CES 2016

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Jon Iverson  |  Jan 15, 2016  |  0 comments
Here are a couple photos of the two products in the Lenbrook (distributors of NAD, PSB and Bluesound) suite that included MQA. Above is the Bluesound Vault 2 streamer and CD file ripper ($1,199) and below the NAD M12 Preamplifier/DAC ($3,499). Both units on display include the necessary firmware and software to decode MQA files.
Jon Iverson  |  Jan 15, 2016  |  0 comments
The new Aurender A10 should be arriving this summer for approximately $5,000 and should cover just about all of your digital file playback and streaming needs. Inside will be a 2TB drive for storage and 120GB SSD cache to improve playback quality, with Tidal native as well.

On the back are both balanced and unbalanced analog outputs and USB, Ethernet and optical digital inputs. Formats handled include PCM up to 32/384 and DSD128.

Jon Iverson  |  Jan 15, 2016  |  0 comments
I've recently had a great run with Chord products in my system including the Hugo TT DAC and now the small-sized Mojo (mobile joy) headphone DAC. On the opposite end of the spectrum from the Mojo is DAVE which the company says is the most advanced DAC they've made so far.
Jon Iverson  |  Jan 15, 2016  |  0 comments
Audio Alchemy was relaunched again in 2015 with a stellar lineup of designers including Keith Allsop, Peter Madnick and Dusty Vawter. And it appears no expense was spared showing their product line up at CES. Occupying one of the larger suites, with co-exhibitor TAD, at the top of the Venetian only served to emphasize how compact the products are.
Jon Iverson  |  Jan 15, 2016  |  0 comments
One of my favorite new digital products, from an industrial design point of view, is the new all-in-one system from French company Micromega, designed by Daniel Schar. Assuming you have a nice flat place to put it (flat or on a wall), you can request a custom finish or go with standard black or bright orange as shown in the photo.
Jon Iverson  |  Jan 15, 2016  |  7 comments
CES being quite hectic and hotel rooms being what they are, I try not to do too much listening on the 29th and 30th floors of the Venetian (there are exceptions and the upper suites are a different story, sound-wise). But Vincent Galbo in the MSB room on floor 29 politely insisted I listen to the new Select DAC on the YG speakers they had set up, driven by MSB amps. He played a CD and it was some of the best sound I've ever heard at a show!
Jon Iverson  |  Jan 15, 2016  |  12 comments
For some reason I liked this product the moment I saw it. And at $1,099, including a lifetime full Roon license (for $1,000 you get a lifetime limited Roon license), it became even more interesting once I started digging into the features. Essentially, you can run Roon on your tablet and use the DS-S101 as your endpoint without the need for a computer.
Jon Iverson  |  Jan 15, 2016  |  1 comments
We had spent the morning and early afternoon listening to systems in the big suites, and now it was time to downscale the room size and budget just a bit. I promised Graham Nash that we would try to mix up the types of products he heard, so we headed down to Devore Fidelity on the 30th floor of the Venetian.
Jon Iverson  |  Jan 15, 2016  |  1 comments
The day was getting long at this point and we'd already listened to a couple hour's worth of music, but we wanted a little variety from the floor-standing speakers we had heard to far. So we popped into the Crystal Cable/Siltech room to hear This Path Tonight on a dimensionally smaller system.
Herb Reichert  |  Jan 14, 2016  |  0 comments
Conrad Johnson's TEA 2 phono stage was being fed by one of my favorite moderately priced record spinners: the Acoustic Signature WOW XL ($2395) with its own TA-1000 tonearm ($1995) and an Ortofon 2M Black moving-magnet cartridge ($755). The CA150 integrated amp was driving the 2-way, stand-mounted Penaudio Cenya Signature loudspeakers ($4000/pair)—the presentation had this fast forward-moving grainlessness that I found quite beguiling.
Herb Reichert  |  Jan 14, 2016  |  1 comments
I talked with Bill Johnson for about 30-minutes, but it was enough to know I was completely enamored with the new Conrad Johnson CA150 integrated amp ($5000, or $7000 for the "ST" version with better parts) and the so-right sounding TEA 2 Triode Equalization Amplifier (aka RIAA phono stage) which costs $3300 stock, or $4500 with Teflon caps.
Herb Reichert  |  Jan 14, 2016  |  0 comments
In a second GoldenEar room they had a Jefferson nickel standing on edge on top of the new "Super Sub X" bass speaker ($1249 each).
Herb Reichert  |  Jan 14, 2016  |  0 comments
GoldenEar was showing two new models at CES: the Triton 3+ ($2500/pair) and the larger Triton 2+ ($3500/pair). Both new GoldenEar loudspeakers have powered low-frequency drivers. The Triton 2+ and 3+ models both have new bass-mid drivers, new balanced crossovers, new bass tuning, and "new Triton 1 voicing!" Both models could move and handle like European race cars.
Herb Reichert  |  Jan 14, 2016  |  0 comments
ELAC America introduced a new 100Wpc, class-A/B integrated amplifier with a switching power supply, the "Debut Series DA101EQ" ($499), which looked so Walter Gropius' Bauhaus: Moderne. I was deeply impressed by its industrial design quotient. Hidden inside its elegant 2.1-channel skin, the ELAC integrated includes an "Auto Blend" control feature that measures the nearfield response of your main speakers and subwoofer and then corrects phrase and adjusts crossover frequency to suit the listener's room.
Herb Reichert  |  Jan 14, 2016  |  0 comments
In addition to the Cary Audio AiOS, Cary Audio Design was showcasing its elegant DMS-500 network audio player/digital music streamer ($4999), which they claim, is virtually "future-proof."

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