CES 2014

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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
I’m happy that Simplifi Audio’s Tim G. Ryan introduced me to a new speaker manufacturer, Klangwerk of Zurich, because I really liked the sound of Klangwerk’s fully active, mastering grade Ella loudspeaker ($15,000/pair). Not only did the Ellas produce a very wide and tall soundstage, but they also descended to 35Hz (albeit –6dB). Paired with a Weiss MAN 301 network player, DNM Design speaker cables with HFT ends, and optional DSPeaker automatic room correction—claimed to fix any stereo system in 5 minutes—the Klangwerk Ellas yielded lovely, smooth, and most enjoyable sound on an excerpt from Reference Recordings’ disc of The Tempest.
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John Atkinson Posted: Jan 18, 2014 1 comments
Has it really been a quarter century since Meridian introduced its first “digital active” loudspeaker, the D600, pictured left with designer Bob Stuart standing between the D600 and the DSP6000 from 1990. I reviewed the D600 in November 1989 and was mightily impressed by what I heard from a speaker that used Philips’ then-new S/PDIF receiver chip to allow it to realize DAC, crossover, and amplification in one, elegantly proportioned box.

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Jason Victor Serinus Posted: Jan 18, 2014 3 comments
I was hardly the only press person who waited until the last day of CES to make the trek to the Flamingo Hotel to cover T.H.E. Show, the alternative, lower-priced-than-CES location for high-performance audio exhibitors. It was easy to spot my colleagues, because, at least on Friday, the last day of the show, there were so few industry professionals and audiophile attendees vying for exhibitors' attention. The hotel's 4th floor claimed 23 exhibit rooms, not all of which I had time to visit, and at least one or two of which were locked. But attendance was so light that the place felt dead.
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John Atkinson Posted: Jan 18, 2014 4 comments
I am sure that contributing to the superbly neutral, well-balanced, uncolored, full-range sound in this room was the acoustic treatment from Swedish company SMT, which provided a combination of absorbers and diffusors. And dig the treatment applied to the ceiling by SMT, with different-radius sphere segments. Other exhibitors could take lessons from Martin and its US distributor Dan Meinwald.
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John Atkinson Posted: Jan 18, 2014 0 comments
Having gotten used to John DeVore showing off his high-sensitivity Orangutan O/96 and O/93 speakers at recent shows, both of which have been very favorably received by Stereophile’s reviewers, driven by low-power Shindo and Line Magnetic amplification, I was somewhat surprised to see the new and more conventional Gibbon X towers driven by a high-powered VTL S-200 Signature amplifier in Triode mode via Auditorium cabling in his suite at the Venetian. The new Gibbon is projected to sell for $12,000/pair and features all-new drive-units: a ¾” tweeter asymmetrically mounted beneath a paper-cone midrange unit based on that first used in the DeVore Silverback, which features what John calls an adaptive surround, and two long-throw 7” woofers.
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Jason Victor Serinus Posted: Jan 18, 2014 7 comments
When I entered the Daniel Hertz room, close to a full house was sitting at attention as someone was giving a spiel about room correction. As I wrote in my notes, "I don't know what's going on, but the choir is overloading and the sound is too warm." Said person, whom I only later learned, after I left the room, was Mark Levinson, then announced that he wanted to show off the system's dynamic range. "Any sound known to man this system can reproduce," or something very close to that, he declared as he proceeded to play sounds created by Norah Jones.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
First, today's language lesson: lampa = vacuum tube (or a valve) in Polish. Hence the name LampizatOr for the young Polish company whose GM70 SET 22W tube monoblock integrated amplifiers ($8000/pair) are point-to-point wired in Poland, and whose motivating force, Lukasz Fikus, seems intent on causing quite a stir on audio forums with statements such as, "I DECLARE universal war against high-end equipment manufacturers: CD player, amplifier, cables, speakers—NO MORE CRAP."
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Tom Compagna brought his new Quintessence Acoustics flagship QLS loudspeakers ($50,000/pair, $60,000 with active subs) to T.H.E. Show. "These are true ribbons, not quasi-ribbons," he said of his SOTA line source design, which uses nine 6.5" true ribbons and nine moving-coil mid-woofers. Frequency response is stated as 39Hz—41kHz, ±3dB, extending down to 19Hz with the subs. With a claimed 95dB sensitivity, the QLS can handle up to 400W continuous, 1000W peak. Connected to Tom Maker's reference monoblocks and MG Audio Design flat ribbon cables, the speaker's bass was very impressive, but midrange predominance de-emphasized the top end.
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John Atkinson Posted: Jan 18, 2014 1 comments
At almost 6’ high, weighing 507 lbs, and costing $480,000/pair, the Coltrane Supreme 2 from Swedish company Marten was one of the more extreme loudspeakers at the 2014 CES. But to my surprise, playing my own recording of the Jerome Harris Quartet playing Duke Ellington’s “The Mooche,” from the CD Rendezvous, it sounded delicately detailed, with a superbly stable rendering of the recording venue, Chad Kassem’s Blue Heaven Studio in Salina, KS.
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John Atkinson Posted: Jan 18, 2014 0 comments
The Enigmacoustics company from Irvine in California has become renowned for the self-energized, horn-loaded Sopranino electrostatic supertweeter they introduced a couple of years back. They were still promoting the tweeter at CES, demonstrating a pair with Magico speakers in one of their rooms. But I was more interested in their second room, where they were introducing a complete loudspeaker, the Mythology M1 standmount. Intended to sell for >$12,000/pair, the M1 adds the Sopranino supertweeter to a two-way design featuring a 35mm dome tweeter that crosses over at a low 1kHz to a proprietary 6” woofer in a rear-ported enclosure made from a laminated birchwood and glass, with an aluminum front baffle.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
John Larsen was on hand to show off his eye-catching Swedish-made Larsen 8 loudspeakers with SD feet ($6995/pair), which are distributed by Audio Skies. Meant to be placed against the wall for full control and bass response, they can descend to 23 or 24Hz, and ascend 20kHz. "They're designed to play with the room, not against the room," Larsen explained of a design that claims to eliminate distortion-creating first reflections. The angle of the tweeter also creates a wide soundstage that was given a run for its money on Telarc's recording of Tchaikovsky's 1812 Overture.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Manufactured in Sparks, NV by two families who "all have an insanity for music" and sold direct, two-year old Perla Audio's complete system was set up for extreme nearfield listening. Having entered to the assurance, "You're gonna love this," I made my way to the front, favored-by-Perla seat to hear the Perla Signature 50 integrated amplifier ($9000), PRS-2B ($8800/presumably for the pair) and PRS-2 ($7800/pair?) loudspeakers on $2250/pair stands, and Perla SB-400 subs.
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John Atkinson Posted: Jan 18, 2014 0 comments
Second up from the bottom in YG’s speaker line has been the Kipod ($38,800/pair), named after YG founder Yoav Geva’s daughter Hailey, whose nickname was “Kipod” or “Hedgehog” in Hebrew. But as Hailey is growing up fast (as daughters do), it was time to name a new speaker after her; CES saw the premier of the YG Hailey. Priced at $42,800/pair, the three-way, floorstanding Hailey uses technology trickled down from the top-of-the line Sonja that I reviewed last July. YG’s “Billet-core” drivers, where the cones are machined from solid aluminum stock, are combined with a 1" dome tweeter in a machined aluminum enclosure that eschews the Sonja’s double-cabinet construction.
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Jon Iverson Posted: Jan 17, 2014 3 comments
Mola-Mola's Bruno Putzeys says that he wants to leapfrog the idea of incremental DAC design and create a product that puts us a decade down the road in one jump. To that end, he was showing off a prototype design that he has working, but not fit into a product yet. He adds that it should be ready in about a year.
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Jon Iverson Posted: Jan 17, 2014 0 comments
Beijing's QAT Audio had their new fanless MS6i music server on display in the Venetian. NAS drives are supported via both WiFi and ethernet to supplement the user-replaceable 2.5 inch or SSD internal drives. Digital outputs include toslink, coax, BNC and AES/EBU and there are four USB ports.

All PCM formats up to 24/192 are supported and the company features a nice looking app for iOS and Android. Available mid-year for $2,990 in the US, currently available in China.

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