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Stereophile Staff Posted: May 26, 2002 0 comments
Back in 1987, J. Gordon Holt & Martin Colloms set their sights on the Audio Research M300 monoblock power amplifier. "After having proven that vacuum tubes could do some sonic things better than transistors, Audio Research is now endeavoring to show that transistors can do most things better than tubes," says JGH, adding that the then-new M300 is a "hybrid amplifier . . . it's half tube, half solid-state."
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Stereophile Staff Posted: Mar 17, 2002 0 comments
Michael Fremer gets a chorus of oohs and ahhs as he sets up the Hovland Sapphire power amplifier in his listening lair. While the Hovland is certainly a sweet-looking amp, MF rightly points out that "looks alone don't sell hi-fi equipment in the specialty audio market—especially when you're asking $7800 for a 40Wpc two-channel amplifier."
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Stereophile Staff Posted: May 24, 2004 0 comments
"Size does matter," John Atkinson discovers, as he fits the Shure E3c in-ear headphones into his ears. Once fitted, JA hooks the mini "cans" up to his iPod and PowerBook to discover how much audiophile sound a little set of ear buds can produce.
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Stereophile Staff Posted: Nov 25, 2001 0 comments
Jonathan Scull takes a gander at the dCS Purcell D/D converter, and tries to make sonic sense out of the merits of upsampling. Scull writes, "So while the true differences between upsampling and oversampling remain murky, my pleasant mission is to report on the sound of the Purcell and compare it to the latest version of the pro-audio version, the 972."
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Stereophile Staff Posted: Nov 10, 2003 0 comments
The first part of our subwoofer review trilogy finds Larry Greenhill plumbing the depths with the Paradigm Reference Servo-15 powered subwoofer. Greenhill says that the wide range of adjustments available on the Servo-15 can help it blend into most environments—but having all that choice can cut both ways, notes LG.
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Stereophile Staff Posted: Sep 02, 2001 0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."
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Stereophile Staff Posted: May 04, 2003 0 comments
In 1997, Martin Colloms reviewed the Krell Full Power Balanced 600 power amplifier, wondering "Can a 600Wpc amplifier be relevant to domestic high fidelity?"
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Stereophile Staff Posted: Feb 20, 2000 0 comments
Markus Sauer is in a ponderous audio mood: "When several listeners each play music they like on the system, their reaction should be more uniform. But it isn't. What irks me is that, while we seem to be able to agree pretty well on how a system sounds, there seems to be no consistency of emotional reaction to this sound . . . " Sauer works through this troubling aspect of being an audiophile in "God is in the Nuances." "This journal has seen a number of thoughtful ruminations on what it is that attracts us to music or to a given audio component, and how we should describe that attraction." Now it's Sauer's turn.
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Stereophile Staff Posted: Aug 12, 2001 0 comments
As Larry Greenhill states in his review of the MartinLogan Prodigy loudspeaker, "Electrostatic speakers are my passion." But Greenhill's heard a lot of great 'stats in his time, so he was "both excited and uneasy" when a review pair of MartinLogan's latest arrived in his listening room. He needn't have worried.
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Stereophile Staff Posted: Jun 24, 2001 0 comments
As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."

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