CES 2013

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Jon Iverson Posted: Jan 15, 2013 0 comments
NAD greatly impressed me with their M51 bitstream DAC. Next, they've taken on the streamer/music server market with the M50 ($2499) and M52 Digital Music Vault (1999), both available now.

The M50 has WiFi, ethernet, USB and HDMI to handle PCM files up to 24/192 and has a CD slot for ripping discs and retrieving metadata. Streaming services should be available as options in about six months. For storing files, the M52 connects via USB and runs a 3TB RAID 5 Array. All functions can then be controlled via NAD's iPad app.

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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
The synergy is palpable between Triode Corporation's Japanese-made electronics, distributed by Santo Oropel's Twin Audio•Video, and Acoustic Zen's loudspeakers and cables, masterminded by Robert Lee. At CES, Triode premiered the imminently available TRX-M300 8W into 8 ohms triode monoblocks (approx. $14,000–$15,000/pair). Built around a 300B tube driven by a 91A tube—there are one 300B, two 91As, and one 274B—the 60 lb monoblock includes auto-bias, and has a frequency response of 10Hz–50kHz, +0, –3dB.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
"What's different about this speaker?" was the question I posed the Usher rep when he told me that they had a new speaker, the Mini-X ($3500/pair), which supersedes the well-regarded Be-718.
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Stephen Mejias Posted: Jan 15, 2013 1 comments
Reports state that, with over 150,000 attendees and nearly two million square feet of exhibit space, this was the largest CES ever. Over at the Venetian, where most of the high-performance audio exhibits were held, things were civilized compared to the madness of the Las Vegas Convention Center. This photo serves as a reminder of that madness. In Las Vegas, this is a short line.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
For those of us in search of the best bang-for-the-buck enhancements to our systems, and the cables that best complement our components, Ultra Systems and the Cable Company are a favored one-stop gold mine. At his table at T.H.E. Show, the company’s Robert Stein (pictured above) spread the word that the excellent HiFi Tuning Supreme fuses he markets now incorporate Quantum level treatment from WA-Quantum. These are the folks who also make the Quantum chips that you put on components and speakers. I need to play with the latter some more before I get a handle on what they do or don’t do to the sound of the Wilson Audio Sashas currently in my reference system.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Knowing something about race car driving won't get you a good system in and of itself, but it will help you understand the genesis of the names of Alvin Lloyd's Grand Prix Audio's attractive equipment isolation racks. New is their Woodcote line, the company's first line of wooden racks. Made of true hardwood—no MDF here—the four-shelf cherry model with decoupled shelves costs $4495, and walnut, curly maple, and custom woods are also available.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Zanden displayed their prototype 3100 preamplifier (est. $12,500). Projected to ship in March, this one-piece unit uses one 5687 tube for amplification, and another 5687 for rectification. An output transformer design, it has one balanced and three single-ended inputs, and a unity-gain option for home theater set-ups. Keeping it company were the Zanden Audio KT-120 stereo amplifier ($20,990), prototype solid-sate phono stage with five selectable equalization curves (est. $7500), Signature CD player ($22,000), and the company's handmade cables. The room set-up was one of many to feature TAD loudspeakers, here the Ref.1 ($78,000/pair).
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
WyWires has a new AC distribution system, the Power Broker ($2899). Intended to extend the architecture of its Juice power cord, the unit boasts eight outlets wired in parallel, all in an asymmetrical Litz-wired configuration intended to "enable great image focus and soundstage capabilities" by correcting phase.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Audio Research had live demonstrations of a number of new products, including its new CD transport, the vacuum tube Reference CD-9 player ($13,000) and the vacuum-tube Reference 10 line stage preamplifier ($30,000). These were included in a system with their vacuum tube Reference Phono2 SE phono preamplifier ($13,000), their Reference D/A converter ($16,000), Reference 250 monoblocks ($26,000/pair), and a pair of DSM450M solid-state power amplifiers ($11,000/pair). The Ref250s and DSM450s were used to bi-amp a pair of Sonus Faber Aida speakers.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Krell released the Phantom III ($5500), a dual-mono design stereo preamp with a dedicated headphone amp and option for an internal DAC ($1500 extra). Fully balanced, the DAC portion, based around the ESS Sabre 32 DAC, handles files up to 24/192, and includes an asynchronous USB input.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Shunyata’s Hydra AV power conditioner uses the same technologies found in the company’s Reference series Triton (reviewed by Michael Fremer in January 2012), but is intended for floor-mounted applications without sacrificing performance. Shown here is a prototype; final production should be complete in about one month and the price should be around $3000 to $4000.
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Stephen Mejias Posted: Jan 15, 2013 2 comments
It doesn’t do DSD, it isn’t WiFi or Bluetooth-capable, and it certainly isn’t portable. It’s big, ugly, and, for most people, it’s almost entirely useless. But the TEAC W-890R ($299) plays cassettes! Why cassettes?!

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