Times are hard. Our current economic landscape bears more than a passing resemblance to that darkest of American nightmares, the Great Depression. As I write this, the House of Representatives is set to vote on a $700 billion bailout plan to buy distressed mortgages and thereby offer a crutch to our ailing financial system. Times are hard, yet we persevere. Though we may lack some discretionary income, we find ways to maintain the essentials: food, clothing, shelter, and, for audiophiles, music. So for a short while at least, let's put aside our struggles and lighten up. After all, this great hobby of ours is meant to be fun, and is supposed to cure any depression. Let's celebrate music, and those wonderful audio components that bring us closest to it.
Well, ladies and gents, it's been a long year. As I write this, on an unusually humid and hazy October morning, I'm still feeling the lingering effects of my beloved Mets' sudden and tragic collapse from the top of the National League East. I sat there, at Flushing Meadows' Shea Stadium, covered in peanut shells and with tears in my hazel eyes as the scoreboard went cruelly blank and Coldplay's "The Scientist" wept over the stadium loudspeakers. It was brutal.
This Is The Perfect Time—the time of year we love most. Madison Avenue's confounding street signs are suddenly dressed in green and red wreaths, the city's weary scaffolding blinks happily with golden light, the ordinary clamor of traffic and jackhammers is magically transformed into jingle bells and drummer boys. There is music everywhere and nothing to get in our way: A look down the avenue in either direction throws open a window to all that is past and all that is to come.
What're they all about, these so-called Products of the Year? Why do we put so much time and energy into the voting? Why compile a list of all the products we've reported on in Stereophile over the last 12 months, putting little checkmarks and stars and numbers and other irreverent doodles and dashes beside their already silly names? Certainly all this hullabaloo isn't for our health. It's not even fun. It doesn't promote that strange, weird, and wonderful tingling feeling way down in the toes. It doesn't taste good. And chicks don't really dig it. So: Why?
Stereophile's "Products of the Year," now in its 13th year, recognizes those rare components that prove capable of giving musical pleasure beyond the formal review period. These are the components that can be recommended with no ifs or buts, that will grace any system in which they are used.
Since 1992, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year." These are the components that can be recommended without any ifs or buts, that will grace any system in which they used.
For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year."
"Most important." That was the phrase I used when I e-mailed the members of Stereophile's extended family of reviewers and writers to ask for suggestions when I began to compile this list. I didn't want to be more specific because I wanted to cast the net as wide as possible. But there are many factors that make an audio component "important": design innovation, sound quality, sales figures, influence on other designers, influence on the evolving market, influence on system synergy.
For the tenth consecutive year, Stereophile recognizes components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year."
Since 1992, Stereophile has named a select few audio components its "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
Since 1992, Stereophile has named a select few audio components its "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
For the seventh consecutive year, Stereophile has named a select few audio components the "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
For the sixth consecutive year, Stereophile has named a select few components as "Products of the Year." By doing so, we intend to give recognition to those components that have proved capable of giving musical pleasure beyond the formal review period.
This is the fifth year Stereophile has named a select few components as "Products of the Year." By doing so, we intend to give recognition to those components that have proved capable of giving musical pleasure beyond the formal review period.
This is the fourth year Stereophile has named a select few components as "Products of the Year." By doing so, we intend to give recognition to those components that have proved capable of giving pleasure beyond the formal review period.