SSI 2014

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Robert Deutsch  |  Apr 01, 2014  |  5 comments
At last year's SSI, the show management asked exhibitors to assemble systems that are "entry level" in a high-performance audio context, costing less than $5000. (We can argue—and some people did—about whether <$5000 is a realistic figure for "entry level," but, audiophiles being the way they are, you're going to get an argument regardless of the figure.) In any case, relatively few exhibitors followed through with this last year. At SSI 2014, show management made more of a concerted effort to persuade exhibitors to participate, and indeed there were a lot more of the little blue "$5000 System" signs throughout the show.
Robert Deutsch  |  Apr 01, 2014  |  2 comments
Now, that's a real speaker! Unless you examine it, or read the literature on the Tannoy Canterbury GR ($30,000/pair), you might think that you're looking at a speaker made more than a half-century ago: a very substantial floorstander that's wide as well as deep, making no concession to modern speaker design ideas like keeping as narrow a front baffle as possible.
Robert Deutsch  |  Apr 01, 2014  |  0 comments
With Bam Bam and Pebbles as product names, I thought I was merely stating the obvious in a previous show report when I suggested that the designer of Tri-Art Audio products must be a Flintstones fan. I mentioned this to the Tri-Art people at SSI 2014, asking whether they were paying royalties for using these names, and was told that they never thought of any connection with the Flintstones: Bam Bam is a reference to the use of bamboo in their products. (I still don't know how "Pebbles" comes into it.)
Robert Deutsch  |  Apr 01, 2014  |  0 comments
No audio show would be complete without a new or revised speaker model from Gershman Acoustics. At SSI 2014, the new offering from Gershman was the Avant Garde R-1 ($8000/pair), replacing the previous R-44. It's a fairly unobtrusive tapered-toward-the-top floorstander, and was sounding lively and open with Audio Flight electronics. Gershman has also moved into component supports with their Levitation Vibration Control devices that use opposing magnets. As you can see in the photo, they now have a version of these devices for cables.
Robert Deutsch  |  Apr 01, 2014  |  0 comments
Resonessence Lab, based in Kelowna, BC, is a company making cutting-edge digital equipment. The top of the line is the Invicta Mirus ($4995), a D/A converter that uses 8 DACs per channel, and handles DSD64/128, DXD, and claims THD of 0.0002% (–114dB). In true trickle-down fashion, it has been joined by the Invicta ($599), still with the same DSD/DXD capability, and THD only a slightly less impressive 0.00032%. Their latest product is the Herus headphone DAC ($350), this one with THD a whopping 0.003% THD. They're shown right-to-left in the photo.
Robert Deutsch  |  Apr 01, 2014  |  0 comments
The "Swiss Army Knife" metaphor has been applied to many audio products, but the metaphor has never been more apt than referring to the new Cocktail Audio X30 ($1899). Made in Korea and imported to North America by Audio Plus/Plurison, the X30 is described as an "all-in-one HD music server/network streamer/CD storage." However, that doesn't describe all of its capabilities. If you look at the connections in the back (bottom of the picture), you'll see speaker connections, so it's also an amplifier. (I'm not sure, but I think the number in the model designation indicates the watts per channel.)
Art Dudley  |  Apr 01, 2014  |  1 comments
The photography used in the display materials associated with Totem loudspeakers are of consistently very high quality. That said, during my stroll through the Pavillon du Canada at this year's SSI, I finally noticed something about the people in those photos: They are exclusively female, and they are almost always barefoot. As a male who is as ignorant of the principles of the psychology of marketing as he is hesitant to go barefoot anywhere but the beach, the bath, and the bed, I am puzzled (but not troubled).
Art Dudley  |  Apr 01, 2014  |  0 comments
Here we see Steven Huang of Audio Sensibility waiting on a customer at his SSI display. His Toronto company offers custom cables at sanely low prices—starting at $129/meter for their entry-level interconnect—and sweetens the deal with custom-machined stainless steel (not aluminum, or even aluminium) connector shells and a 30-day money-back guarantee.
Art Dudley  |  Apr 01, 2014  |  5 comments
For whatever reason I didn't hear many word-of-mouth recommendations as I wandered the halls during the first two days of SSI; the few that did break through the haze pointed to two products: the Eclipse TD-M1 desktop loudspeakers in one of Coup de Foudre's rooms, and the Muraudio Domain floorstanding loudspeakers ($58,000 per pair): about as different as different can be. Just as I discovered with the Eclipses, the Muraudio speakers deserved the buzz.
Art Dudley  |  Apr 01, 2014  |  0 comments
I admit some confusion: According to the product sheets found near this static display, almost every one of Tri -Art Audio's 20 products is named either Pebbles or Bam Bam. That said, here is the Ontario-based company's $1150/pair mini-monitor. It is named Bam Bam. Bob Deutsch was similarly puzzled by the company's dem room.
Art Dudley  |  Apr 01, 2014  |  1 comments
Speaking of companies that specialize in affordable audio cables, Quebec's BIS Audio was doing a very brisk business in the Pavillon du Canada.
Art Dudley  |  Apr 01, 2014  |  0 comments
Although their sign suggested that this was a passive display, the Blue Circle Audio table in the Pavillon du Canada was anything but. The always-colorful Gilbert Yeung offered visible and audible proof that his line of PLC Thingee power-line conditioners—with prices starting at $CAD220 each for the four-outlet versions in the foreground—effectively removed noise from household AC current. I was thoroughly impressed (not to mention entertained).
Art Dudley  |  Apr 01, 2014  |  0 comments
Evolution Home Entertainment's Saxe Brickenden—who was honored with a Lifetime Achievement Award during the SSI party—displays the Massfidelity Relay ($249), a combination Bluetooth receiver and 24-bit D/A converter intended for wireless streaming from your iPhone to your hi-fi.
Art Dudley  |  Apr 01, 2014  |  0 comments
Mark Waldrep of AIX Records didn't bring to SSI any new releases, per se; instead, he brought along a renewed enthusiasm for debating the controversies within the high-resolution music community—and an invitation for showgoers to visit him on www.realhd-audio.com, where they'll find up-to-date news and views on all things HD, as well as a selection of free high-definition-audio sample files.
Art Dudley  |  Apr 01, 2014  |  1 comments
Experience says that one must wait in line to hear the MBL system at any hi-fi show, and SSI 2014 was no exception. Similarly unsurprising was the realistically vivid sound on tap, with levels of color and texture that, in a strange way, stood in contrast to the resolutely smooth, monochromatic appearance of their gear. (Maybe that's intentional?) This year I was entertained by a variety of musical excerpts, including a snippet of Beethoven's Piano Concerto 2, through MBL's C31 D/A converter/CD player ($9200), C11 stereo preamp ($8800), C21 stereo amp (9200), and 116 F loudspeakers ($29,000/pair), with Siltech cables and a generous sprinkling of Shun Mook Mpingo discs.

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