 comments
It's been three years since the February 1997 issue, when I last talked with Klaus Heymann, founder and chairman of HHN, the parent company of the Naxos and Marco Polo labels. When I heard that he'd be in New York for a visit, I jumped at the chance for another interview.
Sam Tellig, John Atkinson Feb 14, 2014 Published: Dec 01, 2013 6 comments
Am I the only one who values content and convenience over sound quality?

There. I've said it. I am not an audiophile; ie, someone who's in love with recorded sound for its own sake. The search for ideal sound can leave a person burned out and broke.

Sam Tellig Dec 28, 2008 Published: Oct 09, 2008 0 comments
Most of this column is dedicated to two hi-fi products for the masses—not from Lvov, via Vladimir Lamm, of Lamm Industries; or from Leningrad, via Victor Khomenko, of Balanced Audio Technologies; nor from any other Soviet-born audio hero. (Neither Vladimir nor Victor is on the list of "Name of Russia" contenders for greatest Russian of all time.) Nor from any consumer audio company, but from the world of professional audio. An Iron Curtain almost separates the two.
Sam Tellig, Alvin Gold May 14, 2013 Published: Jan 01, 1985 3 comments
The Boston Acoustics A40 loudspeaker ($150/pair) has become "legendary" (ie, it's stayed around for a while), probably because a pair of them images as well as Rogers LS3/5As. Unfortunately, it is no match for the LS3/5A in terms of smooth midrange response. Of course, at $150/pair, it shouldn't be.

I was originally going to do a review comparing the Spectrum 108A ($200/pair) and the Boston Acoustics A40. On first listen, I was mightily impressed by the A40. But after Stereophile's Larry Archibald schlepped me out a pair of the 108As, I didn't much want to listen to the A40s.

Sam Tellig May 29, 2009 Published: Mar 01, 2009 0 comments
In 1989, Cambridge Audio, then run by Stan Curtis—who is still active in hi-fi— introduced their DAC 1. At about the same time, within a few weeks of each other, Arcam introduced their Delta Black Box and Musical Fidelity their Digilog. I forget who was first among the three. Arcam, I think. But the DAC race was on, led by the British. (There was even a DAC called the Dacula.) US companies got into the DAC race, too—at higher prices, of course.
Tube Power Amp Reviews
Sam Tellig Jan 29, 2002 0 comments
It's always good to tear into a good steak with Tor Sivertsen, Conrad-Johnson's main marketing man.
Tube Preamp Reviews
Corey Greenberg, Sam Tellig Jun 09, 1995 Published: Jun 09, 1993 0 comments
Last September, in Vol.15 No.9, I started my quest for the Ultimate Kilobuck Tube Amp with reviews of the $995 Panor/Dynaco ST70-II and the $1695 Nobis Cantabile. While neither really fit the bill—the Dynaco fell a bit short in terms of sonics, while the Nobis was priced a bit higher than a thou—they got me thinking of the Ultimate Kilobuck Tube Preamp. Because the greatest amp in the world can only sound as good as whatever drives it, and there's no sense looking for a kick-ass affordable tube amp if you're going to play Scrooge McDuck when it comes to the preamplifier.
Sam Tellig, Lewis Lipnick May 09, 2008 Published: Dec 09, 1992 0 comments
Crown?
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