SSI 2013

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Robert Deutsch Posted: Mar 26, 2013 0 comments
The product literature for Tri-Art Audio says that their products are "designed, fabricated, and assembled in Canada." What all these products have in common is that bamboo is used in their construction. Pictured: the Bam Bam TA-2 turntable and tonearm (price TBD). The Pebbles turntable and TA-1 tonearm ($1200) are available now. (I'm going to make a wild guess and suggest that the designer is a Flintstones fan.)
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Art Dudley Posted: Mar 26, 2013 0 comments
Bluebird Music, the North American distributor for Chord electronics (and other lines), along with Totem Acoustics and the Montreal retailer Audioville, put together this superbly clear and punchy yet unfailingly smooth system: a Chord Red Reference Mk.III CD player ($25,000), Chord CPA 5000 preamp ($20,000), Chord SPM 5000 Mk.II amplifier ($25,000), and Totem Element Metal loudspeakers ($13,000/pair). Neil Young's "Look Out for My Love," a song I've only recently come to appreciate (its mildly goofy arrangement put me off for the longest time), sounded especially great—no more so than during the entrance of the backing singers, when the sound of this Chord-anchored system seemed to double. Also in this system but not auditioned during my visit was the brand new Chord Music Streamer ($13,000), a CAT 5-happy player with BNC digital inputs that also contains the full Chord QBD76 D/A processor.
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Art Dudley Posted: Mar 26, 2013 1 comments
Glimpsed at SSI's Canadian Pavilion (see earlier stories): The 88dB, 6 ohm Dulcet loudspeaker ($1695/pair) from Reference 3A, a brand that began life in Europe, moved to Canada, and always specialized in SET-friendly speakers.
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Art Dudley Posted: Mar 26, 2013 0 comments
I finally got to hear a mono system at SSI, but not in the manner that I or the exhibitor might have wanted. Halfway through the show, Audio Note's Dave Cope suffered the loss of one Empress Silver monoblock amplifier ($10,000/pair), apparently owing to an AC power surge. The Empress Silver, seen here alongside the outlet of infamy—and a coil of Audio Note's new Isis LX 168 copper-Litz speaker cable—is a new single-ended mono design with a 5U4G rectifier tube, a 6SN7 input tube, and parallel 2A3 triodes, for a total of 8Wpc. This was a disappointingly bad break for a company that has, in the past, won more than its share of Most Enjoyable System of the Show awards—although I must say that a mono recording of Count Basie's "88 Basie Street" was nonetheless fine when played through the surviving channel.
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Robert Deutsch Posted: Mar 26, 2013 3 comments
"Women in Audio" was the title of the panel discussion, the panel consisting of four women of varied backgrounds who have been in the audio business for some time (left to right): Anna Popova (Conceptas cables), Agata Mossop (Lenbrook Industries), Gabi van der Kliej-Rijnveld (Crystal and Siltech cables), and Angie Lisi (American Sound and Angie's Audio Corner retailers, and AudioPathways, distributor). The lively discussion covered a variety of topics, including whether male customers tend to "test" female sales staff on their technical knowledge (the answer: yes, but if you know your stuff they will respect you), and how to attract more women to participate in the audiophile hobby (the incorporation of music into a couple's or family's lifestyle had broad support).
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Robert Deutsch Posted: Mar 26, 2013 0 comments
The striking Kronos turntable that I first saw at the 2012 Montreal show was on display again, but this time it had a new tonearm. Designed by André Thériault, this prototype tonearm is distinguished by its simplicity, with only 11 parts used. No name yet, and it's expected to sell for about $8000. That's André Thériault in the picture.
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Robert Deutsch Posted: Mar 26, 2013 0 comments
The display featuring Definitive Technology's StudioMonitor 65 speakers and Acurus A 2002 amplifier were not part of a designated "Under-$5,000 system," but, with the speakers priced at $1000/pair and the amp at $2499 (I didn't note the source or the preamp), it could have been. The speakers had a nice open sound, and played surprisingly loud in the large hall they were in. Saxe Brickenden (pictured) of Evolution Home Entertainment, the importer, was clever to set up the speakers on tall stands, so that the sound was at ear-level for people walking by.
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Art Dudley Posted: Mar 26, 2013 1 comments
Like a Studebaker Avanti—or perhaps even the Concorde—the shape of an Elipson loudspeaker from 60 years ago is jarring, albeit impressively so, in its anacronicity: The French design and manufacturing firm has been ahead of the curve for that long. At SSI they had a number of fetching designs on static display, including the Planet L seen here, a two-way coaxial design that's now manufactured in China. For 2013 a pair of Planet Ls can be bundled with a similarly stylish (round, of course) amplifier/CD player for $2500, with stands adding another $300.
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Art Dudley Posted: Mar 26, 2013 1 comments
MBL finished the job that Oracle Audio began with Anne Bisson (below): They spoiled me not only with live music, but with music by a world-class cellist, Montreal's Vincent Bélanger. Jeremy Bryan, the CEO of MBL North America, took the added step of inviting Bélanger to come by early and record, on ¼" analog tape (15 ips), extra cello parts for various pieces in his repertoire; thus when M. Bélanger set about to perform for a handful of fortunate show attendees, he did so alongside his recorded self, the latter portrayed with what can only be described as surprising realism—dynamically, timbrally, and spatially—by MBL's largest hybrid loudspeaker, the MBL 111 ($42,000/pair), which uses, from 600Hz and up, the same driver complement as even their most expensive loudspeakers.
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Art Dudley Posted: Mar 26, 2013 1 comments
Seen on static display in the Canadian Pavilion at SSI: the 2A3-S single-ended amplifier from Triode Lab ($3288: an exceptionally good buy, assuming this nicely built amp sounds as good as it looks).
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Robert Deutsch Posted: Mar 26, 2013 0 comments
There was lots of vinyl for sale at SSI 2013. One of the smaller—but well-stocked— dealers was Audio Sensibility, which also sells an assortment of affordable cables.
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Art Dudley Posted: Mar 25, 2013 0 comments
Lars Kristensen of Denmark’s Raidho Acoustics, who has yet to overcome his shyness, presented the Raidho/Rowland system with all of the good cheer and powers of persuasion for which he is known and admired in our industry.
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Art Dudley Posted: Mar 25, 2013 0 comments
For SSI 2013, the talended recordist Rene Laflamme and his Montreal-based company Fidelio introduced a number of titles, including a new Dvorak/Suk release titled Serenades Tcheques (Fidelio FACD036) by Daniel Myssyl and the chamber orchestra known as Appassionata. (Myssyk and Appassionata's recording of the Hindemith Escales Romantique, also on Fidelio, remains in heavy rotation at my house.) A selection from another new Fidelio release—the eponymous debut by the folk duo June in the Fields (Fidelio FACD044) sounded wonderfully colorful and present over Laflamme’s reference system, comprising a dCS Puccini CD player ($20,000), an older model dCS 955 pro-market D/A ($8000 when new), Audio Research Reference 5SE preamplifier ($13,000), Audio Research Reference 250 power amplifier ($24,000), and Sonus Faber Amati loudspeakers ($36,000).
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Art Dudley Posted: Mar 25, 2013 1 comments
Another Coup de Foudre room offered a system built around the curiously named but thoroughly engaging Twenty 23 loudspeakers ($4389/pair) from PMC—which, I’m told, stands for professional monitor company. The amplifier in use was the less inscrutably named Integrated Amplifier from Brinkmann ($7499), while the source was the Unico CD Primo CD player ($1900). On a vocal number by Andrea Bocelli, percussion instruments sounded a bit compressed—that might be the fault of the recording, for all I know—but I heard a great deal of realistic texture and color from this detailed but not at all light-sounding system.
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Robert Deutsch Posted: Mar 25, 2013 5 comments
Not being fully up on the names of the various Sonus Faber speakers, I asked one of the reps the name of the giants on demo. "Ida" was his answer. Come again? "Ida! Sonus Faber gives their speakers names that have a musical connection, like the titles of operas." But how could that be? The only remotely relevant opera connection that I'm aware of for "Ida" is Gilbert & Sullivan's "Princess Ida," and somehow I doubt if the Italian designers of Sonus Faber speakers would name the speaker after this not-all-that-popular English operetta.

And then I got it. The speaker was named after Aïda, pronounced "eye-ee-duh," the well-know opera by Verdi.

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