RMAF 2012

Sort By: Post Date | Title | Publish Date
Filed under
Stephen Mejias Posted: Oct 17, 2012 5 comments
I had thought things were pretty fancy over in Musical Surroundings’ Crestone Peak room, but nothing could have prepared me for what Apex Audio had set up in the Blanca Peak:
Filed under
Stephen Mejias Posted: Oct 17, 2012 1 comments
In a second Audio Alternative room, I was again treated to that old, familiar Boz Scaggs classic, “Thanks to You.” I had just come from the Fidelis AV room, where I had heard the song presented with impressive speed, precision, and clarity, the sound still fresh in my mind. So, I was surprised to hear something different.
Filed under
Jason Victor Serinus Posted: Oct 17, 2012 6 comments
Mike Hopkins of Aperion Audio has reason to smile. The Aperion Verus Grand ($1798/pair), a three-way tower loudspeaker with a frequency response of 45Hz–22kHz, 6 ohms impedance, and 92dB sensitivity, was being fed by a Marantz SA 1153 SACD player and PM 1153 integrated amplifier via Straight Wire cabling, and delivering a very nice, complete presentation of Belinda Carlisle's cover of "Hallelujah."
Filed under
Stephen Mejias Posted: Oct 17, 2012 3 comments
Odyssey Audio products are proudly handmade in the US and sold factory-direct. The system I heard consisted of Odyssey’s Kismet Reference loudspeakers ($3500/pair), Stratos stereo amplifier ($1400), Candela preamp ($1500), Suspiro MC/MM phono stage ($1200), Groneberg cables, and a 15-year-old VPI turntable.
Filed under
Jason Victor Serinus Posted: Oct 17, 2012 1 comments
At the center of SVS loudspeaker demo were its prototype, hand-built Ultra Series Ultra Towers ($1999/pair), with a rated response of 28Hz–22kHz (±3dB). Due November 20, the speaker's trapezoidal cabinet, which has no parallel lines, was blasting raucous, sinfully compressed, ridiculously tipped up rock courtesy of Classé's CA-2300 amplifier and CP-800 preamp. Once the energy shifted, I enjoyed the lovely touch of sanity delivered by cellist Antonio Lysy (from Antonio Lysy At the Broad on Yarlung Records playing Piazzola's "Oblivion" on a fabulous CD that is also available in hi-res download format from Linn. And when the Ultra Series is released, it will also include the SVS Ultra Bookshelf ($999/pair), SVS Ultra Center ($699), and SVS Ultra Surround ($1199/pair).
Filed under
Stephen Mejias Posted: Oct 17, 2012 0 comments
In the AudioQuest room, I was treated to a course on the Powers of Network Attached Storage. It wasn’t really a course and it wasn’t really called that, but it could have been. AudioQuest’s Steve Silberman is convincing. And I am now convinced that, when the time comes for me to dive into computer audio and other digital waters, I’ll seriously consider a NAS for my needs.

While Silberman has found success with several different NAS devices, on display in the AQ room was Synology’s powerful DS712+, which Silberman says is highly reliable, has a very friendly user interface, and never compromises the performance of his system.

Filed under
Jason Victor Serinus Posted: Oct 17, 2012 1 comments
Visual aesthetics were clearly not the main priority in room 431. Pictured is Polk Audio's LSiM 707 loudspeaker ($4000/pair), driven by an unseen Oppo 83 SE used as a transport, the excellent Peachtree DAC/Pre ($4700), and, on the computer end, a Macbook Pro running Amarra 2.4.2 via an Audioquest Carbon USB cable. Audioquest Rocket 88 cabling, PS Audio P10 power conditioner, XLO-10 power cords, and room treatment completed a system that, on George Benson's classic recording of "The Ghetto"—a song that doesn't sound remotely like the predominantly Mexican, multi-ethnic and multi-national ghetto in which I live—sounded like solid hi-fi.
Filed under
Stephen Mejias Posted: Oct 17, 2012 2 comments
Eficion’s distinctly shaped F250 loudspeaker ($9950/pair) combines an Air Motion Transformer tweeter with a 5” carbon-fiber midrange unit and a 10” woofer. The speaker has a high specified sensitivity of 90db and a frequency range of 30Hz–35kHz.

The speakers were partnered with Plinius (“The Heart of Music”) gear: the 125Wpc, Class-A SA-103 power amplifier ($10,125), M8 preamplifier ($5150), and Tiki 24/96-compatible networking DAC ($4775).

Filed under
Stephen Mejias Posted: Oct 17, 2012 0 comments
As Jason Victor Serinus mentioned, there was a party going on in the Music Hall room; and, while this meant that you really couldn’t evaluate the sound of the system, it also meant that you were bound to actually have fun.

Hmm: Evaluate sound or have fun, evaluate sound or have fun?

Oh, darn. I guess I’ll have fun.

Filed under
Stephen Mejias Posted: Oct 17, 2012 1 comments
A younger listener walked into the room and requested “White Winter Hymnal” by Fleet Foxes, a song I know well.

The system, built by Tempo High Fidelity: Verity Audio Amadis loudspeakers ($30,000/pair); Musical Fidelity M8700m 700W monoblock power amplifier ($12,500/pair) and M8PRE preamp ($5000); dCS Paganini stack with a Puccini clock; Vibex power conditioning; and a mix of Transparent and Basis cables.

Filed under
Stephen Mejias Posted: Oct 17, 2012 3 comments
Jason Victor Serinus has already discussed the products shown by Gingko Audio, but here’s a closer look at VPI’s Traveler turntable with Gingko’s Cloud 9T vibration-control platform ($349) and dust cover ($279).
Filed under
Jason Victor Serinus Posted: Oct 17, 2012 2 comments
I wish I could tell you how the music sounded in the main Emotiva room. Alas, there were so many people talking about the sound of Emotiva's XSP-1 Differential Reference preamp ($899), ERC-2 Differential Reference CD player/ digital transport ($449), XPA-1 Differential Reference monoblock power amplifier ($999), XRT-6.2 Xref Tower speakers ($699/pair), and due-by-Christmastime XDA-2 fully balanced Differential DAC ($399) that I was unable to take a serious listen. Definitely good for Emotiva, if not necessarily for you the reader.
Filed under
Jason Victor Serinus Posted: Oct 17, 2012 3 comments
Whisky, music, and chatter were all flowing, not necessarily in that order of priority, in the Music Hall room. Actual order of importance was determined by the visitors, of whom there were plenty, with a little boost from the high-proof atmosphere. Nonetheless, amidst a din too intense for serious listening, and preparations for the evening's dance party in the hotel Atrium that Music Hall was co-sponsoring with Chicago's Tweak Studio, Roy Hall and Leland Leard were managing to give complete and cogent raps about the equipment playing through the din.
Filed under
Stephen Mejias Posted: Oct 17, 2012 3 comments
On the Mezzanine Level, in the Crestone Peak room, Musical Surroundings put together an audacious, high-aspirations system:
Filed under
Jason Victor Serinus Posted: Oct 17, 2012 3 comments
Get a grip, Serinus. The equipment may have been ringed with Christmas lights, but it was October in the Denver Marriott Tech Center, not December in the Chapel of the Blessed Virgin. Nor does Nhan Huang of Angel City Audio resemble Western conceptions of Mary's immaculate offspring. Be that as it may, or as some of my harshest critics may wish it weren't—jump to it, JohnnyR—the Melody Pure Black 101 preamp ($499), Melody M845 monoblock amplifiers ($5899/presumably for the pair), Onix CD-50 $3699), Angel City Audio P2000 power conditioner ($4499), and MG Audio interconnects and speaker cable were delivering bright and incisive sound on two unidentified jazz tracks.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading