AXPONA 2013

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John Atkinson Posted: Mar 13, 2013 0 comments
Audioengine's small powered speakers have become my go-to recommendations for desktop situations; I bought a pair of the Audioengine 2s for use with the flat-screen HDTV in our kitchen, where they do a great job. The 2s ($199/pair) are the small white speakers in the center of my photograph; flanking them are the Audioengine 5+ speakers ($399/pair). Source was a MacBook Pro feeding the speakers 24/96 audio via the 24-bit capable Audioengine D2 streaming wireless interface/DAC ($599/set), which my colleague Michael Lavorgna enthusiastically reviewed in February 2012.
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Jason Victor Serinus Posted: Mar 13, 2013 4 comments
That is not a feeble attempt at a joke; it really is how Mr. Freud forced this Contributing Editor to slip on the word “editors.” Perhaps I was thinking of The Absolute Sound Executive Editor Jonathan Valin, who not only pulled a no-show for the Friday and Saturday afternoon 90-minute Editors panels—pre-show promotion and the show guide had advertised his participation, with Robert Harley—but also attempted to erase from history, in his online AXPONA report, the rather significant fact that the last major audio show in Chicago was not the 1994 Consumer Electronics Show, as he claims, but rather in 1999, when the Stereophile show came to the Windy City. Is such competitiveness really necessary, given how different the two magazines are?

The moderator for both panels was the extremely articulate and informed Bes Nievera of Music Direct and also a host on Chicago area public radio station WDCB, who just happens to be a long-time audiophile. Panelists included (left–right), from TAS, Editor-in-Chief Robert Harley; from DaGoGo.com, Senior Editor Ed Momkus; from Stereophile and an embarrassingly long list of other publications, Contributing Ediot Jason Victor Serinus, and Stereophile’s Editor-in-Chief John Atkinson.

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John Atkinson Posted: Mar 13, 2013 0 comments
M•A's Todd Garfinkle always makes good music at shows and Axpona was no exception. Todd was driving a Primare PRE32 preamp and Primare A363 power amp with single- and double-rate DSD master files, played back from his Korg recorder. Speakers were the two-way Elac BS244s, which combine an AMT tweeter with a dimpled metal-cone woofer. Piano and drums had excellent jump factor combined with clarity and accurate midrange tonality, despite the modest-looking, table-top set-up.
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Jason Victor Serinus Posted: Mar 13, 2013 2 comments
For many of us, the luscious equipment combo from Rochester, NY-based Your Final System would make our lives complete. I certainly wouldn't kick it out of bed, metaphorically speaking, though I don't know how the spouse and two dogs might react to all of this in the living room, let alone the bedroom. Pause for breath as you take a look at the line-up below, then grab a calculator and add it all together. I would, but my hands are too shaky from typing everything up.

Here we go: Your Final System HD Ref 3 Limited Edition Music Server System ($14,500), EMM Labs DAC 2X ($15,000), Purity Audio Ultra GT preamplifier ($53,000), bi-amplification of upper frequencies by KR Amplifiers SXi Mk.II integrated ($21,000) and lower frequencies by Channel Island Audio D200 Mk.II monoblocks ($3500/pair), Von Schweikert Audio VR-100XS "Universe" System with towers and two EX V15 subwoofers ($140,000), four additional EX V15 subwoofers ($10,000 each), MasterBuilt Signature Series speaker cables ($7500/pair), MasterBuilt Signature Series interconnects ($3600/pair) and power cables ($6200 each) and dual-headed powered USB cables ($4000), GIK Diffusers ($350 each), ASC Tube Traps ($450 each), ATS Acoustic Bass Traps ($150 each), ATS Acoustic Studio Stackers ($200 each), and a mere $37,000 worth of Critical Mass Systems equipment racks and stands.

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Jason Victor Serinus Posted: Mar 13, 2013 0 comments
Gary Kumpf did a whole lot of talking between selections, but nonetheless I managed to be blown away by the sound of the no-pun-intended McAire ($3000). This one-piece unit, complete with built-in speakers and a downward firing woofer, offered superb stereo imaging as it projected an amazing amount of impressive sound well into the room. Compatible with all existing digital technologies, it seems like a fantastic buy for the price.
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Jason Victor Serinus Posted: Mar 13, 2013 1 comments
What else might you expect to hear on Classic Audio Hartsfield field-coil driver loudspeakers ($59,950/pair) than Classic Records' 45 rpm pressing of Louis Armstrong and Duke Ellington? Despite bass problems stemming from the 10' black hole above the room, the music sounded quite wonderful...until we got to the first track on Patricia Barber's new CD, Smash. There, her voice sounded great but the bass was impossible. Doing their best were Atma-Sphere's MP-1Mk.3.2 preamp with phono ($12,100) and MA-1.5 Novacron power amplifier ($12,000/pair), mated with the Tri-Planar Ultimate 12 turntable with what I think was a Technics SP10 Mk.II arm and either a van den Hul III Gold or Koetsu Jade cartridge.
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Jason Victor Serinus Posted: Mar 12, 2013 1 comments
Roger DuNaier of KingSound had plenty of reason to smile. His King III full-range electrostatic loudspeakers ($12,000/pair) were sounding the best I've ever heard them. That means the music they produced sounded exceptionally smooth, warm, relaxed and inviting. How Roger managed this on the Mezzanine of the Doubletree, where rooms had a 10' air space above the ceiling that sucked the life of most active systems on the floor, is no mean feat.
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Jason Victor Serinus Posted: Mar 12, 2013 1 comments
At the opening reception, AXPONA organizer Steve A Davis occasionally played double duty, retrieving drinks for folks as his wife Carmen dispensed drink tickets along with press and exhibitor badges. At one point, he even managed to hush the well-lubricated crowd long enough to pay homage to his late business partner, Andrew Spaulding, to whom he dedicated Chicago's first consumer audio show in 14 years.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
Bill Dudleston didn't haul Legacy's mightiest marvels to AXPONA, but what he did bring had great potential. Unfortunately, the huge 10' high airshaft above his room basically did in what I heard. His first system, which alternated between the Legacy Aeris in Sapele Pommele finish (outer speakers, starting at $17,750/pair), which I auditioned, and Legacy Signature SE in Rosewood finish (starting at $6450/pair), also included Coda's CSX amplifier ($6000) and CP preamplifier ($3500), Ayon's CD 2S ($6350), and Morrow Audio SP7 Grand Reference speaker cables ($1499/pair) and MA6 Grand Reference interconnects ($899/pair).
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
ADL—Alpha Design Labs—a bargain division of Furutech, arrived at AXPONA complete with the ADL H118 headphones ($299) and ADL X1 portable 24/192 USB DAC and headphone amp ($550). The latter, which supports Apple's iOS and Android digital at up to 16/48 for iPods, iPhones and iPads, and runs 24/192 S/PDIF with high-resolution files from a PC, comes complete with a Li-ion battery that lasts 80 hours before recharging. Expect its appearance in early May.
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John Atkinson Posted: Mar 12, 2013 0 comments
The following morning, Friday March 8, the line of Showgoers formed at the will-call booth at least an hour before the official 1pm start of AXPONA. More than 2000 tickets had been presold and the exhibit rooms were full until the end on Sunday March 10.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
Just as I was about to chat with the good folks from Music Direct and Musical Surroundings, what did I happen upon on the mezzanine level but an animated conversation between Stereophile's editor in chief John Atkinson and two of AudioQuest's finest, Joe Harley (left) and Shane Buettner (right). (They were discussing Art Dudley's recent review of the Beatles LP box.) In Buettner's happy hands, at my request, is a sign about Stereophile's Budget Product of 2012, the AudioQuest DragonFly.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
You may wonder why this report of AXPONA Chicago lacks the usual exterior shot of the show venue. The answer is simple: It was too cold in Rosemont, where the Doubletree was located near Chicago O'Hare airport, for anyone from the "season-less" Bay Area to want to stand outside. Knowing that I would discover up to 9" of new snow on the ground and face sub-freezing temperatures at night, I went shopping before my trip for a hat tailor-made for Nanook of the North. What do you think Nanook would have thought of the "Made in China" label? Of course, John Atkinson, who's from a colder and wetter clime, will be posting a photo of the Doubletree hotel later in this report.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
Gingko Audio, known for its isolation platforms and turntable covers, has recently begun marketing DanaCable. Gingko's Doug Williamson was happy to show me samples. Manufactured In Colorado Springs, the cables range in price from the Deluxe Line Onyx ($395/1m pair unbalanced interconnects) to the Reference Line Diamond ($1100/1m pair unbalanced interconnects, add $300 for balanced). The company also manufactures speaker cables and digital cables. "They sound better in room 926," Williamson quipped.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
A rep from Chinese-based HiFiMan arrived at AXPONA with a host of new products. At the top of their list were the new RE-400 earbuds ($99). Also on display, the HM-901 digital audio player ($999), which handles multiple file formats, HE-300 dynamic driver headphones ($299), and HE-6 planar magnetic headphones ($1299).

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