AXPONA 2013

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Apr 30, 2013 14 comments

At the 2013 AXPONA in Chicago in March, Cool Cleveland asked JA for his thoughts on the state of high-end audio. His answers might surprise you.

Filed under
Jason Victor Serinus Posted: Mar 15, 2013 2 comments
Walter Schofield had lots to smile about besides his new trim and fit look. The great buy Wharfedale Jade 5 loudspeakers ($3199/pair), fed by an Avid Ingenium turntable with Pro-Ject arm ($1750) and Ortofon 2M Black cartridge ($719), Avid phono preamplifier ($7000), Marantz SA-15 SACD player ($2000), Marantz 150Wpc integrated amplifier ($2500), Audioquest Columbia interconnects, and PS Audio power strip—there was more, but I can't decipher my notes—produced a really nice midrange on Madeleine Peyroux's "Dance Me to the End of Love." The sound may have been euphonic, but it was also euphoric; the music swung so compellingly that I couldn't stop tapping my foot.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 1 comments
In the room set up by Holm Audio of Woodridge, IL, Sony SS-AR1 loudspeakers ($27,000/pair) dominated a system in which Nordost Odin cabling—Odin power cord ($15,999/2.5m), interconnects ($19,999/2m) and speaker cable ($25,999/2m)—transmitted signals from a Rega RP6 turntable ($1990 with Rega Exact cartridge), Hegel HD25 32-bit DAC ($2500), Manley Chinook phono preamp ($2250), Hegel CDP2A ($2650), Hegel P20 preamplifier ($2900), and Hegel H20 amplifier ($5750). On Randy Crawford's CD, We'll Fly Away, the sound was very smooth and non-fatiguing, but lacked sparkle.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
In the second room sponsored by Arnold Martinez' newly opened Tweak Studio (located in Chicago's Hyatt Downtown) and Colleen Cardas Imports, a SOTA turntable, curiously unidentified on the room's equipment list, and unidentified cartridge and tonearm, were making lovely sound with three products from PureAudio. Designed by Ross Stevens and Gary Morrison, formerly of Plinius, the redundantly titled PureAudio dual-mono vinyl phono preamplifier ($4500) joined PureAudio's dual-mono Control preamplifier ($9500) and Reference 65Wpc class-A monoblock amplifiers ($15,500) to drive My Audio Design 1920S loudspeakers ($3800/pair).
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 3 comments
Linn Audio Loudspeakers (not be confused with Linn Products of Scotland) knocked a major $20,000 off the price of their Athenaeum speaker system (normally $80,000/pair) for AXPONA goers. Unfortunately, their associated components—Bryston 4BST power amplifier ($4000), Linn Audio SET Tube Amp ($500), Linn Audio active crossover/preamp unit ($6000), Linn Audio cabling, and unidentified CD source—rendered Diana Krall's voice far too bright and ringing on the bi-amped loudspeakers. Compensation came in the form of a wonderful clarity to her piano and an impressively wide soundstage.
Filed under
John Atkinson Posted: Mar 15, 2013 1 comments
Peachtree's room was typical at AXPONA, packed with an enthusiastic crowd of listeners enjoying the music all weekend. The Peachtree Nova125 that Sam Tellig reviewed in January ($1499) was being demmed with the MartinLogan Montis speakers that Robert Deutsch reviewed in September 2012 ($9995/pair). The speakers were certainly not let down by the inexpensive amplifier—"The Nova125 will handle any source, any speakers," proclaimed Peachtree's Jonathan Derda (below)—who played me Rickie Lee Jones on LP on a Pro-Ject turntable with Phono Box dual-mono phono preamp, the sax-and-bass duet on Sting's "Standing on the Moon, from a Turtle Records hi-rez file, and even a luminous-sounding MP3 streamed from Spotify.
Filed under
John Atkinson Posted: Mar 15, 2013 3 comments
When I win the PowerBall and retire, I am going to have MBL North America's Jeremy Bryan on call as my set-up man. At show after show, Jeremy has demonstrated that he can tame the most recalcitrant, obdurately obstinate room acoustics problems, using whatever tools he can find, to allow his system to shine its brightest. When I went into the larger of MBL's two rooms in the Doubletree, it was apparent that he had worked his magic. But what I didn't know that throughout the show, snow melting on the hotel's roof was causing a stream of water running down the wall of the room behind the drapes. (I was impressed by the system's liquid-sounding midrange, however!!)
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
Bob Walters of the Bay Area Audiophile Society often refers to Jim Salk's loudspeakers as one of the best buys in high-end audio. Certainly I have never heard them sound better in a show context. Using an AVA ABX switch ($1499), Salk Audio switched between three of its speakers: Salk Silk Bookshelf ($3499/pair), Salk Supercharged SongTowers ($3495/pair), and, the largest Salk SoundScape 8s ($7995/pair). The 8 uses the same RAAL ribbon tweeter, Accuton midrange, and 12" passive radiators as in the two larger SoundScape models (not shown), albeit with two 8" drivers.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 2 comments
If you value smoothness and liquidity, the eye-catching system from Beauty of Sound and KT Audio Imports was to fall in love with. Playing Aaron Neville's aptly named LP Warm Your Heart, the sound was so warm, sweet and mellow, and the presentation so beautiful and spacious, that it was a challenge not to feel as though I had died and gone to heaven.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
My first opportunity to hear the exaSound e20 DSD/DXD/PCM DAC ($2500) did not disappoint. The company that self-effacingly identifies itself as "exaSound," with a small "e," played along with surprisingly extended Janszen 2A2.1 electrostatic loudspeakers ($7495/pair),, which are reputedly flat to 40Hz, and the Bryston Power Pac 250 amp ($2350) to deliver a beautiful smooth, wide soundstage on a DSD recording from Channel Classics.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
Lowther-America showcased their prototype, 98dB-sensitive speakers. Aimed at the DIYer, but potentially available in finished form, the open-baffle design uses a Lowther PM5a, Rythmic subwoofer with dedicated servo amplifier, and SLS ribbon tweeter crossed over at 11kHz (DIY parts cost approx. $4500, custom-built approx. $12,000).
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
JPauls Design of Cary, IL offered a handsome, visually sophisticated set-up that paired Wisdom Audio's L75 loudspeakers ($18,700/pair), SCS subwoofer ($4000), and SC-1 System Controller ($6500) with Krell's Phantom III preamp ($5500), Connect media server ($2500), and Evolution 2250e amplifier ($8000). There was a lot of rapping going on, with music interrupted for explication, but what I heard of Johnny Cash displayed a very warm and inviting midrange. A recording of drums favored slam over transparency and natural timbre.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
As Halie Loren sang her distinctly un-Peggy Lee version of "Fever," I reflected on how much I love the color and warm of Unison Research electronics. The internal glow of the sound, and the sweetness of the electric keyboard, especially stood out. Yummy.
Filed under
Jason Victor Serinus Posted: Mar 15, 2013 0 comments
The boys from Illinois in the Sonic Hemisphere room were in high sales mode, as in talk loud over the music. Playing their larger Fidelity One 3-way loudspeakers ($5750/pair) with an Oppo CD player, Nottingham turntable, K&K phono preamp, Carey pre-amp, and Clayton Audio amp—models and prices not supplied - the sound was a little shouty, and distant at lower volumes. Offered a "female vocal"—don't you love that term, "female vocal"?—it's as generic as an offer of "red wine" without the vintage—I enjoyed the nice midrange on a track by jazz artist Anne Bisson. The bass boomed, but not to the extent it boomed in some rooms. Not auditioned was the 2-way Fidelity Monitor ($1925/pair).
Filed under
John Atkinson Posted: Mar 15, 2013 2 comments
The Chicago Show was my second opportunity to hear the unique circular-arc line array speakers designed by legendary audio engineer Don Keele, who was for many years the speaker reviewer at the long-gone Audio magazine. The 5'-tall CBT36 covers a 36° vertical arc, and with its 72 ¾" tweeters and 18 3.5" midrange units, all sourced from Dayton, projects a tailored wavefront that both allows for a very wide sweet spot from where a stereo image can be perceived and doesn't fall off with distance in the usual manner. The speakers used a DEQX digital crossover and were being driven by an Acurus amplifier. They were operating down to 45Hz, below which a subwoofer took over.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading