CES 2013

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John Atkinson Posted: Jan 16, 2013 0 comments
Over at T.H.E. Show, Audience were demming the ClairAudient 1+1 bipolar speaker ($1800/pair), which uses two of the small full-range A3S drive-units developed by Roger Sheker, one on the front, one on the back, loaded with two passive radiators on the speaker's sides. The sound was dynamic, with surprisingly extended low frequencies.
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Jason Victor Serinus Posted: Jan 16, 2013 0 comments
The big news from UK-based Naim is the arrival of the company’s first asynchronous USB DAC, the DAC-VI ($2395). Its companion in size is the new NAP 100 discrete-transistor, compact power amplifier ($1295). Production on both begins in February. To focus first on the amp, which is in my CES blogging territory of amps and preamps in the $2500–$15,000 price range, the NAP 100 is a dual-mono design that outputs 50Wpc into 8 ohms and 100 into 4, and is said to incorporate a linear power supply with a “large toroidal transformer and audiophile grade selected components” into a non-magnetic, low resonance, compact chassis and sleeve.
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Larry Greenhill Posted: Jan 16, 2013 5 comments
McIntosh's exhibit area in the Venetian Towers was busier than usual when I entered, and I soon found out why. Whereas most manufacturers in high performance audio were content to introduce one or two products, McIntosh seemed determined to introduce many, many new products. I could not mention them all, but Ron Cornelius, McIntosh's Product Manager, helped me focus on four products he felt of greatest interest to audiophiles. First, he showed me McIntosh's new Digital Preamplifier ($2500, above). This featured a new ESS DAC chip that operates its 8 channels in differential balanced mode for improved resolution. It includes a headphone amplifier, and four digital inputs: two optical, one coax, and one high-speed, asynchronous USB port.
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Jason Victor Serinus Posted: Jan 16, 2013 0 comments
LA Audio was but one of many companies who journeyed to Las Vegas in hopes of securing U.S. distribution. New to their line is the P-845 II monoblock ($12,000), a push-pull design that outputs 60Wpc and has a frequency response of 20Hz–100kHz. This is the most expensive product from a company with a 20-year history in Taiwan.
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John Atkinson Posted: Jan 16, 2013 1 comments
Following the sale of Thiel and the departure of the Kentucky company's cofounder Kathy Gornik at the end of November 2012, the Thiel display at the Sands Convention Center was packed. It was also reassuring to see many of the company's long-term employees on hand, confirming the new CEO Bill Thomas's commitment to preserving the brand's ethos.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
"What's different about this speaker?" was the question I posed the Usher rep when he told me that they had a new speaker, the Mini-X ($3500/pair), which supersedes the well-regarded Be-718.
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Stephen Mejias Posted: Jan 15, 2013 1 comments
Reports state that, with over 150,000 attendees and nearly two million square feet of exhibit space, this was the largest CES ever. Over at the Venetian, where most of the high-performance audio exhibits were held, things were civilized compared to the madness of the Las Vegas Convention Center. This photo serves as a reminder of that madness. In Las Vegas, this is a short line.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
WyWires has a new AC distribution system, the Power Broker ($2899). Intended to extend the architecture of its Juice power cord, the unit boasts eight outlets wired in parallel, all in an asymmetrical Litz-wired configuration intended to "enable great image focus and soundstage capabilities" by correcting phase.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Audio Research had live demonstrations of a number of new products, including its new CD transport, the vacuum tube Reference CD-9 player ($13,000) and the vacuum-tube Reference 10 line stage preamplifier ($30,000). These were included in a system with their vacuum tube Reference Phono2 SE phono preamplifier ($13,000), their Reference D/A converter ($16,000), Reference 250 monoblocks ($26,000/pair), and a pair of DSM450M solid-state power amplifiers ($11,000/pair). The Ref250s and DSM450s were used to bi-amp a pair of Sonus Faber Aida speakers.
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Robert Deutsch Posted: Jan 15, 2013 0 comments
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever since—although not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Harman’s Jeremy Brenner introduced me to AKG’s new K619 on-ear headphone ($149), designed to provide exceptional comfort and portability, while maintaining the level of performance one would expect from AKG. “We want people to know that they can look good without sacrificing quality,” said Brenner.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Krell released the Phantom III ($5500), a dual-mono design stereo preamp with a dedicated headphone amp and option for an internal DAC ($1500 extra). Fully balanced, the DAC portion, based around the ESS Sabre 32 DAC, handles files up to 24/192, and includes an asynchronous USB input.
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Stephen Mejias Posted: Jan 15, 2013 0 comments
Shunyata’s Hydra AV power conditioner uses the same technologies found in the company’s Reference series Triton (reviewed by Michael Fremer in January 2012), but is intended for floor-mounted applications without sacrificing performance. Shown here is a prototype; final production should be complete in about one month and the price should be around $3000 to $4000.
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Larry Greenhill Posted: Jan 15, 2013 0 comments
Octave's new MRE 220 tube monoblock amplifiers ($67,500/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a Octave's new MRE 220 tube monoblock amplifiers ($23,700/pair), which use KT 120 tubes, and Jubilee tube preamplifier ($36,000), both imported by Dynaudio USA, were used to power the new Dynaudio Evidence Platinum floorstanding loudspeakers ($85,000/pair). Source equipment included a dCS Scarlatti digital front-end, Clearaudio Ovation turntable with Universal 9" tonearm ($32,000) and Clearaudio Da Vinci cartridge ($5000). Dynaudio's Mike Manousselis played me Sibelius's Finlandia, which showed off the Evidence Platinum's ability to create a large deep soundstage and amazing ability to reproduce a smooth string sound.
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Jason Victor Serinus Posted: Jan 15, 2013 0 comments
Jim Fosgate plans to issue two new Signature products, the Fosgate Signature tube preamplifier (projected $3500) and 50Wpc Signature stereo tube power amplifier (projected $4000). Seen in prototype form, and expected in the 2nd quarter of the year, the nine-tube preamp combines a hybrid MM/MC phono stage with an all-tube line stage, and comes complete with remote control and six-position MC cartridge loading.

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