Clarus Cable, launched less than two years ago at RMAF 2011, is based in Orlando, FL. Produced by Gordon J. Gow Technologies, and designed by Jay Victor, it was developed after Tributaries Cable dealers asked for a higher-end cable for their customers. According to Joey Perfito, National Product Specialist, the Ohno Continuous Casting Copper (OCCC) design consists of thick and thin-gauge conductors, each individually insulated, to transmit different frequencies, plus one long, flat conductor to help support the midrange. The boxes, designed for aesthetic purposes, conceal the start of silicon tubes on the terminations. Prices range from the Aqua interconnect ($500/1m RCA) to Crimson ($1000/1m RCA).
Even though Simaudio’s Costa Koulisakis once explained in near exhaustive detail the relationship between Moon products and Simaudio, all I can remember is how good the components sound. You too may go over the moon about the three new products in my blog price range. In numerical order, the Moon Evolution Series 610 LP phono preamplifier ($7000), based on the reference Moon 810LP that Michael Fremer reviewed in December 2012, is a dual-mono, fully balanced differential design with isolated oversized power supply with a pi-type filter; adjustable impedance loading, capacitance loading, and gain settings; and selectable equalization curves. It will even wash your windows.
Fresh from Primare, the Swedish company whose name, correctly pronounced “prime air,” derives from the fact that audio moves air, were two new prototypes with unfinished faceplates: the PRE60 preamp/DAC ($10,000 target price) and A60 stereo power amplifier ($10,000 target price). Both are expected to ship by summer.
The new Octave V110 push-pull pentode integrated amplifier ($8300) from Germany, distributed by Dynaudio, is a KT120-based product whose protection circuit is described as “bullet proof.” To demonstrate what that means, speaker wire terminations on one of the channels were intentionally crossed; not only did nothing blow, but the left channel, which was properly connected to a loudspeaker, continued to play. The Octave V110 is thus the perfect amp for folks who use battery cables to jump-start their cars, and then celebrate by clapping both clamps together.
LA Audio was but one of many companies who journeyed to Las Vegas in hopes of securing U.S. distribution. New to their line is the P-845 II monoblock ($12,000), a push-pull design that outputs 60Wpc and has a frequency response of 20Hz100kHz. This is the most expensive product from a company with a 20-year history in Taiwan.
Beneath the striking fascias of B.M.C. electronics lies some advanced engineering. As best I could gather from a rather zippy introduction that had me scrambling to write everything down coherently, the B.M.C. M2 monoblock amplifiers ($7790/each) contain LEF (load-effect-free) circuitry that delivers the signal, voltage, and necessary current independently. This purportedly allows them to handle complex speaker loads without need for global feedback. (There’s more to say, of course, but I don’t trust my scrawl.) The M2 outputs 200W into 8 ohms, and 380W into 4. Designed in Germany but manufactured in China, each monoblock weighs 88 lbs and includes a 2kVA transformer.
The big news from UK-based Naim is the arrival of the company’s first asynchronous USB DAC, the DAC-VI ($2395). Its companion in size is the new NAP 100 discrete-transistor, compact power amplifier ($1295). Production on both begins in February. To focus first on the amp, which is in my CES blogging territory of amps and preamps in the $2500$15,000 price range, the NAP 100 is a dual-mono design that outputs 50Wpc into 8 ohms and 100 into 4, and is said to incorporate a linear power supply with a “large toroidal transformer and audiophile grade selected components” into a non-magnetic, low resonance, compact chassis and sleeve.
Enigmacoustics' Sopranino add-on electrostatic super-tweeter ($3900/pair) was innovative enough to garner a 2013 CES Design and Engineering Showcase Honors award. Mounted on a gray and white glass stand, the anodized aluminum cabinet and almost square speaker panel is small, measuring 7.2" x 7.7" x 8.3", and weighs 10.4 lbs each.
EgglestonWorks, who manufacture loudspeakers in Memphis, Tennesee, introduced a all-new version of their 150 lb, Nine Signature loudspeaker ($18,900/pair). This is a three-way speaker that uses a 1” dome tweeter, a sealed midrange section that incorporates two all-new carbon-fiber 6" midrange drivers, and a new dual-ported 8" bass driver, and is spec'd from 25Hz20kHz, 3dB. This floorstander was powered by a new Rogue Audio Sphinx hybrid class-D integrated stereo amplifier ($1295), which played digital music files sourced through a dCS Puccini DAC and CD player.
Have you ever attended one of those speaker demos where a large pair of floorstanding speakers were supposedly playing, and then it was revealed that the speakers playing were small hidden ones? (I recall Joseph Audio doing one of these.) Well, it was something like that in the Totem room, but not intentionally. The speakers that I thought were playing were the Metal floorstanders ($12,000/pair) and I was particularly impressed by the deep, dynamic bass produced by these speakers.
And then . . . in discussing the performance of the speakers with designer Vince Bruzzese, I found out that the speakers playing were not the Metals but the much smaller bookself-type Fires ($6000/pair) . . .
Morel had two setups at CES: one featuring a pair of Soundspot SP 3 satellites and 8” bass unit ($1799/pair) and, in another room, a pair of Sopran floorstanders, the latter winner of the 2013 CES Design and Engineering Innovations award. The Sopran ($12,000/pair} is one-down from the $34,000/pairand, in my opinion, unfortunately-namedFat Lady. The Sopran is a three-way, five-driver speaker, proprietary drivers and a molded carbon-fiber composite cabinet that I find a refreshing change from the usual wooden box.
Manhattan retailer/distributor Audio Arts was showing the Zellaton Grand loudspeaker ($39,750/pair). This combines a tweeter and two 7" mid-woofers using aluminum foil-faced rigid-foam diaphragms first developed in 1935 by Emil Podszuswhich I had first seen and heard in the Pawel Ensemble minimonitors from 20 years agowith a downward-firing woofer in a cabinet that is open to the rear.
My photograph doesn't do justice to the lustrous blue finish or the immaculate interior construction, but Vandersteen's new M7-HPA power amplifier looks as gorgeous as the Vandersteen Model Seven and 5A loudspeakers with which it is intended to be used. As the HPA in its name implies, the M7-HPA provides a high-pass filtered output (>100Hz) to the upper-frequency drive-units of these two speakers, which have integral powered subwoofers. The amplifier uses a tube input stage and a two single-ended solid-state output amplifier stages operating in what Richard Vandersteen calls "push-push," all mounted with a sprung suspension and kept cool with a liquid cooling system. Price is projected to be between $30,000 and $40,000/pair.
Priced at $3,250 and available now, the compact and sturdy DAC 8 features 4 coax SPDIF inputs, BNC, AES/EBU and USB all capable of handling 24/192 data. Both balanced and unbalanced outputs are available along with a small remote that can control input selection and volume.
T+A employs aggressive jitter management, multiple filter options, and runs eight 32 bit Burr Brown converters. All analog stages are fully discrete and I'm going to guess it sounds pretty good too.