CES 2013

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Robert Deutsch Posted: Jan 15, 2013 0 comments
"What's different about this speaker?" was the question I posed the Usher rep when he told me that they had a new speaker, the Mini-X ($3500/pair), which supersedes the well-regarded Be-718.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
For many years, Edge Electronics were inseparable from the electrifying presence of the company's publicist, Denver's Steve Norber. Now Norber has come out with his own line, whose initial offerings include the PranaFidelity Purna amplifier ($8950) and PranaFidelity model Fifty90 loudspeakers ($3950). The amplifier, shown beneath a prototype preamp, outputs 400 W into 8 ohms (700 into 4 and 1200 into 2), and accepts both balanced and single-ended inputs. The loudspeakers in the system were a two-way symmetrical array with dual 15" woofers, a 30mm tweeter, and a frequency range of 39Hz–22 kHz. In my brief listen, I found the sound amazingly coherent, controlled, and convincing for a small room. Major thumbs up to this one.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
The fourth floor of the Flamingo offered my second opportunity to experience Bully Sound Company electronics and my first to hear Bricasti Design's MI dual-mono DAC. Paired with Vivid B-1 loudspeakers, the system produced an absolutely astounding sense of air on John Atkinson's recording of male vocal ensemble Cantus' performance of Eric Whitacre's Lux Aurumque. The acoustic was so much more air-filled than I'd ever heard it before that I realized that either the DAC added air to recordings, or I had never heard this recording as JA intended it to be heard. The timbre of individual voices, and the clarity of presentation were also spot on. Wow!
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Stephen Mejias Posted: Jan 15, 2013 1 comments
Specializing in user-friendly, wireless and desktop audio systems, Blue Aura is a UK-based company with manufacturing facilities in China. Though founded in 2010, the company gained presence in the US market just seven months ago. Here we see Blue Aura’s v30 Blackline system ($549), comprising 20Wpc hybrid vacuum tube amplifier and passive WS30 desktop speakers.
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Jason Victor Serinus Posted: Jan 14, 2013 0 comments
Given that the folks at Pass Labs have never made a big deal about cabling, it's significant that they've given a major thumbs up to Silent Source Audio cables. Calling them "the best cables you've never heard," they use these hand-built-in-Texas cables to voice their products.
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Jason Victor Serinus Posted: Jan 14, 2013 0 comments
Photograph: Larry Greenhill

Not yet released is Ayre’s 175Wpc VX-5 amplifier (price TBD, in the $8000 "neighborhood"), which uses the same circuit as in the AX-5, but with a larger power supply and higher voltage rails. The VX-5 was demmed with Vivid G2Giya speakers and the K-5xeMP preamplifier that John Atkinson reviewed in June 2011.

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Stephen Mejias Posted: Jan 14, 2013 0 comments
As usual, Peachtree Audio put together one of my favorite systems of the show: iPad, AppleTV, Peachtree Decco65 D/A integrated amplifier, and a pair of Peachtree Design 4 bookshelf loudspeakers mated with a small REL subwoofer.

I looked at the system; listened to the fun, engaging sound; and thought to myself: Why doesn’t everyone own a system like this?

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Jason Victor Serinus Posted: Jan 14, 2013 0 comments
Among Cardas' new goodies at CES was the 3455R IEC plug ($49.95), with pins of solid ultra-pure copper with silver/rhodium plating, and the 3455R-US wall plug ($49.95), whose pins are made of the same material. Cardas is now substituting these for Furutech terminations on their power cables. National Sales Director Brian Von Bork reports that they're also re-launching the Cardas Ear Speaker 5813 ($425), aka ear buds with bloom.
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Jason Victor Serinus Posted: Jan 14, 2013 1 comments
Many, many moons ago, in the days when Stereophile was a small digest rather than a full-sized magazine and lively website, I owned an Aragon 4004 dual-monoblock amplifier. Oh how I wish I had never sold my 4004, with circuitry designed by Dan d'Agostino, and instead mated it with a front end, speakers, and cabling that could have revealed all that it had to offer.

You, thankfully, have an opportunity to find out just how good the circuitry is. The just-introduced Aragon 8008, a software-upgradable, 200Wpc dual monoblock amplifier ($4999) with dual, symmetrical power supply and ethernet-based control and status monitoring, is now produced by Indy Audio Labs, who bought the brand from Klipsch in 2009.

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Jon Iverson Posted: Jan 14, 2013 0 comments
Arriving in the US next month, the new Cambridge follow-up to the 751BD has a retail price of $1299. Arcam's Dan Poulton was quick to point out that though it has a similar feature set (most disc formats supported as well as streaming services), this is not just an Oppo in a Cambridge box.

Audio is upsampled to 24/192 using Cambridge's Adaptive Time Filtering (ATF) system and allows the user to set the digital filter from several options as with the company's DacMagic.

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Jason Victor Serinus Posted: Jan 14, 2013 2 comments
Vincent's new SV-800 integrated amplifier ($4999.95) outputs 100Wpc into 8 ohms, the first 50 of which are class-A. A tube hybrid design, it uses four 12AX7s, four 12AV7s, and six output transistors. Most of its inputs are RCA, but there is one pair of XLRs.
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Jon Iverson Posted: Jan 14, 2013 3 comments
One of my favorite products to review over the last couple years was the Cantata Music Center from Resolution Audio. What's not to like: solid engineering, forward thinking and gorgeous styling.

The company claims the product is designed to be future proofed for at least the next 10 years, and is now offering a new $500 24/192 hardware upgrade (software upgrades are free) to existing owners that is also featured in current versions. The Cantata Music Center is now also UpNP capable for FLAC and AIFF file decoding.

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