Stereophile Staff

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Stereophile Staff Posted: Oct 17, 1999 0 comments
Madrigal Audio Labs designed the original Mark Levinson No.30 nearly 10 years ago with the idea that, as a Reference Series product, it would never be made obsolete. John Atkinson reviews the No.30's latest upgrade, the Mark Levinson No.30.6 Reference D/A processor, after sending his personal unit from 1992 back to the factory for the required work. What he got back included new D/A converters in the unit's twin towers. Was it worth the effort, and does this processor still define the state of the art? You'll want to read his report to find out.
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Stereophile Staff Posted: Oct 10, 1999 0 comments
In his review of the Wadia 830 CD player, Brian Damkroger states: "My take on the Wadia was that: a) it probably wasn't going to sound that much better than the best of the $1000-ish players I had around, and b) even if it did, the differences wouldn't matter enough to me to justify its cost. My audio path took a dramatic turn one weekend, however, when a pair of cable manufacturers stopped by to demo their new products." Read about his journey and the ultimate audio destination will be revealed.
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Stereophile Staff Posted: Nov 10, 2002 0 comments
John Atkinson and Arnis Balgalvis audition the Avalon Eclipse loudspeaker, whose quasi-anechoic TDS response prompted JA to exclaim, "Boy, that's flat!" But is flat where it's at? AB thought so: "The sound I heard was truly outstanding."
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Stereophile Staff Posted: Feb 04, 2001 0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.
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Stereophile Staff Posted: Oct 27, 2002 0 comments
"We are now well past the era in which every review of digital playback equipment had to begin with an apology for the medium," writes Thomas J. Norton. As a case in point, TJN takes the Mark Levinson No.37 CD transport & No.36S D/A converter out for a couple of spins.
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Stereophile Staff Posted: Dec 09, 2001 0 comments
For the tenth consecutive year, Stereophile writers and editors ferret out those components that have proved capable of giving musical pleasure beyond the formal review period and have wrapped them all up as The 2001 Products of the Year. The envelope please.
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Stereophile Staff Posted: Oct 29, 2000 0 comments
John Atkinson points out that "a much-touted benefit of DVD-Audio and Super Audio CD is that these new media can store digital audio data extending one or more octaves higher in frequency response than the capabilities of the CD." But is this a difference that makes a difference? Atkinson examines the mounting pile of data in What's Going On Up There? Is there recorded life above 20k? The answer may surprise you.
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Stereophile Staff Posted: May 28, 2000 0 comments
Build the audiophile kingdom and they will come . . . or do we need to get out there and proselytize? In "Fine Tunes" #22, Jonathan Scull looks at the debate both ways and comes to a conclusion.
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Stereophile Staff Posted: Nov 14, 1999 0 comments
One of the more popular monthly columns in Stereophile these days is Jonathan Scull's "Fine Tunes." To keep our online readers fit and tweaked, we are going to be adding Scull's columns to the online Archives section on a weekly basis, starting with the first column he wrote for the magazine, back in July 1998: "Fine Tunes #1." "I think I just got 2000 bucks' worth of difference," writes a reader about the value of the advice contained in J-10's first installment.
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Stereophile Staff Posted: Jul 27, 2003 0 comments
In his review of the Clearaudio Champion 2 turntable and Unify tonearm with Benz Micro L2 phono cartridge, Paul Bolin notes, "Turntables are intrinsically cool. Maybe it's that I am of the pre-CD generation, for which the acquisition of one's first really good turntable marked an audiophile's coming of age." Bolin explains why the Clearaudio is a really good player.

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