AXPONA 2013

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Stereophile Staff Posted: Apr 30, 2013 14 comments

At the 2013 AXPONA in Chicago in March, Cool Cleveland asked JA for his thoughts on the state of high-end audio. His answers might surprise you.

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John Atkinson Posted: Mar 15, 2013 0 comments
In Pro Musica's second room, Dynaudio's Confidence C1 Signature speakers ($8500/pair in Signature finish, $7700/pair in standard Mk.II finish) were driven by Naim's SuperUniti integrated streaming amplifier ($6000), hooked up with Naim NACA5 speaker cable ($15/foot). I listend again to some of Ken Christianson's recordings on the Naim label, including a Schubert Symphony 5 performed by Iona Brown leading the Norwegian Chamber Orchestra. Sonics, music, balance, communication—I wanted for nothing.
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Jason Victor Serinus Posted: Mar 15, 2013 1 comments
Handsome Vapor Audio Cirrus Black loudspeakers ($3995/pair)—I don't have a clue as to why speakers of blond wood are named "black," unless it’s a Harry Potter reference—mated with exotically named Arte Forma Due Volta monoblock amplifiers ($5500/pair) and Thalia preamplifier ($2250), a B.M.C. DAC1 ($5690), Antipodes DV2 music server ($3299), Antipodes Reference speaker cables ($2200/set) and interconnects ($1900), Balanced Power Technologies PC-9LN power cables ($499) and BP-3.5 power conditioner ($2399), and ATS Acoustics room treatments to produce sound that I found nicely illumined, albeit a little hard and unyielding. The system may not have penetrated to the heart of the music, but the sound was very attractive, solid, and well-controlled.
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Jason Victor Serinus Posted: Mar 15, 2013 3 comments
In Room 806, one word said it all: Rega. Demming the Rega RP8 turntable with Rega Exact 2 cartridge ($3400), Rega Apollo R CD player ($1095), Rega Brio R integrated amp with phono stage ($895), and Rega RS3 floor-standing speakers ($1395/pair), the nattily bow-tied Barnaby Fry of The Sound Organisation was having a ball playing Johnny Adams' From the Heart. The system did best on Adams' voice—the voice was great—but when the blues artist sang, "I can't control the vibrations," I'm afraid he was talking about the limitations of the system's bottom reach and bass control. (For starters, I don't believe power conditioning or special equipment supports were in use.) But on voice and piano, Rega x 4 = very nice.
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Jason Victor Serinus Posted: Mar 15, 2013 0 comments
In a room shared with Audiogon, Cary Audio constructed a system of lower cost Audio Electronics brand equipment designed and hand built in Apex, North Carolina. With circuit designs less complex than those in traditional Cary Audio components, the line's four components utilize no global feedback, and their audio stages are predominantly class-A designs. New to the line is the Lightning USB 24/192 DAC ($1295). Utilizing asynchronous USB technology from Gordon Rankin of Wavelength, the Lightning is set to strike the market around April 1.
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John Atkinson Posted: Mar 15, 2013 2 comments
Verity's US distributor John Quick (right) shows the Amadis speakers, with Brian Wasserman

Back in 2009 I recorded classical pianist George Vatchnadze for a live-vs-recorded dem. As well as being a superb classical pianist and teacher—he teaches piano at Chicago's DePaul University—George has a parallel life as an audio retailer. His company, Kyomi Audio, had two 8th-floor rooms at AXPONA, featuring Verity Amadis speakers ($30,000/pair) driven by CAT amplification and hooked up with the huge and expensive helium-filled Stealth cables. Sources were either an Acoustic Signature turntable fitted with a Funk Firm arm and Colibri cartridge, or an Esoteric transport feeding data to a prototype non-oversampling D/A processor from Stealth, this featuring the AD1865 DAC chip.

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Jason Victor Serinus Posted: Mar 15, 2013 3 comments
You can always count on Doug White, owner of The Voice That Is in Newtown, PA, to provide excellent sound and an attractive display. At AXPONA, he came through in spades, rendering John Atkinson's recording of male ensemble Cantus singing Eric Whitacre's Lux Aurumque with extreme beauty. The system did equally well on Rimsky-Korsakov's well-worn Dance of the Tumblers, producing superb sound and nice depth. Lacking only were the ultimate transparency and room-filling soundstage that I encountered in far too few rooms at AXPONA.
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Jason Victor Serinus Posted: Mar 15, 2013 1 comments
Both at and post-show, Buffer (aka L. Langdon Ergmann, Jr.) was charmingly apologetic. Having read my "As We See It," "There's No Business without Show Business," in the April issue of Stereophile just hours before I walked into his Laufer Teknik room, he knew that his inability to supply a list of components and prices, add a track to his Memory Player from one of my six USB sticks, or even tell me what music was playing on his own music server (as in "We don't have an internet connection, so we can't identify the track") had left him a prime candidate for the Duncecap Dealer of the Day award.
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John Atkinson Posted: Mar 15, 2013 0 comments
Chicago retailer Pro Musica, led by recording engineer Ken Christianson, had two rooms at AXPONA. The first featured a system built around Dynaudio's Confidence C2 Signature loudspeakers ($13,500/pair in standard Mk.II finishes; $15,000/pair in Signature finish). The electronics were a Naim NAP 300 amplifier with 300PS power supply ($11,495), Naim 282 preamp with NAPSC2 ($6795), Naim SuperCap2 DR preamp power supply ($6595), Naim UnityServe SSD server ($3045), Naim NDS streaming player ($10,995) with Naim 555PS DR power supply ($9645). Speaker cable was Naim NACA5 ($15/foot) and the equipment rack was the Quadraspire EVO (6 shelf, $1200).
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Jason Victor Serinus Posted: Mar 15, 2013 2 comments
I wish I could say something of import about International Phonograph Inc.'s room, which was showcasing the Artisan Fidelity turntable. The marvelous TAD Reference One loudspeakers were mated with Lamm electronics to play master tapes of jazz and other genres. Alas, there was far more talking than music going on when I stopped by, and the promised equipment list never made it to my inbox. Hopefully, others can fill in the blanks in the comments section below.
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Jason Victor Serinus Posted: Mar 15, 2013 2 comments
Walter Schofield had lots to smile about besides his new trim and fit look. The great buy Wharfedale Jade 5 loudspeakers ($3199/pair), fed by an Avid Ingenium turntable with Pro-Ject arm ($1750) and Ortofon 2M Black cartridge ($719), Avid phono preamplifier ($7000), Marantz SA-15 SACD player ($2000), Marantz 150Wpc integrated amplifier ($2500), Audioquest Columbia interconnects, and PS Audio power strip—there was more, but I can't decipher my notes—produced a really nice midrange on Madeleine Peyroux's "Dance Me to the End of Love." The sound may have been euphonic, but it was also euphoric; the music swung so compellingly that I couldn't stop tapping my foot.
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Jason Victor Serinus Posted: Mar 15, 2013 1 comments
In the room set up by Holm Audio of Woodridge, IL, Sony SS-AR1 loudspeakers ($27,000/pair) dominated a system in which Nordost Odin cabling—Odin power cord ($15,999/2.5m), interconnects ($19,999/2m) and speaker cable ($25,999/2m)—transmitted signals from a Rega RP6 turntable ($1990 with Rega Exact cartridge), Hegel HD25 32-bit DAC ($2500), Manley Chinook phono preamp ($2250), Hegel CDP2A ($2650), Hegel P20 preamplifier ($2900), and Hegel H20 amplifier ($5750). On Randy Crawford's CD, We'll Fly Away, the sound was very smooth and non-fatiguing, but lacked sparkle.
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Jason Victor Serinus Posted: Mar 15, 2013 0 comments
In the second room sponsored by Arnold Martinez' newly opened Tweak Studio (located in Chicago's Hyatt Downtown) and Colleen Cardas Imports, a SOTA turntable, curiously unidentified on the room's equipment list, and unidentified cartridge and tonearm, were making lovely sound with three products from PureAudio. Designed by Ross Stevens and Gary Morrison, formerly of Plinius, the redundantly titled PureAudio dual-mono vinyl phono preamplifier ($4500) joined PureAudio's dual-mono Control preamplifier ($9500) and Reference 65Wpc class-A monoblock amplifiers ($15,500) to drive My Audio Design 1920S loudspeakers ($3800/pair).
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Jason Victor Serinus Posted: Mar 15, 2013 3 comments
Linn Audio Loudspeakers (not be confused with Linn Products of Scotland) knocked a major $20,000 off the price of their Athenaeum speaker system (normally $80,000/pair) for AXPONA goers. Unfortunately, their associated components—Bryston 4BST power amplifier ($4000), Linn Audio SET Tube Amp ($500), Linn Audio active crossover/preamp unit ($6000), Linn Audio cabling, and unidentified CD source—rendered Diana Krall's voice far too bright and ringing on the bi-amped loudspeakers. Compensation came in the form of a wonderful clarity to her piano and an impressively wide soundstage.
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John Atkinson Posted: Mar 15, 2013 1 comments
Peachtree's room was typical at AXPONA, packed with an enthusiastic crowd of listeners enjoying the music all weekend. The Peachtree Nova125 that Sam Tellig reviewed in January ($1499) was being demmed with the MartinLogan Montis speakers that Robert Deutsch reviewed in September 2012 ($9995/pair). The speakers were certainly not let down by the inexpensive amplifier—"The Nova125 will handle any source, any speakers," proclaimed Peachtree's Jonathan Derda (below)—who played me Rickie Lee Jones on LP on a Pro-Ject turntable with Phono Box dual-mono phono preamp, the sax-and-bass duet on Sting's "Standing on the Moon, from a Turtle Records hi-rez file, and even a luminous-sounding MP3 streamed from Spotify.

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