The Thiel TM3 loudspeakers ($3500/pair) looked extremely nicebut it was hard to listen. All I could think about was that girl on the poster's lips and the shadows on her cheeks. The cut angles on the TM3s seemed to match her face. And the flowersI can't remember the last time I saw flowers in a CES room.
Matthieu Latour, Nagra's Marketing Director, spent time showing me the Swiss company's new Classic Integrated Amplifier ($19,450). Both Nagra's Classic Integrated Amplifier and Classic stereo power amplifier deliver 100Wpc into 8 ohms and are strikingly similar, but differ in that the integrated unit has 3 RCA inputs and 1 XLR input and cannot be bridged. It uses a solid-state circuit preamplifier section. The Classic Integrated amplifier will be available in May, 2016.
Pass Laboratories celebrated its 25th Anniversary in business by introducing its HPA-1 headphone amplifier ($3500). The circuitry is a two-stage CFA topology using cascaded ultra-low noise Toshiba JFETs driving complementary Fairchild power MOSFETs running in class-A.
Pass Laboratories designer Wayne Colburn showed me their new INT-60 Integrated amplifier ($9000). Rated at 60Wpc, the amplifier uses the same heatsinks, power supplies, and output stages as the Pass Point 8 power amplifiers.
Quad electrostatic loudspeakers have been unavailable in the United States retail market for the past few years because there has been no importer. In the past 12 months, MoFi Distribution has stepped up to develop a dealer network and provide service. Jonathan Derda, Mo-Fi's National Sales and Marketing Manager, described the new service center in Fairfax, Virginia that will service all vintages and versions of the loudspeaker.
Scientific Audio Electronics (SAE), founded in 1967, has been out of business for decades. Recently, Morris Kessler of ATI, manufacturers of the ATI and Theta brands,helped restore the company. At CES, Bill Skaer, National Director of Sales, presented the firm's latest amplifier, the 125 lb, SAE 2 HP-D Display version ($19,995).
VTL Amplifiers, Inc. introduced the $3000 TL-2.5i Performance Preamplifier at CES 2016. It features 6 line inputs, an optional $2000, internally retrofitable phono stage, two pairs of outputs, and a tape loop.
The picture shows the inside of Nagra's new HD Amp, whose 6 output devices are specified as driving 270W into 8 ohms, 1kW into 2 ohms. The HD Amp was on passive display, but Nagra's all-Nagra component chain, feeding Wilson Audio Sabrina loudspeakers, made quite a favorable impression.
Shipping in the second quarter of 2016, Meitner's extremely powerful MTRX2 1kW monoblock amplifiers (price around $80,000/pair), which output 600W into 8 ohms and 1000W into 4 ohms, may be the weaker siblings of their flagship MTRX predecessors, but they have their own proprietary topology to make them feel their equal.
I've been variously enamored and critical of the sound of Acapella loudspeakers and electronics on previous occasions, but here, in a space I would have considered too narrow to be optimal, the German-handmade Acapella Cellini ($55,000/pair) sounded excellent. Never before shown at a US show, the Cellini stands out due to its hyper-spherical midrange horn. (The Acapella Violin, for example, has a spherical horn.) It also has Acappella's TW1 ion tweeter, and claims an overall frequency range of 28Hz40kHz , and a sensitivity of approx. 91dB/W/m.
Now this is an interesting one. Using the same Dan D'Agostino Momentum monoblocks ($65,000/pair) as in the Wilson Alexia/dCS suite in the Mirage, albeit with the new case work; the same dCS Rossini player ($28,499) and Rossini Clock ($7499) as in that room, and whose sound I know quite well because I've spent considerable time with the player in my own listening room; an even higher Opus level of Transparent Cabling than in the Wilson/dCS suite; and the not too shabby Dan D'Agostino Master Audio Systems Momentum preamplifier ($32,000), EgglestonWorks' Ivy Signature SE Reference Series loudspeakers ($155,250/pair) made an entirely different impression.
"It's the only loudspeaker under 6 figures with a beryllium midrange diaphragm," Paradigm's Erin Phillips told me about the Paradigm Concept 4F (price not set, but expected to be under $40,000/pair), a speaker that has been forthcoming since last May's Munich High End, and probably won't arrive until late summer/fall 2016. The Canadian-crafted, full-range loudspeaker combines four powered 8.5" wooferstwo front-firing and two rear-firing in "vibration-cancelling configuration"with passive TruExtent® 1" beryllium-dome tweeters and 7" midrange drivers.
Boldly proclaiming that its new the Renaissance ESL 15 A ($24,995/pair) combines a 45" x 15" electrostatic transducer with dual 12" aluminum-cone woofers, dual 500W woofer amplifiers, bass and mid-bass level controls, and Anthem room correction, MartinLogan proceeded to mate it with excellent Constellation Audio amplifiers and MIT cabling.
Aesthetix's Jim White (above right), along with the company's distributor, Garth Leerer of Musical Surroundings, showed off the new, Aesthetix Saturn Atlas Eclipse monoblock amplifier ($25,000/pair). An evolution of a product first launched 10 years ago, the Saturn Atlas Eclipse sports super-matched output devices that effectively lower noise by 40%.