CES 2013

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Jason Victor Serinus Posted: Jan 16, 2013 0 comments
The big news from UK-based Naim is the arrival of the company’s first asynchronous USB DAC, the DAC-VI ($2395). Its companion in size is the new NAP 100 discrete-transistor, compact power amplifier ($1295). Production on both begins in February. To focus first on the amp, which is in my CES blogging territory of amps and preamps in the $2500–$15,000 price range, the NAP 100 is a dual-mono design that outputs 50Wpc into 8 ohms and 100 into 4, and is said to incorporate a linear power supply with a “large toroidal transformer and audiophile grade selected components” into a non-magnetic, low resonance, compact chassis and sleeve.
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John Atkinson Posted: Jan 16, 2013 1 comments
Following the sale of Thiel and the departure of the Kentucky company's cofounder Kathy Gornik at the end of November 2012, the Thiel display at the Sands Convention Center was packed. It was also reassuring to see many of the company's long-term employees on hand, confirming the new CEO Bill Thomas's commitment to preserving the brand's ethos.
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Jason Victor Serinus Posted: Jan 16, 2013 0 comments
LA Audio was but one of many companies who journeyed to Las Vegas in hopes of securing U.S. distribution. New to their line is the P-845 II monoblock ($12,000), a push-pull design that outputs 60Wpc and has a frequency response of 20Hz–100kHz. This is the most expensive product from a company with a 20-year history in Taiwan.
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Jon Iverson Posted: Jan 16, 2013 3 comments
Musical Fidelity had a large multi-room suite atop the Mirage, with multiple systems set up and optimized. One system was set up around the new M1SDAC which retails for $1,499 and should be here by April.

Inputs include all the usual digital suspects including USB that can handle 24/192. Since the M1SDAC also functions as a preamp, it has analog inputs which are sampled at 24/96. Outputs included unbalanced analog and digital.

But what caught my ear was the Bluetooth capability that allows you to wirelessly connect your Bluetooth device if it has audio files on it. Once received wirelessly, the Bluetooth stream is upsampled to 24/192 by the M1SDAC. Tempo Marketing's John Quick asked me to pull out my iPhone to see if there was some music I'd like to hear. Sure enough I had an uncompressed CD rip of Roxy Music's first album and within seconds it was playing over the system, tracks being controlled from my seat. Maybe not CD quality, but it sounded pretty good with a bit of crunch on the top end.

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Jason Victor Serinus Posted: Jan 16, 2013 0 comments
Even though Simaudio’s Costa Koulisakis once explained in near exhaustive detail the relationship between Moon products and Simaudio, all I can remember is how good the components sound. You too may go over the moon about the three new products in my blog price range. In numerical order, the Moon Evolution Series 610 LP phono preamplifier ($7000), based on the reference Moon 810LP that Michael Fremer reviewed in December 2012, is a dual-mono, fully balanced differential design with isolated oversized power supply with a pi-type filter; adjustable impedance loading, capacitance loading, and gain settings; and selectable equalization curves. It will even wash your windows.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Krell released the Phantom III ($5500), a dual-mono design stereo preamp with a dedicated headphone amp and option for an internal DAC ($1500 extra). Fully balanced, the DAC portion, based around the ESS Sabre 32 DAC, handles files up to 24/192, and includes an asynchronous USB input.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Shunyata’s Hydra AV power conditioner uses the same technologies found in the company’s Reference series Triton (reviewed by Michael Fremer in January 2012), but is intended for floor-mounted applications without sacrificing performance. Shown here is a prototype; final production should be complete in about one month and the price should be around $3000 to $4000.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Jim Fosgate plans to issue two new Signature products, the Fosgate Signature tube preamplifier (projected $3500) and 50Wpc Signature stereo tube power amplifier (projected $4000). Seen in prototype form, and expected in the 2nd quarter of the year, the nine-tube preamp combines a hybrid MM/MC phono stage with an all-tube line stage, and comes complete with remote control and six-position MC cartridge loading.
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Jon Iverson Posted: Jan 15, 2013 0 comments
The EMP 3 is the company's latest version of an upgraded Oppo player and retails for $3,995 and is available now. They start with the Oppo 103, leave the video section alone, and rip everything else out. The put their own 24/192 DAC in the box and replace the Oppo op-amps with all discrete circuitry in a final design very similar to the previous EMP 2 model.

Being based on an Oppo means it will play just about any audio disc you have on hand and also do 3D Blu-ray and upscale video to 4K if you have a display to handle it. On the audio side, there is also a separate balanced stereo analog output added by Electrocompaniet.

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Jason Victor Serinus Posted: Jan 15, 2013 1 comments
To the growing number of USB cables on the market, Van den Hul now adds the USB Ultimate ($599/1.5m). Maarten Binnendijk, Managing Director of Van den Hul, claims that the company devoted two years to developing the cable to ensure that it "will beat all other USB cables." Only one way to find out. On your mark, get set, GO!
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Stephen Mejias Posted: Jan 15, 2013 2 comments
It doesn’t do DSD, it isn’t WiFi or Bluetooth-capable, and it certainly isn’t portable. It’s big, ugly, and, for most people, it’s almost entirely useless. But the TEAC W-890R ($299) plays cassettes! Why cassettes?!
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Stephen Mejias Posted: Jan 15, 2013 2 comments
Drawn by the scent of hot food, I wandered into the Flamingo Hotel's Red Rock Ballroom and was pleased to find Grammy award-winning producer and guitarist Larry Mitchell playing sweet, soulful blues.

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