CES 2013

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Jason Victor Serinus Posted: Jan 13, 2013 0 comments
Thanks to using very precise and low-noise parts not originally designed for hi-fi applications, as well as silicon-germanium transistors, Hegel has been able to release its new entry-level P20 preamplifier ($2900). Equipped with a high quality system remote control, milled out of one solid piece of aluminum, it includes five regular inputs, both balanced and unbalanced; a special home theater input; and balanced, unbalanced, and fixed line-level outputs.
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Jon Iverson Posted: Jan 13, 2013 0 comments
The first time I had come across a highly precise (and expensive) femto clock in a DAC was at last year's CES in the MSB room. This year Calyx says they have added a femto clock into their new DAC which is available now and retails for $6850. Inputs include two coax, two optical and two AES-EBU in addition to a BNC and USB jack. All inputs handle up to 24/192 and there are both balanced and unbalanced outputs.
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Larry Greenhill Posted: Jan 13, 2013 1 comments
Axiss Audio’s attractive setup at the Venetian highlighted AirTight's huge ATM-3011 monoblock amplifiers ($50,000/pair). The amps were part of a system that included the Focal Scala loudspeakers ($30,000), Transrotor Rondino turntable ($14,000), SME V tonearm ($5,000), AirTight PC-1 moving-coil cartridge ($11,000), AirTight ATC-2 line preamplifier ($11,000), AirTight ATE-2 phono stage ($15,000), and ATH02 step-up transformer ($5,000). The sound was involving and dynamic.
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Jon Iverson Posted: Jan 13, 2013 0 comments
Also in the Naim room is the company's new DAC-V1, which is a smallish size component meant to pair with the equally compact NAP 100 power amp. The DAC-V1 retails for $2395 (the amp goes for $1295) and sports multiple inputs including USB that runs up to 384kHz and SPDIF that can handle up to 32/192. It has a volume control and I loved that fact that if you touch the logo on the front panel, the unit mutes itself. Both products should be available shortly in the US.
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Larry Greenhill Posted: Jan 13, 2013 1 comments
MBL’s Corona Line C-15 class-D monoblock amplifiers ($12,500 each) are rated at 500W into 4 ohms with low distortion, and none of the rising distortion with frequency found in other class-D designs. In addition, the distortion is load independent. This is a result of the circuit design MBL calls a "Linear Analog Switching Amplifier Design” (LASA). MBL designer Jurgen Reis was proud that the amplifier had been designed to meet the stringent South Korean "KT" consumer standard regulations, and "was on the way" to meeting the even more stringent "CCC" Chinese consumer requirements. Although the switching occurs at 300kHz, the amplifier is free of RF emissions up through several MHz because of extensive mu-metal shielding. The amplifier and preamplifier are available in several different cosmetics including a white or black chassis with center section in gold or chassis color. Matching C-11 preamplifier and C31 CD player, with price points are also available.
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Jason Victor Serinus Posted: Jan 13, 2013 0 comments
Audioquest has filled out its series of ethernet cables. In the photo, the company's Shane Buettner holds the top of the line Diamond ($1095/1.5 meter) ethernet cable, which features 100% PSS (pure silver) and Audioquest's DBS dielectric bio-system, whose battery pack puts a DC bias on the cable's insulation. Also new is the cable right beneath it, the Vodka ($249/1.5 meter), composed of silver-plated copper. The cable's extremely solid connectors are a major step above the plastic terminations found on stock ethernet cables.
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Larry Greenhill Posted: Jan 13, 2013 2 comments
At 95 lbs, Dan D'Agostino’s 300W into 8 ohms, Momentum monoblock amplifier ($50,000/pair) doesn’t even come close to the weight of the big Boulders. Featured on the cover of Stereophile’s CES issue, the Momentum could be heard in many rooms at CES. This compact, energy-efficient design was driving the new YG Electronics Sonja 1.3 speakers ($106,800/pair). The resulting sound was dynamic, effortless, open, and had a wide, deep soundstage.
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Jason Victor Serinus Posted: Jan 13, 2013 0 comments
Daddy Vitus, watch out! Your equipment designer son Alexander, whose relatively young company you've helped bankroll, is hot on your heels. On display were the new Alluxity Pre ONE preamplifier ($8000) and Power ONE amplifier ($11,000). Not yet available in the US, though that may change shortly, the chassis are milled from a single aluminum block. A brief listen to Billie Holiday revealed a nice three-dimensionality, as well as the hard edge that plagued numerous systems on the 29th floor of the Venetian.
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Larry Greenhill Posted: Jan 13, 2013 2 comments
Bryston showed a static model of its new loudspeaker system, the Model T Signature ($7495/pair), that is specified to handle 50–1100 watts into its 8 ohm impedance, with a frequency response from 25Hz–22kHz, ±3dB. In active form, the Model T uses the AX1 external DSP crossover ($2995), but the passive version’s crossover features large, expensive air-coil inductors, as well as something brand new: Bryston capacitors. Working with Clarity, Bryston's James Tanner specified the exact requirements for these capacitors, which have both company's names featured on their blue exteriors. The Model T benefited from Bryston's close relationship with with Axiom, a speaker design company that has its own large anechoic chamber. The Model T is available in Black Ash, Boston Cherry, or Natural Cherry veneers.
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Jon Iverson Posted: Jan 12, 2013 1 comments
CEntrance, whose products have been favorably reviewed by JA, is exhibiting next to the registration desk at T.H.E. Show. New this year is their very flexible DAC/Amp combo that comes with three different panels for optimizing your connections. The HiFi-M8 runs on an internal lithium battery, handles asynch 24/192 USB and should be available in March for $699.

But perhaps the most interesting aspect of this product is that the design and feature set was "crowd-sourced". The company went to the hive mind and asked HeadFi's readers what they would like to see in a portable DAC/amp. Hundreds of posts and discussion threads later, the M8 is the result.

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Jon Iverson Posted: Jan 12, 2013 1 comments
I hadn't seen Audionet before, but apparently they have been operating for several years in Germany and had a complete range of products in one of the larger rooms at T.H.E. Show. Of particular interest to me is their DNC DAC, which is available now and retails in the US for $8990. DNC stands for Digital Network Client and the product can access music from the standard 24/192 digital sources as well has NAS drives and iDevices.

So far so good, but what really caught my eye was watching the company's head engineer, Volker Wischniowski, pull up a laptop and start to manipulate frequency response curves which could then be uploaded to the DNC.

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Jon Iverson Posted: Jan 12, 2013 1 comments
In an age of rectangular components, adding a large round object to your product is a way to set it apart. Witness the Dan D'Agostino amplifier gracing this month's Stereophile cover for example, and add Germany's B.M.C. Audio to the list as evidenced by their new PureDAC Digital-to-Analog Converter. Speaking of round, the company is also known for its BDCD1.1 belt-drive CD player which has an acrylic "turntable" for your disc to rest on inside.

Retail price for the DAC will be somewhere under $1,600 (which is inexpensive by B.M.C. standards) and will feature all the usual inputs including asynch USB as well as volume and input switching. There is also a headphone jack with its own dedicated volume control.

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Robert Deutsch Posted: Jan 11, 2013 1 comments
Many speaker manufacturers give their various speaker lines fanciful names that make it difficult to determine a given speaker's position in the manufacturer's intended quality range. Polk, in contrast, simply places their speakers in three categories: Good, Better, and Best. I suspect this helps sales staff in stores enormously in communicating what the differences are between various speakers from Polk.
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Jon Iverson Posted: Jan 11, 2013 0 comments
Audio Research is replacing the CD8 with a new player this year that will use similar proprietary filters and upsampling to that of the company's Reference DAC. There are also additional digital inputs on the back to accept USB, SPDIF, Toslink and AES/EBU 24/192 connections. The new player is shipping later this month and will retail for $13,000.
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Robert Deutsch Posted: Jan 11, 2013 4 comments
Sandy Gross has done it again! At CES 2011 I was blown away by the sound quality and value offered by the GoldenEar Triton Two, my highly positive impression confirmed by more extended listening (see my review). At CES 2013, Sandy introduced a speaker with possibly an even greater quality/value combination: the Triton Seven. This is another floorstander, but much smaller than the Triton Two (or the Triton Three that was introduced last year). It uses similar drivers as the Triton Two, including the High Velocity Folded Ribbon (aka Heil) tweeter, but, unlike the Triton Two, the bass is not powered. The lack of a powered subwoofer has allowed Triton Seven to be priced at $1399/pair. Surprisingly, the bass, which is one of the major strengths of the Triton Two, does not appear to have suffered, and the speaker has the same sort of transparency and precise imaging that characterizes the Triton Two. The Triton Seven is expected to be available in May. Photo: Sandy Gross with the Triton Two and the Triton Seven.

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