Kalman Rubinson mentions the big news from Cambridge Audio earlier in this report: the Minx Xi streaming device. Also worth mentioning is that the company announced the $1,649 851D DAC/Pre, which in addition to normal DAC functions, can accept a stream from your phone or other Bluetooth device. Available now.
Project is adding some more midi-size products to its line. In addition to the STREAM BOX noted by Kal, a new product this year is the Class-A tube balanced output DAC BOX RS (pictured at the bottom right), which should be available now for around $1,000 or so. Users can switch between tube and solid state output and the DAC accepts all the usual inputs at PCM rates up to 24/192. Digital processing is built around two BurrBrown 1792 chips.
Above the DAC is the new PRE BOX RS Digital preamp/DAC also available shortly for $1,500. This one also had a headphone amp built in with switchable impedance and damping factor from the front panel.
Replacing the venerable CD5, Audio Research has released the new CD6 which includes asynchronous USB, and the other usual digital inputs. Inside are quad DACs running a balanced configuration that doubles/upsamples whatever comes in over USB and quadruples 44k and 48k digital sources.
Pricing is $9,000 and users will also be able to choose between two filters. AR stated that they see the CD6 as a bridge between discs collections and computer audio.
Jon Iverson reports elsewhere on Light Harmonic's cost-no-object Sire DAC. But the bigger buzz at the 2014 CES was the LH Labs Geek Pulse, a desktop DAC and headphone amplifier. Except that this product does not yet exist!
Pro-Ject easily wins the competition for who can offer the greatest number and variety of little audio boxes. With their range of turntables distributed around the room, they had an entire large wall covered with their devices, DACs, CD players, preamps, mono- and stereo-amps, switches, power supplies, tuners, and phono stages. They also had boxes with combinations and permutations of these functions and most of them came in more than one of their various ranges, E, S, DS, DS+ and RS, in order of feature set and price. I was most intrigued by their Stream Box DS music streamers, all of which handle up to 24/192 via WiFi, LAN and USB and offer Internet radio via vTuner as well as Spotify and other streaming sources. A 3.5" TFT color display shows text and album art. As you go up the line, you can add iOS and Android control, ALAC support, analog and digital inputs or, even, built in power amps. Prices start at under $1000.
Over at T.H.E Show at the Flamingo, and surrounded by booths offering all sorts of discs and their supporting paraphernalia, I came upon Darin Fong's table of laptops and headphones but he was not selling any of those. His company, Darin Fong Audio, is offering a software program called "Out Of Your Head" which reprocesses stereo and multichannel sources so that you can hear them as you would over a loudspeaker-based system. This is similar, in intent, to the marvelous Smyth Realiser that I reviewed in November 2010, but, at just $149, is much more affordable. Like the Smyth, it supports multiple presets (acoustic environment files) although it is not personalized to the user's own HRTF. It was also quite effective. There is free trial version on the website.
At the Furutech room, the news was about the latest ADL device, the GT40 Mk.II of which they said "The master of all trades just mastered another. . .DSD." That's right, their all-singing, all-dancing, multitasking GT40, reviewed by Art Dudley in September 2011, now adds DSD file playback to its playbook. That, of course, includes up to 24/192 PCM DAC and ADC, MM/MC phono input and a potent headphone amp. At $729, a small box to rule them all.
New compact streaming devices were popping up all over the Venetian and, to little surprise, there was something unusual at Cambridge Audio, one of the pioneers in this product category. Borrowing its name from CA's amazingly small speaker line, the Minx Xi ($999) is really a wireless compact music system in a box. Of course, it will stream all the usual lossy and lossless formats via UPnP at up to 24/96 and access many streaming services including Pandora and Rhapsody, It will also communicate with smartphones, tablets and other wireless devices by Wi-Fi or Bluetooth. Standard digital and analog inputs are provided. However, in addition to a line level subwoofer output, the Xi has a 40Wpc (8 ohms) stereo power amp and a headphone jack. Pretty slick stuff.
It is said that good things come in small packages and this CES offered proof of this. Among the very smallest of these is the Audioengine D3 Premium 24bit DAC, priced at $189. This tiny all-metal USB DAC is no larger than the flash-drives with press kits distributed freely at CES. Still, it handles up to 24/96 and requires no special drivers. How can good sound stuff get any smaller?
When I asked for something new and under $2000 at the Dali room, I was shown their new Kubik Free speaker ($1295/pair). This active compact single-stereo speaker with Bluetooth, USB, optical (up to 24/96) and analog was not exactly what I was looking for even though it did sound pleasant by itself. However, I was won over when it was demonstrated with its optional Kubik Xtra ($695) passive mate to produce some really spacious and open stereo sounds. Sure, adding the matching Sub 1 ($695) puts it over $2000 but the contribution to the sound was substantial. The Kubik system looks like and has the features of a life-style system but it is definitely a Dali.
I cadged a copy of the hot-off-the press February 2014 issue from the Stereophile room to read Bob Reina's enthusiastic review of the Epos Elan 10 loudspeaker, then headed over to Music Hall to find out what's new. The affable Roy Hall showed me some very new Epos speakers, the first ones designed under the leadership of Luke Creek. The bookshelf K1 ($795/pair, above) and the floorstanding K2 ($1750/pair) were striking in gloss white with exposed black drivers and a slotted port just beneath them. Compared to the more traditional Epos designs, these stood out visually but, although less expensive than the Elans, they sounded like members of the family.
SVS showed two new subwoofers, both based on a newly-developed 12" driver that features dual ferrite magnets, a reinforced Nomex spider, a long-throw rubber surround and tinsel leads integrated into the cone to eliminate tinsel slap and improve reliability. Each is also powered by a amplifier, the Sledge STA-500, rated at 500W continuous and it incorporates a DSP engine with an array of filters, controls for volume, gain and phase as well as a frequency-dependent limiter/compressor to control driver behavior. Both driver and amp come in a compact sealed design, the SB-2000 ($699, right above) with a FR of 19-240Hz and in a larger, more powerful ported design, the PB-2000 ($799, left above). During a brief audition, even the smaller SB-2000 seemed more than capable of filling the demo room with powerful, tight bass.
Aerial's new 6T loudspeaker ($6000/pair) is a 4-driver, 3-way and will be available in February. It sounded very promising: tight bass (the material didn't challenge the extreme bass, but what I did hearbass drumsuggested more extension than you might expect from two 150mm woofers); open top end, uncolored mids; fine imaging. Typically fine sound from Aerial Acoustics.
After years of thoroughly enjoying the sound of lower-priced electronics from Tri (Triode Corporation LtdJapan), always in pairings with Acoustic Zen loudspeakers, I was surprised to encounter the price of Tri's prototype Junone Ultinate [sic] reference preamplifier ($15,000). Due the first week of March, the Junone boasts outboard dual-mono power supplies, one for each channel, with separate volume controls for each channel that are connected to a center knob.
The $12,000 price tag for Burmester's first "entry-level" foray into class-D amplification, the 101 integrated amplifier, may not be cheap, but the unit certainly produced smooth and eminently listenable sound on a certain track by Chris Jones that offers no sanctuary for reviewers who encounter it at least once on every show floor. The 101, which pairs nicely with Burmester's 102 CD player seated above it in the photo, boasts five inputs, remote control, a headphone output, the company's XM layout design, and a "special" low volume setting that offers richer sound (and, for all I know, is comparable to the "loudness" function on the receivers of my youth).