SSI 2014

There is a long-standing tradition of a snowfall in Montreal during or just after the show; in fact, several people at SSI 2014 joked with me about whether there would be some "audio snow" this time. For a while, it looked like this year would be an exception—and then the snow came down Sunday morning, blanketing the city.

A sub-$5000 system that apparently involved careful consideration of alternatives was the one assembled by Patrick Sareault, Director of Sales for Montreal area dealer Brosseau Audio Video. Serault told me that the first component he picked was the Hegel H-80 ($2000), a DAC/integrated amp (75Wpc) that had impressed him greatly. He combined this with the Dali Zenzor 7 loudspeaker ($1700/pair) and Marantz CD 5004 CD player ($550). That brought the price up to $4250. The next item in the system was one that's seldom considered in assembling an audio system, but which he thought was extremely important in getting the best sound: a high-quality AC duplex receptacle ($50, made by BIS Audio). Cables from BIS Audio brought the total up to $5000—or a bit more, depending on the cables.

Sony's contribution to the sub-$5000 system endeavour was a combination of the HAP-S1 Hi-Rez digital playback/amplifier/HDD unit ($999) and a pair of SS-HA speakers ($698/pair). As you can see from the picture, the setup was not ideal for listening.

A system with true high-end audio credentials that came in just under the $5000 limit was one based on the Dynaudio X14 ($1500/pair), with electronics by Atoll (ST 200 streamer, $2000, IN 100SE integrated amp, $1450). This was one of the side-of-the-room setups, so the potential sound quality was difficult to judge, but I've admired the sound of the X14 before, and from what I know of Atoll equipment, this should be a good combination.

It's a fondly regarded part of every SSI: a single large ballroom given over to small exhibits—some active, most of them passive—of products that are designed and made in Canada. Among the most striking sights in this year's Pavillon du Canada was something that I can describe only as The Big, Orange Turntable, which sat near the center of the floor: unlabeled, unattached to any other components, and apparently unrelated to any known exhibits. Big, Orange Turntable, we salute you.

Like the gentleman seen browsing through the crates of LPs offered by Aux 33 Tours—the Montreal vinyl specialists who shared SSI space with hi-fi retailer Acoustic Technologies—I too have a record-shopping hat. I wear it for good luck whenever I leave the house in search of rare vinyl. Especially in cold weather.