AXPONA 2013

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John Atkinson Posted: Mar 13, 2013 0 comments
Allowing Showgoers to calibrate their ears as he has done at prior AXPONA shows, pianist John Yurick did a great job in the DoubleTree's lobby. Sunday afternoon, as I was leaving for the airport, John was joined by someone playing standards from the American songbook on a chromatic harmonic—luvverly music!
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John Atkinson Posted: Mar 13, 2013 8 comments
Chicagoland dealer Quintessence devoted a large ground-floor room to the Fine Sounds groups of companies—Sonus Faber, Audio Research, Wadia, and Sumko/REL—along with the superb racks from Harmonic Resolution Systems and a Clearaudio/Benz Micro LP player. A pair of the Sonus Faber Amati Futura speakers that I reviewed in May 2012 ($36,000/pair) was being vertically bi-amped with two tubed Audio Research Ref250 monoblocks driving the midrange/tweeter sections and two solid-state Audio Research DS450M monoblocks for the woofers. No fewer than four REL powered subwoofers were handling the low bass. Preamp was the Audio Research Ref5 SE that Brian Damkroger and Bob Reina raved about in Stereophile.
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John Atkinson Posted: Mar 13, 2013 0 comments
Audioengine's small powered speakers have become my go-to recommendations for desktop situations; I bought a pair of the Audioengine 2s for use with the flat-screen HDTV in our kitchen, where they do a great job. The 2s ($199/pair) are the small white speakers in the center of my photograph; flanking them are the Audioengine 5+ speakers ($399/pair). Source was a MacBook Pro feeding the speakers 24/96 audio via the 24-bit capable Audioengine D2 streaming wireless interface/DAC ($599/set), which my colleague Michael Lavorgna enthusiastically reviewed in February 2012.
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Jason Victor Serinus Posted: Mar 13, 2013 4 comments
That is not a feeble attempt at a joke; it really is how Mr. Freud forced this Contributing Editor to slip on the word “editors.” Perhaps I was thinking of The Absolute Sound Executive Editor Jonathan Valin, who not only pulled a no-show for the Friday and Saturday afternoon 90-minute Editors panels—pre-show promotion and the show guide had advertised his participation, with Robert Harley—but also attempted to erase from history, in his online AXPONA report, the rather significant fact that the last major audio show in Chicago was not the 1994 Consumer Electronics Show, as he claims, but rather in 1999, when the Stereophile show came to the Windy City. Is such competitiveness really necessary, given how different the two magazines are?

The moderator for both panels was the extremely articulate and informed Bes Nievera of Music Direct and also a host on Chicago area public radio station WDCB, who just happens to be a long-time audiophile. Panelists included (left–right), from TAS, Editor-in-Chief Robert Harley; from DaGoGo.com, Senior Editor Ed Momkus; from Stereophile and an embarrassingly long list of other publications, Contributing Ediot Jason Victor Serinus, and Stereophile’s Editor-in-Chief John Atkinson.

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John Atkinson Posted: Mar 13, 2013 0 comments
M•A's Todd Garfinkle always makes good music at shows and Axpona was no exception. Todd was driving a Primare PRE32 preamp and Primare A363 power amp with single- and double-rate DSD master files, played back from his Korg recorder. Speakers were the two-way Elac BS244s, which combine an AMT tweeter with a dimpled metal-cone woofer. Piano and drums had excellent jump factor combined with clarity and accurate midrange tonality, despite the modest-looking, table-top set-up.
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Jason Victor Serinus Posted: Mar 13, 2013 2 comments
For many of us, the luscious equipment combo from Rochester, NY-based Your Final System would make our lives complete. I certainly wouldn't kick it out of bed, metaphorically speaking, though I don't know how the spouse and two dogs might react to all of this in the living room, let alone the bedroom. Pause for breath as you take a look at the line-up below, then grab a calculator and add it all together. I would, but my hands are too shaky from typing everything up.

Here we go: Your Final System HD Ref 3 Limited Edition Music Server System ($14,500), EMM Labs DAC 2X ($15,000), Purity Audio Ultra GT preamplifier ($53,000), bi-amplification of upper frequencies by KR Amplifiers SXi Mk.II integrated ($21,000) and lower frequencies by Channel Island Audio D200 Mk.II monoblocks ($3500/pair), Von Schweikert Audio VR-100XS "Universe" System with towers and two EX V15 subwoofers ($140,000), four additional EX V15 subwoofers ($10,000 each), MasterBuilt Signature Series speaker cables ($7500/pair), MasterBuilt Signature Series interconnects ($3600/pair) and power cables ($6200 each) and dual-headed powered USB cables ($4000), GIK Diffusers ($350 each), ASC Tube Traps ($450 each), ATS Acoustic Bass Traps ($150 each), ATS Acoustic Studio Stackers ($200 each), and a mere $37,000 worth of Critical Mass Systems equipment racks and stands.

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Jason Victor Serinus Posted: Mar 12, 2013 1 comments
Musical Surroundings, the distributor whose headquarters are in my notoriously crime-ridden town of Oakland, had multiple presences at AXPONA. One was on the mezzanine, where Mike Fajen was touting the pairing of the Fosgate Signature headphone amp ($1500) with Musical Surroundings' new MYDAC II ($1200). To these ears, the pairing is felicitous. Heard through revealing Sennheiser HD 800 headphones, the sound was exceptionally nice, warm, and lovely.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
Sankar Thiagasmudram, President and co-founder of Audeze, was happy to show the company's LCD-2 ($995) and LCD-3 ($1995) planar-magnetic headphones. I was wowed by these headphones when I encountered them at Audio High last year.
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Jason Victor Serinus Posted: Mar 12, 2013 1 comments
Roger DuNaier of KingSound had plenty of reason to smile. His King III full-range electrostatic loudspeakers ($12,000/pair) were sounding the best I've ever heard them. That means the music they produced sounded exceptionally smooth, warm, relaxed and inviting. How Roger managed this on the Mezzanine of the Doubletree, where rooms had a 10' air space above the ceiling that sucked the life of most active systems on the floor, is no mean feat.
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Jason Victor Serinus Posted: Mar 12, 2013 1 comments
At the opening reception, AXPONA organizer Steve A Davis occasionally played double duty, retrieving drinks for folks as his wife Carmen dispensed drink tickets along with press and exhibitor badges. At one point, he even managed to hush the well-lubricated crowd long enough to pay homage to his late business partner, Andrew Spaulding, to whom he dedicated Chicago's first consumer audio show in 14 years.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
Bill Dudleston didn't haul Legacy's mightiest marvels to AXPONA, but what he did bring had great potential. Unfortunately, the huge 10' high airshaft above his room basically did in what I heard. His first system, which alternated between the Legacy Aeris in Sapele Pommele finish (outer speakers, starting at $17,750/pair), which I auditioned, and Legacy Signature SE in Rosewood finish (starting at $6450/pair), also included Coda's CSX amplifier ($6000) and CP preamplifier ($3500), Ayon's CD 2S ($6350), and Morrow Audio SP7 Grand Reference speaker cables ($1499/pair) and MA6 Grand Reference interconnects ($899/pair).
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
ADL—Alpha Design Labs—a bargain division of Furutech, arrived at AXPONA complete with the ADL H118 headphones ($299) and ADL X1 portable 24/192 USB DAC and headphone amp ($550). The latter, which supports Apple's iOS and Android digital at up to 16/48 for iPods, iPhones and iPads, and runs 24/192 S/PDIF with high-resolution files from a PC, comes complete with a Li-ion battery that lasts 80 hours before recharging. Expect its appearance in early May.
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John Atkinson Posted: Mar 12, 2013 0 comments
The following morning, Friday March 8, the line of Showgoers formed at the will-call booth at least an hour before the official 1pm start of AXPONA. More than 2000 tickets had been presold and the exhibit rooms were full until the end on Sunday March 10.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
You may wonder why this report of AXPONA Chicago lacks the usual exterior shot of the show venue. The answer is simple: It was too cold in Rosemont, where the Doubletree was located near Chicago O'Hare airport, for anyone from the "season-less" Bay Area to want to stand outside. Knowing that I would discover up to 9" of new snow on the ground and face sub-freezing temperatures at night, I went shopping before my trip for a hat tailor-made for Nanook of the North. What do you think Nanook would have thought of the "Made in China" label? Of course, John Atkinson, who's from a colder and wetter clime, will be posting a photo of the Doubletree hotel later in this report.
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Jason Victor Serinus Posted: Mar 12, 2013 0 comments
Just as I was about to chat with the good folks from Music Direct and Musical Surroundings, what did I happen upon on the mezzanine level but an animated conversation between Stereophile's editor in chief John Atkinson and two of AudioQuest's finest, Joe Harley (left) and Shane Buettner (right). (They were discussing Art Dudley's recent review of the Beatles LP box.) In Buettner's happy hands, at my request, is a sign about Stereophile's Budget Product of 2012, the AudioQuest DragonFly.

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