CES 2013

Sort By: Post Date | Title | Publish Date
Filed under
Jon Iverson Posted: Jan 15, 2013 0 comments
Norwegian Manufacturer Electrocompaniet had two new digital products this year. The first is the ECD 2 Reference DAC retailing at $3,099 and available now. It features balanced and unbalanced outputs, 24/192 SPDIF Coax and new this year, USB. The ECD 2 upsamples and uses 24/192 processing throughout.
Filed under
Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
Filed under
Jason Victor Serinus Posted: Jan 15, 2013 0 comments
How lovely to again make the acquaintance of Eunice Kron of KR Audio and Roger DuNaier of KingSound. Driving the mighty King III full-range electrostats, with a generous assist from Clarity cable, were KR's VA910 160Wpc monoblock push-pull ultralinear, class-AB1 amplifiers ($18,000/pair). Chosen to enhance the King III at a lower cost than other KR Audio amps, they use Russian KT120s, which are more affordable than KR's own tubes, mated to a MOSFET class-A driver stage. Completing the chain was the KR P130 triode stereo line preamplifier ($4990), which comes with remote control.
Filed under
Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
Filed under
Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Gato, a young Danish company whose products are distributed in the US by Aerial Acoustics, made its debut at CES 2013 with the handsome Gato integrated stereo Amp-150 ($7990 with remote). Outputting 150Wpc into 8 ohms, and 250 into 4, the integrated has 1 XLR input, 4 RCA inputs, and both XLR and RCA outputs. Frequency response is 20Hz–20kHz ±0.5 dB, and 2Hz–100 kHz ±3dB. The meter's needle shows the volume control setting. The choice of high gloss black, high gloss white, and or high gloss walnut veneer covers makes this 30.4 lb. integrated even more attractive.
Filed under
Larry Greenhill Posted: Jan 15, 2013 0 comments
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
Filed under
Jason Victor Serinus Posted: Jan 15, 2013 0 comments
For many years, Edge Electronics were inseparable from the electrifying presence of the company's publicist, Denver's Steve Norber. Now Norber has come out with his own line, whose initial offerings include the PranaFidelity Purna amplifier ($8950) and PranaFidelity model Fifty90 loudspeakers ($3950). The amplifier, shown beneath a prototype preamp, outputs 400 W into 8 ohms (700 into 4 and 1200 into 2), and accepts both balanced and single-ended inputs. The loudspeakers in the system were a two-way symmetrical array with dual 15" woofers, a 30mm tweeter, and a frequency range of 39Hz–22 kHz. In my brief listen, I found the sound amazingly coherent, controlled, and convincing for a small room. Major thumbs up to this one.
Filed under
Jason Victor Serinus Posted: Jan 14, 2013 0 comments
Among Cardas' new goodies at CES was the 3455R IEC plug ($49.95), with pins of solid ultra-pure copper with silver/rhodium plating, and the 3455R-US wall plug ($49.95), whose pins are made of the same material. Cardas is now substituting these for Furutech terminations on their power cables. National Sales Director Brian Von Bork reports that they're also re-launching the Cardas Ear Speaker 5813 ($425), aka ear buds with bloom.
Filed under
Jason Victor Serinus Posted: Jan 14, 2013 1 comments
Many, many moons ago, in the days when Stereophile was a small digest rather than a full-sized magazine and lively website, I owned an Aragon 4004 dual-monoblock amplifier. Oh how I wish I had never sold my 4004, with circuitry designed by Dan d'Agostino, and instead mated it with a front end, speakers, and cabling that could have revealed all that it had to offer.

You, thankfully, have an opportunity to find out just how good the circuitry is. The just-introduced Aragon 8008, a software-upgradable, 200Wpc dual monoblock amplifier ($4999) with dual, symmetrical power supply and ethernet-based control and status monitoring, is now produced by Indy Audio Labs, who bought the brand from Klipsch in 2009.

Filed under
Jon Iverson Posted: Jan 14, 2013 0 comments
Arriving in the US next month, the new Cambridge follow-up to the 751BD has a retail price of $1299. Arcam's Dan Poulton was quick to point out that though it has a similar feature set (most disc formats supported as well as streaming services), this is not just an Oppo in a Cambridge box.

Audio is upsampled to 24/192 using Cambridge's Adaptive Time Filtering (ATF) system and allows the user to set the digital filter from several options as with the company's DacMagic.

Filed under
Jason Victor Serinus Posted: Jan 14, 2013 2 comments
Vincent's new SV-800 integrated amplifier ($4999.95) outputs 100Wpc into 8 ohms, the first 50 of which are class-A. A tube hybrid design, it uses four 12AX7s, four 12AV7s, and six output transistors. Most of its inputs are RCA, but there is one pair of XLRs.
Filed under
Jon Iverson Posted: Jan 14, 2013 3 comments
One of my favorite products to review over the last couple years was the Cantata Music Center from Resolution Audio. What's not to like: solid engineering, forward thinking and gorgeous styling.

The company claims the product is designed to be future proofed for at least the next 10 years, and is now offering a new $500 24/192 hardware upgrade (software upgrades are free) to existing owners that is also featured in current versions. The Cantata Music Center is now also UpNP capable for FLAC and AIFF file decoding.

Filed under
Jon Iverson Posted: Jan 14, 2013 0 comments
In some rooms, spotting the new product or two can be tough without asking or taking time to carefully look at everything on display. Not the Oracle room. The BRIGHT yellow Paris CD 250 was screaming "look at me" the moment I crossed the threshold. Once my eyes had settled I could see Oracle had also brought the CD player and DAC in a few more color choices: black, white and red.

Using the same chassis design and color options, the CD player or DAC each run $3,500. The DAC features 24/192 SPDIF, Toslink and USB inputs as well as volume control.

Filed under
Jason Victor Serinus Posted: Jan 14, 2013 9 comments
Magico's MRack ($30,000–$50,000, depending upon configuration) absorbs and dissipates energy with the same constrained-layer damping mechanism employed in the Magico QPod equipment supports that Michael Fremer raved about in his June 2012 "Analog Corner" column, and that I use under my transport and DAC. Constructed of 500 lbs of aluminum, copper, and damping compound, the MRack is a byproduct of the R&D Magico put it into their Q series of loudspeakers. "Think of the MRack as a giant QPod," says Magico's Alon Wolf.
Filed under
Larry Greenhill Posted: Jan 14, 2013 0 comments
I stumbled into the Naim Audio Exhibit and was faced with a wall of amplifiers and electronics. Chris Koster, of the Sound Organisation, Naim's US importer, guided me through the Naim amplification that was being used to drive the tri-amplified loudspeakers in the room. Starting from the left, the rack held three NAP-500 solid state amplifiers ($28,000 each).Sitting just above the three amplifier chassis at the extreme left was a Naim Snaxxo 362 ($3500) active crossover; its Naim Supercap power supply, sitting at the top of the center column, powered the Snaxxo. Each of the amplifier's individual NAP-500 PS power supplies occupied the three lower shelves at the center of the rack. The two top center shelves held the power supplies for the NAC552 preamplifier ($28,000) and the NDS Media Streamer ($11,000), whose control chassis could be found at the extreme right of the rack.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading