CES 2014

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John Atkinson Posted: Jan 17, 2014 0 comments
VANA’s Kevin Wolff was showing off the new Liszt speaker, which is expected to sell for $15,000/pair when it becomes available at the end of the first quarter of 2014. This impressive sounding speaker has been in development for two years and combines a new version of VA’s distinctive flat coaxial HF/MF unit with three woofers operating below 150Hz, these mounted in different sub-enclosures and loaded with two vents.
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Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Gideon Schwartz of AudioArts NYC assembled an extremely fast system that delivered maximum color without any of the harsh, irritating edge that I encountered on many systems, both tube and solid-state, at CES. On Salvatore Accardo's well-worn Diabolicus in Musica LP of Paganini's solo violin music, as well as on a CD by the Musicians of the Nile, I was deeply impressed by the upward extension of the tone and the system's willingness to bathe music with the light it deserves. If the system wanted for the last iota of bass impact and clear delineation of low-lying lines, it nonetheless handled bass with a finesse that few hotel room set-ups offered, especially in the case of large loudspeakers sandwiched into small spaces.
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John Atkinson Posted: Jan 17, 2014 0 comments
The floorstanding Canalis loudspeakers in the Spiral Groove room, driven by Qualia digital source and amplification, were new to me, but were sounding clean, uncolored, and dynamic on the classic LP of Massenet’s Le Cid from Louis Fremaux and the City of Birmingham Symphony Orchestra, played on a Spiral Groove SG1.1 player fitted with an Ortofon Anna cartridge. Like all Canalis speakers, the new Amerigo ($10,000/pair) was designed by Joachim Gerhard (erstwhile designer of AudioPhysic and Sonics) and manufactured in the Bay Area by Spiral Groove, and should be available in March.
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Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Although the business buzz in the Esoteric room made deep sonic evaluation impossible, I was impressed with the very nice midrange warmth and sweetness of the Esoteric system. I didn't hear any overtones from the new Grandioso M-1 mono power amplifier ($23,000/each), but I expect they were drowned out. A new companion preamp may be out by summertime. Also due from the company known for its excellent transport mechanisms is a new top-of-the-line transport, to replace the P-01, and a new mono DAC, to replace the D-01.
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Jason Victor Serinus Posted: Jan 17, 2014 1 comments
Krell used CES to launch no fewer than seven iBias high-efficiency class-A amplifiers. Called, by the company, "the most revolutionary design change in its 33-year history," the amps consume far less energy than traditional class-A amplifiers. iBias technology also reputedly eliminates crossover distortion, allowing low-level details, subtleties and spatiality to emerge without restricting dynamics. It does so by operating output transistors constantly at full power, so they never shut off, and adjusts power going to them according to demands.
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Jon Iverson Posted: Jan 17, 2014 0 comments
Beijing's QAT Audio had their new fanless MS6i music server on display in the Venetian. NAS drives are supported via both WiFi and ethernet to supplement the user-replaceable 2.5 inch or SSD internal drives. Digital outputs include toslink, coax, BNC and AES/EBU and there are four USB ports.

All PCM formats up to 24/192 are supported and the company features a nice looking app for iOS and Android. Available mid-year for $2,990 in the US, currently available in China.

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Jon Iverson Posted: Jan 17, 2014 3 comments
Mola-Mola's Bruno Putzeys says that he wants to leapfrog the idea of incremental DAC design and create a product that puts us a decade down the road in one jump. To that end, he was showing off a prototype design that he has working, but not fit into a product yet. He adds that it should be ready in about a year.
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Jason Victor Serinus Posted: Jan 17, 2014 3 comments
"I'm a full-time music lover and a part-time audiophile," Gary Koh declared while demming his new Genesis GRA1440, class-D, truly differentially balanced monoblock amplifiers ($22,000/pair). "Music is inherently balanced," he said, as he played the stereo LP version of Al Grey and The Basie Wing's The Last of the Big Plungers, and proved that modified Hypex class-D modules, when incorporated into amplifiers that output 1440Wpc into 4 ohms and include a full Genesis power supply, can yield totally welcoming, alive and colorful sound. There was absolutely no hard edge to be heard on this system.
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John Atkinson Posted: Jan 17, 2014 2 comments
Jason Serinus has already reported on the excellent sound being produced by Joseph Audio’s Pearl Mk.3 speakers ($31,500/pair), which were being shown in their new, white finish and were being driven by the new Bel Canto "Black" electronics. But of more interest to this reporter were two new models from Jeff Joseph, who is shown in my photo with a pair of the Prism standmounts ($3699/pair) and a single Profile floorstander ($6999/pair).
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Jason Victor Serinus Posted: Jan 17, 2014 0 comments
There's a big change in the Bel Canto line, folks. It even comes with a new logo and website, belcantoblack.com. As for the sound, listening to an Elvis Presley outtake of "Peace in the Valley" on a 45rpm pressing from, I believe, Direct Grace, I loved the wonderfully clear and uncolored sound, as well as the natural "you are there" detail. To be honest, I drank it up.
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John Atkinson Posted: Jan 17, 2014 0 comments
Back in January 2007, Bob Deutsch reviewed the single-driver Eclipse TD712z loudspeaker from Japanese manufacturer Fuijitsu Ten. He was impressed by what he heard from this idiosyncratic full-range speaker, but the brand never established a strong foothold in the US market. CES saw the reintroduction of Eclipse to North America, now distributed by On A Higher Note. A new version of the TD712z, the Mk.2, made its debut at the Venetian, along with the TD520W subwoofer. "Female voice—simply perfect!" I scrawled in my notepad, there always being special to the presentation when you dispense with a crossover.
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Jason Victor Serinus Posted: Jan 16, 2014 0 comments
I found the combination of Jadis and Spendor totally magical. It certainly flattered a CD of a Rossini String Symphony with the warm and special sound that made former Stereophile editor turned publicist Jonathan Scull salivate over Jadis products when they first reached the US from France two decades ago, and impelled me to buy the DA-7 amplifier, a later incarnation of the Defy 7 amp that J10 reviewed.
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John Atkinson Posted: Jan 16, 2014 2 comments
Shown in Tom Norton’s photo are the Platinum versions of Dynaudio’s Confidence C2 floorstander ($15,000, left) and C1 stand-mount (middle)loudspeakers in the new Platinum trim, which I had seen and heard at 2013 shows. But I was more interested in the news that the Excite 12 loudspeaker, which has been a reference for Bob Reina since he reviewed it in March 2010, has been replaced by the Excite X14 ($1500/pair). My photo wasn’t usable, unfortunately, but I auditioned the X14s in a system comprising the Octave V40 SE 45Wpc, tube integrated amplifier ($5300), T+A DAC S8 ($3250), with Amarra running on a MacBook, Dynaudio Stand 3X stands ($350/pair), and in-akustik Reference interconnects and speaker cables, and was impressed by what I heard.
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John Atkinson Posted: Jan 16, 2014 0 comments
Scottish manufacturer Tannoy was showing the Carbon Black version of the Kingdom Royal speaker ($85,000/pair), which adds carbon-fiber trim panels, individually machined metal components, and a “specially formulated” paint on the cabinet surfaces. The speaker combines a 12” Dual-Concentric driver with a supertweeter and a 15”, vented woofer with a corrugated surround for maximum linearity. The Kingdom Royal looked elegant indeed, and driven by Cary single-ended power amplifiers with Cary’s new streamer as source, the full-range, wide-dynamic-range sound was equally elegant.
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John Atkinson Posted: Jan 16, 2014 0 comments
The Belgian Venture company introduced its Vidi speaker at CES. Costing $30,000/pair, the floorstanding, three-way Vidi speaker combines two 4" midrange units with a 1" tweeter and two 7" woofers, these mounted on the speaker’s sidewalls. All the drive-units use AGC (Abaca Graphite Composite) diaphragms. The crossover operates with first-order slopes at 250Hz and 3kHz and the speaker is specified as having a frequency range of 30Hz to 40kHz. Used fullrange but with an AW500 subwoofer also operating below 70Hz, the beautifully gloss-finished Vidis did a creditable job with the the live Bootleg Series recording of Bob Dylan’s "Desolation Row," played back from a laptop running the XX HighEnd software feeding digital data to a Weiss Medusa DAC. The opening up of the soundstage as the initially mono recording, made with a Nagra tape recorder, was spliced to the stereo backup tape when the Nagra ran out of tape, was delicious.

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