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Stereophile Staff Posted: Aug 29, 1999 0 comments
Flat frequency reponse in an audio component is good, right? Well, maybe not always, explains J. Gordon Holt in Down With Flat! JGH: "Many times in past years I have been impressed by the incredible flatness of the measured high-end response of some speakers. . . . In every such case, I have been equally amazed at how positively awful those loudspeakers sounded—so tipped-up at the high end that I could not enjoy listening to them."
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Stereophile Staff Posted: Jun 13, 1999 0 comments
Writer Robert Deutsch takes an in-depth look at the Hales Design Group Revelation Three loudspeaker in an attempt to determine whether the product lives up to its name. He also checks into the manufacturer's claim that "what we made will forever change the world of dynamic loudspeakers . . . an instant classic, a benchmark against which others of its type are measured."
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Stereophile Staff Posted: Apr 02, 2000 0 comments
For "Fine Tunes" #17, Jonathan Scull presents readers with the ultimate bachelor-pad mod for speaker stands: shiny black trash bags. More important, Scull investigates why we even try these things in the first place.
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Stereophile Staff Posted: Apr 05, 2004 0 comments
From the January 1996 issue, Jonathan Scull listens closely to the Wavelength Audio Cardinal XS monoblock amplifier. Single-ended tube designs such as the Wavelength can inspire controversy within audiophile ranks, so Scull carefully sorts the plusses and minuses.
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Stereophile Staff Posted: Oct 03, 1999 0 comments
In his review of the VTL MB750 monoblock power amplifier, Brian Damkroger asks: "How much power do you really need? What does it do for you, anyway?" His answer may surprise you. Also added to the Archives this week is Damkroger's in-depth history lesson and interview with the man behind the company, "Making Tubes User-Friendly: Luke Manley of VTL."
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Stereophile Staff Posted: Apr 21, 2002 0 comments
In his review of the Music Reference RM-200 power amplifier, Michael Fremer claims, "Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people." MF explains why he reviewed the RM-200 despite the inevitable public humiliation.
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Stereophile Staff Posted: Jan 07, 2001 0 comments
Writer Brian Damkroger had always wanted "a really good, big solid-state amp" to match his Magnepan loudspeakers. So when the Classé CAM 350 monoblock power amplifiers arrived, it seemed like at least one of his dreams had finally come true. But was it a match made in heaven? Damkroger lays out the details in his January, 2001 review.
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Stereophile Staff Posted: Aug 16, 2004 0 comments
Paul Bolin notes, "Bankers and doctors bought McIntosh, not 'serious' audiophiles. So ran the conventional wisdom." While reviewing the McIntosh MC501 monoblock power amplifier, PB discovers that conventional wisdom can be anything but wise.
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Stereophile Staff Posted: Nov 14, 1999 0 comments
One of the more popular monthly columns in Stereophile these days is Jonathan Scull's "Fine Tunes." To keep our online readers fit and tweaked, we are going to be adding Scull's columns to the online Archives section on a weekly basis, starting with the first column he wrote for the magazine, back in July 1998: "Fine Tunes #1." "I think I just got 2000 bucks' worth of difference," writes a reader about the value of the advice contained in J-10's first installment.
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Stereophile Staff Posted: Jun 04, 2000 0 comments
With multichannel DVD-Audio just around the corner, the surround-sound debate among audiophiles is starting anew. But how far have we come with surround sound in 30 years? J. Gordon Holt wrote "Bye Bye, Quadrifi?" back in 1971, in which he explored the same dilemmas faced by today's audiophile.

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