CES 2014

Sort By: Post Date | Title | Publish Date
Filed under
Jon Iverson Posted: Jan 17, 2014 0 comments
Soul Of the Music had their sMS-1000 media server on hand featuring the Vortexbox OS and the ability to handle PCM files up to 32/384 as well as DSD. The front panel has a slot for ripping both CDs or DVDs and pricing is dependent on type of output selected: $3,000 for both balanced and unbalanced analog outputs, $2,700 for coax, toslink, AES/EBU, and $2,500 for just USB 2.0
Filed under
Jon Iverson Posted: Jan 17, 2014 0 comments
The five layer stack of boards is a working prototype. The final design will fit flat in a typical chassis.

BTW, Even after seeing the company logo with the little fish in it, I still had to look it up: Mola-Mola is a name for the ocean sunfish.

Filed under
Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Crystal Cable's Gabi Rijnveld assured me that her years of ballet training had prepared her for prolonged kneeling while yours truly struggled to snap the optimal photo. The Dutch company introduced Crystal Cable's 10th Anniversary The Cube compact stereo integrated amplifier (around $15,000). Due out around Munich show time in May, this little baby attempts to incorporate all the advanced technology of Siltech's innovative three-box SAGA amplifier ($75,000) into a single box that is more financially available, designer lifestyle-friendly, and outputs 200Wpc into 4 ohms.
Filed under
John Atkinson Posted: Jan 17, 2014 0 comments
VANA’s Kevin Wolff was showing off the new Liszt speaker, which is expected to sell for $15,000/pair when it becomes available at the end of the first quarter of 2014. This impressive sounding speaker has been in development for two years and combines a new version of VA’s distinctive flat coaxial HF/MF unit with three woofers operating below 150Hz, these mounted in different sub-enclosures and loaded with two vents.
Filed under
Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Gideon Schwartz of AudioArts NYC assembled an extremely fast system that delivered maximum color without any of the harsh, irritating edge that I encountered on many systems, both tube and solid-state, at CES. On Salvatore Accardo's well-worn Diabolicus in Musica LP of Paganini's solo violin music, as well as on a CD by the Musicians of the Nile, I was deeply impressed by the upward extension of the tone and the system's willingness to bathe music with the light it deserves. If the system wanted for the last iota of bass impact and clear delineation of low-lying lines, it nonetheless handled bass with a finesse that few hotel room set-ups offered, especially in the case of large loudspeakers sandwiched into small spaces.
Filed under
John Atkinson Posted: Jan 17, 2014 0 comments
The floorstanding Canalis loudspeakers in the Spiral Groove room, driven by Qualia digital source and amplification, were new to me, but were sounding clean, uncolored, and dynamic on the classic LP of Massenet’s Le Cid from Louis Fremaux and the City of Birmingham Symphony Orchestra, played on a Spiral Groove SG1.1 player fitted with an Ortofon Anna cartridge. Like all Canalis speakers, the new Amerigo ($10,000/pair) was designed by Joachim Gerhard (erstwhile designer of AudioPhysic and Sonics) and manufactured in the Bay Area by Spiral Groove, and should be available in March.
Filed under
Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Although the business buzz in the Esoteric room made deep sonic evaluation impossible, I was impressed with the very nice midrange warmth and sweetness of the Esoteric system. I didn't hear any overtones from the new Grandioso M-1 mono power amplifier ($23,000/each), but I expect they were drowned out. A new companion preamp may be out by summertime. Also due from the company known for its excellent transport mechanisms is a new top-of-the-line transport, to replace the P-01, and a new mono DAC, to replace the D-01.
Filed under
Jason Victor Serinus Posted: Jan 17, 2014 1 comments
Krell used CES to launch no fewer than seven iBias high-efficiency class-A amplifiers. Called, by the company, "the most revolutionary design change in its 33-year history," the amps consume far less energy than traditional class-A amplifiers. iBias technology also reputedly eliminates crossover distortion, allowing low-level details, subtleties and spatiality to emerge without restricting dynamics. It does so by operating output transistors constantly at full power, so they never shut off, and adjusts power going to them according to demands.
Filed under
Jon Iverson Posted: Jan 17, 2014 0 comments
Beijing's QAT Audio had their new fanless MS6i music server on display in the Venetian. NAS drives are supported via both WiFi and ethernet to supplement the user-replaceable 2.5 inch or SSD internal drives. Digital outputs include toslink, coax, BNC and AES/EBU and there are four USB ports.

All PCM formats up to 24/192 are supported and the company features a nice looking app for iOS and Android. Available mid-year for $2,990 in the US, currently available in China.

Filed under
Jon Iverson Posted: Jan 17, 2014 5 comments
Mola-Mola's Bruno Putzeys says that he wants to leapfrog the idea of incremental DAC design and create a product that puts us a decade down the road in one jump. To that end, he was showing off a prototype design that he has working, but not fit into a product yet. He adds that it should be ready in about a year.
Filed under
Jason Victor Serinus Posted: Jan 17, 2014 3 comments
"I'm a full-time music lover and a part-time audiophile," Gary Koh declared while demming his new Genesis GRA1440, class-D, truly differentially balanced monoblock amplifiers ($22,000/pair). "Music is inherently balanced," he said, as he played the stereo LP version of Al Grey and The Basie Wing's The Last of the Big Plungers, and proved that modified Hypex class-D modules, when incorporated into amplifiers that output 1440Wpc into 4 ohms and include a full Genesis power supply, can yield totally welcoming, alive and colorful sound. There was absolutely no hard edge to be heard on this system.
Filed under
John Atkinson Posted: Jan 17, 2014 2 comments
Jason Serinus has already reported on the excellent sound being produced by Joseph Audio’s Pearl Mk.3 speakers ($31,500/pair), which were being shown in their new, white finish and were being driven by the new Bel Canto "Black" electronics. But of more interest to this reporter were two new models from Jeff Joseph, who is shown in my photo with a pair of the Prism standmounts ($3699/pair) and a single Profile floorstander ($6999/pair).
Filed under
Jason Victor Serinus Posted: Jan 17, 2014 0 comments
There's a big change in the Bel Canto line, folks. It even comes with a new logo and website, belcantoblack.com. As for the sound, listening to an Elvis Presley outtake of "Peace in the Valley" on a 45rpm pressing from, I believe, Direct Grace, I loved the wonderfully clear and uncolored sound, as well as the natural "you are there" detail. To be honest, I drank it up.
Filed under
John Atkinson Posted: Jan 17, 2014 0 comments
Back in January 2007, Bob Deutsch reviewed the single-driver Eclipse TD712z loudspeaker from Japanese manufacturer Fuijitsu Ten. He was impressed by what he heard from this idiosyncratic full-range speaker, but the brand never established a strong foothold in the US market. CES saw the reintroduction of Eclipse to North America, now distributed by On A Higher Note. A new version of the TD712z, the Mk.2, made its debut at the Venetian, along with the TD520W subwoofer. "Female voice—simply perfect!" I scrawled in my notepad, there always being special to the presentation when you dispense with a crossover.
Filed under
Jason Victor Serinus Posted: Jan 17, 2014 0 comments
Rogers High Fidelity's New York-manufactured, aerospace engineering-based system, which included the just-launched PA-1A six-tube phono preamplifier ($7100) (pictured on the right) and EHF-200MK2 KT150-based, 112Wpc integrated amplifier ($15,000), delivered extremely quiet, beautifully warm and lovely sound with Shunyata power conditioning, Kimber Kable, and Davone Grande loudspeakers. The two Rogers pieces also looked fabulous.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading