SSI 2013

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Art Dudley Posted: Mar 26, 2013 0 comments
Bluebird Music, the North American distributor for Chord electronics (and other lines), along with Totem Acoustics and the Montreal retailer Audioville, put together this superbly clear and punchy yet unfailingly smooth system: a Chord Red Reference Mk.III CD player ($25,000), Chord CPA 5000 preamp ($20,000), Chord SPM 5000 Mk.II amplifier ($25,000), and Totem Element Metal loudspeakers ($13,000/pair). Neil Young's "Look Out for My Love," a song I've only recently come to appreciate (its mildly goofy arrangement put me off for the longest time), sounded especially great—no more so than during the entrance of the backing singers, when the sound of this Chord-anchored system seemed to double. Also in this system but not auditioned during my visit was the brand new Chord Music Streamer ($13,000), a CAT 5-happy player with BNC digital inputs that also contains the full Chord QBD76 D/A processor.
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Art Dudley Posted: Mar 26, 2013 1 comments
Glimpsed at SSI's Canadian Pavilion (see earlier stories): The 88dB, 6 ohm Dulcet loudspeaker ($1695/pair) from Reference 3A, a brand that began life in Europe, moved to Canada, and always specialized in SET-friendly speakers.
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Art Dudley Posted: Mar 26, 2013 0 comments
I finally got to hear a mono system at SSI, but not in the manner that I or the exhibitor might have wanted. Halfway through the show, Audio Note's Dave Cope suffered the loss of one Empress Silver monoblock amplifier ($10,000/pair), apparently owing to an AC power surge. The Empress Silver, seen here alongside the outlet of infamy—and a coil of Audio Note's new Isis LX 168 copper-Litz speaker cable—is a new single-ended mono design with a 5U4G rectifier tube, a 6SN7 input tube, and parallel 2A3 triodes, for a total of 8Wpc. This was a disappointingly bad break for a company that has, in the past, won more than its share of Most Enjoyable System of the Show awards—although I must say that a mono recording of Count Basie's "88 Basie Street" was nonetheless fine when played through the surviving channel.
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Robert Deutsch Posted: Mar 26, 2013 3 comments
"Women in Audio" was the title of the panel discussion, the panel consisting of four women of varied backgrounds who have been in the audio business for some time (left to right): Anna Popova (Conceptas cables), Agata Mossop (Lenbrook Industries), Gabi van der Kliej-Rijnveld (Crystal and Siltech cables), and Angie Lisi (American Sound and Angie's Audio Corner retailers, and AudioPathways, distributor). The lively discussion covered a variety of topics, including whether male customers tend to "test" female sales staff on their technical knowledge (the answer: yes, but if you know your stuff they will respect you), and how to attract more women to participate in the audiophile hobby (the incorporation of music into a couple's or family's lifestyle had broad support).
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Robert Deutsch Posted: Mar 26, 2013 0 comments
The striking Kronos turntable that I first saw at the 2012 Montreal show was on display again, but this time it had a new tonearm. Designed by André Thériault, this prototype tonearm is distinguished by its simplicity, with only 11 parts used. No name yet, and it's expected to sell for about $8000. That's André Thériault in the picture.
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Robert Deutsch Posted: Mar 26, 2013 0 comments
The display featuring Definitive Technology's StudioMonitor 65 speakers and Acurus A 2002 amplifier were not part of a designated "Under-$5,000 system," but, with the speakers priced at $1000/pair and the amp at $2499 (I didn't note the source or the preamp), it could have been. The speakers had a nice open sound, and played surprisingly loud in the large hall they were in. Saxe Brickenden (pictured) of Evolution Home Entertainment, the importer, was clever to set up the speakers on tall stands, so that the sound was at ear-level for people walking by.
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Art Dudley Posted: Mar 26, 2013 1 comments
Like a Studebaker Avanti—or perhaps even the Concorde—the shape of an Elipson loudspeaker from 60 years ago is jarring, albeit impressively so, in its anacronicity: The French design and manufacturing firm has been ahead of the curve for that long. At SSI they had a number of fetching designs on static display, including the Planet L seen here, a two-way coaxial design that's now manufactured in China. For 2013 a pair of Planet Ls can be bundled with a similarly stylish (round, of course) amplifier/CD player for $2500, with stands adding another $300.
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Art Dudley Posted: Mar 26, 2013 1 comments
MBL finished the job that Oracle Audio began with Anne Bisson (below): They spoiled me not only with live music, but with music by a world-class cellist, Montreal's Vincent Bélanger. Jeremy Bryan, the CEO of MBL North America, took the added step of inviting Bélanger to come by early and record, on ¼" analog tape (15 ips), extra cello parts for various pieces in his repertoire; thus when M. Bélanger set about to perform for a handful of fortunate show attendees, he did so alongside his recorded self, the latter portrayed with what can only be described as surprising realism—dynamically, timbrally, and spatially—by MBL's largest hybrid loudspeaker, the MBL 111 ($42,000/pair), which uses, from 600Hz and up, the same driver complement as even their most expensive loudspeakers.
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Art Dudley Posted: Mar 26, 2013 1 comments
Seen on static display in the Canadian Pavilion at SSI: the 2A3-S single-ended amplifier from Triode Lab ($3288: an exceptionally good buy, assuming this nicely built amp sounds as good as it looks).
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Robert Deutsch Posted: Mar 26, 2013 0 comments
There was lots of vinyl for sale at SSI 2013. One of the smaller—but well-stocked— dealers was Audio Sensibility, which also sells an assortment of affordable cables.
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Robert Deutsch Posted: Mar 26, 2013 0 comments
What with CES a little more than two months ago, and the Chicago AXPONA show just two weeks ago, it was difficult for SSI 2013 to claim new product introductions. Typically, the most they could claim was "First time in Canada." But there was at least one product introduction that was billed as World Premiere: the Arteluthe Satie, the entry-level speaker in the company's AirForce line, made entirely in Montreal. It's a fully active design, with two built-in 175W amplifiers in each speaker, no passive elements in the signal path, high sensitivity, and claimed 30Hz–20kHz bandwidth. All this technology, and only $7999/pair. There are two other speakers in the line: the Alegria and the Kantante, both fully active, with a top price of $15,000. The photo shows designer Robert Gaboury.
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Art Dudley Posted: Mar 25, 2013 1 comments
Another Coup de Foudre room offered a system built around the curiously named but thoroughly engaging Twenty 23 loudspeakers ($4389/pair) from PMC—which, I’m told, stands for professional monitor company. The amplifier in use was the less inscrutably named Integrated Amplifier from Brinkmann ($7499), while the source was the Unico CD Primo CD player ($1900). On a vocal number by Andrea Bocelli, percussion instruments sounded a bit compressed—that might be the fault of the recording, for all I know—but I heard a great deal of realistic texture and color from this detailed but not at all light-sounding system.
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Robert Deutsch Posted: Mar 25, 2013 5 comments
Not being fully up on the names of the various Sonus Faber speakers, I asked one of the reps the name of the giants on demo. "Ida" was his answer. Come again? "Ida! Sonus Faber gives their speakers names that have a musical connection, like the titles of operas." But how could that be? The only remotely relevant opera connection that I'm aware of for "Ida" is Gilbert & Sullivan's "Princess Ida," and somehow I doubt if the Italian designers of Sonus Faber speakers would name the speaker after this not-all-that-popular English operetta.

And then I got it. The speaker was named after Aïda, pronounced "eye-ee-duh," the well-know opera by Verdi.

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Art Dudley Posted: Mar 25, 2013 0 comments
In one of several rooms sponsored by Montreal’s Coup de Foudre, A href="http://www.stereophile.com/content/gift-flower-garden">Philip O’ Hanlon demonstrated a system comprising a Luxman PD-171 turntable/tonearm ($6400) with Brinkmann P1 phono cartridge ($2700), Luxman DA-06 DSD D/A converter ($6000), Luxman L550AX integrated amplifier ($5400), and Vivid B1 loudspeakers ($15,000/pair), with Cardas cables throughout. (The computer-audio source was an old MacBook running Audirvana playback software.) Not to take away from the goodness of the other gear, but I was once again mightily impressed by the manner in which the Vivid loudspeakers, in spite of looking like surprised Cyclopian aliens, delivered music with such human warmth and touch. (Lou Donaldson’s organ on “Alligator Boogaloo” sounded especially fine.)
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Robert Deutsch Posted: Mar 25, 2013 0 comments
Designed by Hans Deutsch (no relation), made in Vienna, Brodmann Acoustics speakers come from the "musical instrument" rather than the "sound reproducer" tradition, rejecting the use of filters and damping materials to minimize distortion and unwanted speaker cabinet resonances. The theory may be controversial, but the Brodmann VC 7 ($25,000/pair) , with Electrocompaniet electronics, sounded superb, with great clarity, precise imaging, and, yes, a very "musical" sound.

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