CES 2014

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John Atkinson Posted: Jan 18, 2014 1 comments
At almost 6’ high, weighing 507 lbs, and costing $480,000/pair, the Coltrane Supreme 2 from Swedish company Marten was one of the more extreme loudspeakers at the 2014 CES. But to my surprise, playing my own recording of the Jerome Harris Quartet playing Duke Ellington’s “The Mooche,” from the CD Rendezvous, it sounded delicately detailed, with a superbly stable rendering of the recording venue, Chad Kassem’s Blue Heaven Studio in Salina, KS.
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John Atkinson Posted: Jan 18, 2014 0 comments
The Enigmacoustics company from Irvine in California has become renowned for the self-energized, horn-loaded Sopranino electrostatic supertweeter they introduced a couple of years back. They were still promoting the tweeter at CES, demonstrating a pair with Magico speakers in one of their rooms. But I was more interested in their second room, where they were introducing a complete loudspeaker, the Mythology M1 standmount. Intended to sell for >$12,000/pair, the M1 adds the Sopranino supertweeter to a two-way design featuring a 35mm dome tweeter that crosses over at a low 1kHz to a proprietary 6” woofer in a rear-ported enclosure made from a laminated birchwood and glass, with an aluminum front baffle.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
John Larsen was on hand to show off his eye-catching Swedish-made Larsen 8 loudspeakers with SD feet ($6995/pair), which are distributed by Audio Skies. Meant to be placed against the wall for full control and bass response, they can descend to 23 or 24Hz, and ascend 20kHz. "They're designed to play with the room, not against the room," Larsen explained of a design that claims to eliminate distortion-creating first reflections. The angle of the tweeter also creates a wide soundstage that was given a run for its money on Telarc's recording of Tchaikovsky's 1812 Overture.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Manufactured in Sparks, NV by two families who "all have an insanity for music" and sold direct, two-year old Perla Audio's complete system was set up for extreme nearfield listening. Having entered to the assurance, "You're gonna love this," I made my way to the front, favored-by-Perla seat to hear the Perla Signature 50 integrated amplifier ($9000), PRS-2B ($8800/presumably for the pair) and PRS-2 ($7800/pair?) loudspeakers on $2250/pair stands, and Perla SB-400 subs.
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John Atkinson Posted: Jan 18, 2014 0 comments
Second up from the bottom in YG’s speaker line has been the Kipod ($38,800/pair), named after YG founder Yoav Geva’s daughter Hailey, whose nickname was “Kipod” or “Hedgehog” in Hebrew. But as Hailey is growing up fast (as daughters do), it was time to name a new speaker after her; CES saw the premier of the YG Hailey. Priced at $42,800/pair, the three-way, floorstanding Hailey uses technology trickled down from the top-of-the line Sonja that I reviewed last July. YG’s “Billet-core” drivers, where the cones are machined from solid aluminum stock, are combined with a 1" dome tweeter in a machined aluminum enclosure that eschews the Sonja’s double-cabinet construction.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Eventually, with the help of a security guard, I found the escalator to the registration table and exhibits on the Flamingo Hotel's lower level. If the lighting and drab décor were depressing, what seemed to be very low attendance was dismaying. A quick stop at the two-open "ballroom" Marketplaces, which in previous years were filled with vendors and illuminated by big, celebratory signage, gave hint of what was to come. The program book says 10 vendors, but it sure looked and felt like less.
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John Atkinson Posted: Jan 18, 2014 0 comments
Both the speakers from Sandy Gross’s GoldenEar company that have been reviewed in Stereophile—the Triton 2, reviewed by Bob Deutsch in February 2012 and the Aon 2, reviewed by Bob Reina in November 2013—impressed us with the very attractive combination of price and performance. And at the 2014 CES, Sandy introduced me to the new flagship, the Triton 1, which will sell for $2499 each or $4998/pair when it comes to market in late April.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Having heard a prototype of Zesto Audio's brand new BIA 120 class-A stereo power amp ($12,500), I was delighted to discover it looking and sounding extremely attractive in a system that included TAD Evolution One loudspeakers, a Zesto Andros PS1 phono stage, Merrill Williams audio REAL 101 turntable w. Tri-Planar U2 tonearm and Dynavector XV-1s cartridge, and a full complement of WyWires cabling. On Illinois Jacquet's album, God Bless My Solo, I noticed that the really nice, warm sound was a little bright on top, and that images seemed rather small for the speakers and room.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
It's a l o n g story, but Fritz Speakers ended up at T.H.E. Show as a replacement for a company that couldn't make it. In tow were the Fritz Speakers S/R loudspeakers ($3500/pair), which combine a Scanspeak Illuminator tweeter and a 5" paper-cone driver. Bringing up the rear, as it were, were a VPI Traveler, modified Oppo, DEQX preamp, PTE phonostage, Wells Audio Innamorata amplifier, and WyWires cabling. On an LP by Tracy Chapman, I heard fine soundstaging, lovely bass, and a little ringing around the edges. The bright edge remained when we switched to CD.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
I’m happy that Simplifi Audio’s Tim G. Ryan introduced me to a new speaker manufacturer, Klangwerk of Zurich, because I really liked the sound of Klangwerk’s fully active, mastering grade Ella loudspeaker ($15,000/pair). Not only did the Ellas produce a very wide and tall soundstage, but they also descended to 35Hz (albeit –6dB). Paired with a Weiss MAN 301 network player, DNM Design speaker cables with HFT ends, and optional DSPeaker automatic room correction—claimed to fix any stereo system in 5 minutes—the Klangwerk Ellas yielded lovely, smooth, and most enjoyable sound on an excerpt from Reference Recordings’ disc of The Tempest.
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John Atkinson Posted: Jan 18, 2014 1 comments
Has it really been a quarter century since Meridian introduced its first “digital active” loudspeaker, the D600, pictured left with designer Bob Stuart standing between the D600 and the DSP6000 from 1990. I reviewed the D600 in November 1989 and was mightily impressed by what I heard from a speaker that used Philips’ then-new S/PDIF receiver chip to allow it to realize DAC, crossover, and amplification in one, elegantly proportioned box.

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Jason Victor Serinus Posted: Jan 18, 2014 3 comments
I was hardly the only press person who waited until the last day of CES to make the trek to the Flamingo Hotel to cover T.H.E. Show, the alternative, lower-priced-than-CES location for high-performance audio exhibitors. It was easy to spot my colleagues, because, at least on Friday, the last day of the show, there were so few industry professionals and audiophile attendees vying for exhibitors' attention. The hotel's 4th floor claimed 23 exhibit rooms, not all of which I had time to visit, and at least one or two of which were locked. But attendance was so light that the place felt dead.
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John Atkinson Posted: Jan 18, 2014 4 comments
I am sure that contributing to the superbly neutral, well-balanced, uncolored, full-range sound in this room was the acoustic treatment from Swedish company SMT, which provided a combination of absorbers and diffusors. And dig the treatment applied to the ceiling by SMT, with different-radius sphere segments. Other exhibitors could take lessons from Martin and its US distributor Dan Meinwald.
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Jon Iverson Posted: Jan 17, 2014 0 comments
At the back of their suite, in a private room to the side, was a new prototype Player/DAC called the E31 which will feature 24/192 PCM capability, USB 1&2, SPDIF and AES/EBU digital inputs. Price and availability have not been set yet, but the player did have a beautiful round remote and a sensor on top that detects when someone approaches and then turns on the display.

Later in the year we'll see the new E41 DAC added to the line which should have the same basic specs at the E31 and also DSD.

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John Atkinson Posted: Jan 17, 2014 12 comments
When I interviewed Thiel’s new owner Bill Thomas (right in photo) at the 2013 CES, he was bullish about the company’s future. However, I felt that future was going to be dependent on whom Bill hired to head up the Kentucky company’s engineering team. At the 2014 CES, Bill introduced me to that person, Mark Mason (left), who had come to Thiel from PSB, where he had worked alongside veteran speaker engineer Paul Barton. Bill and Mark are flanking the new TT3 speaker, which is intended to replace the CS3.7 as the company’s flagship when it comes to market in the late summer. Bill feels that with Mark now leading the engineering, Thiel can be taken to a larger customer base.

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