CES 2013

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Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Standing in static display in the Audio Note room sat in full lotus position with eyes half shut the lovely G-70 stereo line preamplifier ($37,000). With a frequency response of 10 Hz—240 kHz, four RCA inputs and two RCA outputs, this baby uses two 6072/12AY7 vacuum tubes and one 6X4.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
There's nothing like a $118,600 system (excluding racks, Shakti Hallographs, equipment supports, and all the rest) to get the juices flowing. Such was the case in Jonathan Josephs' One World Audio room at T.H.E. Show, where the imposing redesigned Voce Audio VA-3 loudspeakers with Stillpoints Ultra Five supports ($35,635) were making beautiful music with MSB Technology's Analog DAC w/volume control ($7990), Data CD IV disc player w/power base ($7490), and 200W class-A 203 monoblock amplifiers ($27,500)—the things that look like huge space heaters.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
"For those who want the Burmester signature sound at a relatively reasonable price," declared Burmester General Manager Robert Hagemann, Burmester Audiosysteme Berlin will issue the Burmester 101 integrated amplifier (projected price under $10,000) at the end of February. Outputting 120 Wpc into 4 ohms, and equipped with three XLR inputs and two RCAs, this is the first integrated amplifier from the company to sell for less than $17,000. Frequency range is 3Hz—45 kHz, and the preamplifier outputs are balanced only.
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Stephen Mejias Posted: Jan 15, 2013 1 comments
Handmade by carpenters in Taiwan, the Telos Quantum Diffusor ($600) is said to work on the air molecules of your listening room to “imitate natural electromagnetic waves.” The effect would be a more relaxed, soothing listening environment, putting the listener in a better mood, and consequently enhancing the sense of space and detail in the recording. In short, the Telos Quantum Diffusor augments the listener’s perception of music. It is said to also improve sleep.

“But you wouldn’t want to fall asleep while listening to music,” I kidded.

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Stephen Mejias Posted: Jan 15, 2013 2 comments
It doesn’t do DSD, it isn’t WiFi or Bluetooth-capable, and it certainly isn’t portable. It’s big, ugly, and, for most people, it’s almost entirely useless. But the TEAC W-890R ($299) plays cassettes! Why cassettes?!
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Stephen Mejias Posted: Jan 15, 2013 2 comments
Drawn by the scent of hot food, I wandered into the Flamingo Hotel's Red Rock Ballroom and was pleased to find Grammy award-winning producer and guitarist Larry Mitchell playing sweet, soulful blues.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
"I am a substantial amp, and I deserve your attention," Accustic Arts' new, pure class-A AMP II—Mk.2 dual-mono power amplifier ($11,000) seems to declare. Its aesthetics certainly got me to take notice. The 121 lb amplifier includes 24 MOSFETs, and both balanced and single-ended inputs and bi-wire/bi-amping speaker terminals. It outputs 250Wpc into 8 ohms, and 500 into 4. Also available, albeit not pictured, is Accustic Arts' fully balanced, tube hybrid TUBE-PREAMP II ($6500), with 3 XLR and two RCA inputs, and 2 XLR and 1 RCA outputs. The company also makes a transport, DAC, streamer, cables and accessories. While these products, handmade in Germany, have been out for a while, this appears to be the first time they've become available in the US.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Think this is a photo of the forthcoming Convergent Audio Technology JL-5 power amplifier ($TBD, perhaps 10,000-12,000)? Think again. The new amp, still in prototype form, will have the same cosmetics but be ¾ the size. What is important, for those who love CAT's wonderful sound, is that it will be half the price of the company's former entry-level amp. A triode design using four KT120s per channel to output 100 Wpc, it paired beautifully with Wilson Audio Sashas and Stealth cables to produce gorgeous tonality on piano.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
Wisdom's planar-magnetic drivers are used in some very expensive speakers, and they had a pair of their LS4 floor-to-ceiling wall-mounts at CES, which sounded superb, easily one of the best at the show. (It was in the "if you have to ask" price category.) Of more interest to me was the new Insight series of in-wall speakers, which use the same technology as Wisdom's more cost-no-object offerings. The drive units start at $1250 each (P2i) and go up to $5000 (L8i). That's more my speed!
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Stephen Mejias Posted: Jan 15, 2013 2 comments
My old friends, Big Mike and Anton of NFS Audio. Over at the Flamingo, exhibiting at T.H.E. Show, the pair were having a good time, listening to Lee Morgan through a system comprising Yamaha NS1000 and Infinity WTLC loudspeakers, a Yamaha CR3020 receiver, a Sony PSX800 turntable with Monster Sigma Genesis MC cartridge, and an Oppo disc player.
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Jon Iverson Posted: Jan 15, 2013 0 comments
Norwegian Manufacturer Electrocompaniet had two new digital products this year. The first is the ECD 2 Reference DAC retailing at $3,099 and available now. It features balanced and unbalanced outputs, 24/192 SPDIF Coax and new this year, USB. The ECD 2 upsamples and uses 24/192 processing throughout.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
How lovely to again make the acquaintance of Eunice Kron of KR Audio and Roger DuNaier of KingSound. Driving the mighty King III full-range electrostats, with a generous assist from Clarity cable, were KR's VA910 160Wpc monoblock push-pull ultralinear, class-AB1 amplifiers ($18,000/pair). Chosen to enhance the King III at a lower cost than other KR Audio amps, they use Russian KT120s, which are more affordable than KR's own tubes, mated to a MOSFET class-A driver stage. Completing the chain was the KR P130 triode stereo line preamplifier ($4990), which comes with remote control.

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