Do high-end cables make an audible difference? Or are they cosmetic enhancements, like fancy wheels on high-performance cars? The New York Times, the nation's foremost newspaper, took up the issue in a December 23 piece in "Circuits," its weekly technology section.
Rolling Stone is going head-to-head with MTV. Last week, Wenner Media, Inc, announced a partnership with JamTV to create a music site on the Web. Wenner is the parent company of Rolling Stone magazine. JamTV is an eight-month-old Internet start-up that broadcasts live concerts.
Among major American cities, San Francisco probably ranks near the top in culture per capita. It's therefore no accident that an Internet venture billing itself "the world's first website journal of classical music criticism" should have originated there. The site, San Francisco Classical Voice, is celebrating its first six months online.
Rare violin dealer Geoffrey Fushi has devoted many of the past several years and a substantial portion of his liquid assets to producing The Miracle Makers, a reference book-and-recording project honoring the works of Antonio Stradivari and Giuseppe Guarneri del Gesu, late 17th- and early 18th-century makers of the world's most sought-after violins. Fushi is also the founder of the Stradivari Society, a philanthropical organization of violin fanciers who loan their invaluable instruments to gifted students. Members believe that their treasures were intended to make music, not merely to gather dust in heavily guarded vaults.
The Consumer Electronics Manufacturers Association's recently released U.S. Consumer Electronics Industry Today indicates a healthy glow on the cheeks of specialty audio. US exports of component audio products amounted to $2.12 billion in 1997, an increase of 12% over the previous year's total of $1.89 billion. 1997's total represents a 25% increase over 1995, when almost $1.7 billion in separate audio products went out of the country. The figures are compiled by CEMA from US Department of Commerce figures.
Chris Keeler was the first guy I ever knew with an exotic turntable and a record library that most radio stations would envy. The love of music was a driving force throughout his life, one that sustained him right to the end.
The audio community's "Great Debate" has reached an amazing level of absurdity. On one side are the Objectivists, whose rationalist argument insists that all human auditory experience is the result of electro-physical phenomena which can be measured and mapped using established scientific methods. On the other side are the Subjectivists, romantics who believe in the synergistic interplay of music, room, equipment, and listener, and whose attempts to describe their experiences tend toward the florid and metaphorical.
Saturday, September 26, thousands of enthusiastic audio-savvy attendees began swarming through the massive cavern of the Moscone Center's North Hall in San Francisco. They will continue to swarm until late Tuesday, September 29, the last day of the 105th Audio Engineering Society Convention. The convention has attracted hundreds of companies whose products are extravagantly displayed in the huge space beneath the Yerba Buena Gardens. Demonstrations of new products and technologies also take place in smaller rooms off the main floor. Research papers are being presented in meetings throughout the four-day event.