CES 2013

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John Atkinson Posted: Jan 16, 2013 0 comments
My photograph doesn't do justice to the lustrous blue finish or the immaculate interior construction, but Vandersteen's new M7-HPA power amplifier looks as gorgeous as the Vandersteen Model Seven and 5A loudspeakers with which it is intended to be used. As the HPA in its name implies, the M7-HPA provides a high-pass filtered output (>100Hz) to the upper-frequency drive-units of these two speakers, which have integral powered subwoofers. The amplifier uses a tube input stage and a two single-ended solid-state output amplifier stages operating in what Richard Vandersteen calls "push-push," all mounted with a sprung suspension and kept cool with a liquid cooling system. Price is projected to be between $30,000 and $40,000/pair.
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Robert Deutsch Posted: Jan 16, 2013 0 comments
Have you ever attended one of those speaker demos where a large pair of floorstanding speakers were supposedly playing, and then it was revealed that the speakers playing were small hidden ones? (I recall Joseph Audio doing one of these.) Well, it was something like that in the Totem room, but not intentionally. The speakers that I thought were playing were the Metal floorstanders ($12,000/pair) and I was particularly impressed by the deep, dynamic bass produced by these speakers.

And then . . . in discussing the performance of the speakers with designer Vince Bruzzese, I found out that the speakers playing were not the Metals but the much smaller bookself-type Fires ($6000/pair) . . .

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John Atkinson Posted: Jan 16, 2013 0 comments
Over at T.H.E. Show, Audience were demming the ClairAudient 1+1 bipolar speaker ($1800/pair), which uses two of the small full-range A3S drive-units developed by Roger Sheker, one on the front, one on the back, loaded with two passive radiators on the speaker's sides. The sound was dynamic, with surprisingly extended low frequencies.
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Jason Victor Serinus Posted: Jan 16, 2013 0 comments
The big news from UK-based Naim is the arrival of the company’s first asynchronous USB DAC, the DAC-VI ($2395). Its companion in size is the new NAP 100 discrete-transistor, compact power amplifier ($1295). Production on both begins in February. To focus first on the amp, which is in my CES blogging territory of amps and preamps in the $2500–$15,000 price range, the NAP 100 is a dual-mono design that outputs 50Wpc into 8 ohms and 100 into 4, and is said to incorporate a linear power supply with a “large toroidal transformer and audiophile grade selected components” into a non-magnetic, low resonance, compact chassis and sleeve.
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Larry Greenhill Posted: Jan 16, 2013 4 comments
McIntosh's exhibit area in the Venetian Towers was busier than usual when I entered, and I soon found out why. Whereas most manufacturers in high performance audio were content to introduce one or two products, McIntosh seemed determined to introduce many, many new products. I could not mention them all, but Ron Cornelius, McIntosh's Product Manager, helped me focus on four products he felt of greatest interest to audiophiles. First, he showed me McIntosh's new Digital Preamplifier ($2500, above). This featured a new ESS DAC chip that operates its 8 channels in differential balanced mode for improved resolution. It includes a headphone amplifier, and four digital inputs: two optical, one coax, and one high-speed, asynchronous USB port.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Pro-Ject’s Media Box S ($359) is “basically a mini-computer,” Sumiko’s Norbert Schmied told me. It accepts a USB thumb drive (as shown), hard drive, or SD card containing MP3, WMA, AAC, or variable-bit-rate files up to 384kbps compression. It uses a 24-bit/96kHz upsampling D/A converter, and album metadata can be displayed and navigated via the front-panel display. Here we see it partnered with Pro-Ject’s Head Box S ($159) and the extremely lightweight and comfortable Hear It Two headphones ($79).

In his entry on Pro-Ject’s impressive DAC Box DS, Jon Iverson noted that the Sumiko suite showed an entire wall of the company’s cute but powerful Box components. Schmied gave me a detailed tour of the offerings. I’ve got three pages of notes on these nearly bite-sized components and every scribble is interesting, but here are the main points:

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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Sharing the room with Cayin was cable manufacturer Tara Labs. No one from Tara Labs was present when I was in the room, but I did learn that the rectangular solid-core RSC Air series has been redesigned with new red sleeving. Look for the new Air 1EX interconnects with anti-corrosion coated copper braid shield, as well as other new products.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Zanden displayed their prototype 3100 preamplifier (est. $12,500). Projected to ship in March, this one-piece unit uses one 5687 tube for amplification, and another 5687 for rectification. An output transformer design, it has one balanced and three single-ended inputs, and a unity-gain option for home theater set-ups. Keeping it company were the Zanden Audio KT-120 stereo amplifier ($20,990), prototype solid-sate phono stage with five selectable equalization curves (est. $7500), Signature CD player ($22,000), and the company's handmade cables. The room set-up was one of many to feature TAD loudspeakers, here the Ref.1 ($78,000/pair).
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Robert Deutsch Posted: Jan 15, 2013 0 comments
"What's different about this speaker?" was the question I posed the Usher rep when he told me that they had a new speaker, the Mini-X ($3500/pair), which supersedes the well-regarded Be-718.
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Stephen Mejias Posted: Jan 15, 2013 1 comments
Reports state that, with over 150,000 attendees and nearly two million square feet of exhibit space, this was the largest CES ever. Over at the Venetian, where most of the high-performance audio exhibits were held, things were civilized compared to the madness of the Las Vegas Convention Center. This photo serves as a reminder of that madness. In Las Vegas, this is a short line.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
WyWires has a new AC distribution system, the Power Broker ($2899). Intended to extend the architecture of its Juice power cord, the unit boasts eight outlets wired in parallel, all in an asymmetrical Litz-wired configuration intended to "enable great image focus and soundstage capabilities" by correcting phase.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Audio Research had live demonstrations of a number of new products, including its new CD transport, the vacuum tube Reference CD-9 player ($13,000) and the vacuum-tube Reference 10 line stage preamplifier ($30,000). These were included in a system with their vacuum tube Reference Phono2 SE phono preamplifier ($13,000), their Reference D/A converter ($16,000), Reference 250 monoblocks ($26,000/pair), and a pair of DSM450M solid-state power amplifiers ($11,000/pair). The Ref250s and DSM450s were used to bi-amp a pair of Sonus Faber Aida speakers.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Krell released the Phantom III ($5500), a dual-mono design stereo preamp with a dedicated headphone amp and option for an internal DAC ($1500 extra). Fully balanced, the DAC portion, based around the ESS Sabre 32 DAC, handles files up to 24/192, and includes an asynchronous USB input.

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