RMAF 2012

Nordost’s Lars Christensen has become an industry legend of sorts for the enthusiasm with which he launches into cable comparison after cable comparison. At RMAF, he notched his demos up several steps, inviting people to hear the effects that cabling, power distribution, and resonance control products from Nordost and other companies can have on system sound.

“The bottom line is, despite the science involved, if you can’t hear it, it matters not,” Nordost’s West Coast distributor Michael Marko told me outside the demo room...

There's pretty much only one way to hear Rammstein at a hi-fi show: Visit the demonstration room of Swedish-based, American-built Sjöfn HiFi. (As close as I can tell, the name is pronounced hoofin, although you have to do something funny to the H.) Sjöfn 's Managing Director, Lars Erickson, approaches the selection of demo music with a adventurousness and whimsy—this is the man who turned me onto the great Israeli trance duo, Infected Mushroom—and the sound of his new two-way loudspeaker, The Clue ($999/pair, direct, including shipping) was up to the task. As with earlier Sjöfn designs, I have no idea whatsoever how he manages to wring such enormous scale, clarity, and impact out of such a tiny box. But he does.

Strange that I should travel 1800 miles to hear products that are designed and manufactured less than two hours from my home. Happily, the McIntosh experience at RMAF was worth the effort, especially inasmuch as the hallowed brand distinguished itself by playing real music as opposed to audiophile chestnuts. (Think of it!) I especially enjoyed some selections from the Beatles' Anthology 3 collection, played via JRiver software on an HP laptop, through a McIntosh C50 preamp ($6500) and MC452 amp ($7500), along with the McIntosh MEN220 room-correction system ($4500, which includes the microphone—but not the stand—seen in this photo). Rounding out the system were the company's recent XR100 speakers ($10,000/pair): certainly the best McIntosh loudspeakers I have yet to hear.

It was that rarest of rare occasions in audio-show reporting: I entered the demonstration room of a brand that was unfamiliar to me, and was impressed at once by a sort of musical rightness I seldom hear from modern playback gear. Sure, I was familiar with the company that made the CD player, preamp, and monoblock amps in use—Electrocompaniet, whose solid-state amps are among the few I consider worthy of comparison to the best tube designs—but the Austrian loudspeaker manufacturer Brodmann Acoustics was new to me. Their stand-mounted Festival S ($4500/pair), driven by a pair of Electrocompaniet AW180 monoblocks ($5425 each) allowed the solo violin in a Paganini work to have far greater than usual texture, tone, and presence. Based on my experience at RMAF, the pairing of these two brands is something you should go out of your way to hear.

I finally got to meet one of my audio heroes, John Tucker: founder of Exemplar Audio and co-designer of the legendary Exemplar Horn loudspeaker system. Tucker, who spent the early part of his career working for NASA at the Johnson Space Center, is an engineer and software designer who keeps a distinctly open mind when it comes to the audible effects of seemingly anomalous mechanisms—from acoustic resonators to powered cables. (John is also featured in an article of mine that will appear in the Autumn, 2012 issue of The Fretboard Journal.) These days, Exemplar's products include a heavily modified version of the Oppo 95 disc player ($3500, including base Oppo unit) and a line of active interconnect and speaker cables called Portals.

A pivoted straight-line-tracking tonearm? The description is far less oxymoronic than it seems, given the arrival of the Schröder LT tonearm ($8900). This fascinating and apparently very well-executed design works by augmenting the main arm pivot with an extra pivot at the base, the latter said to offer exceptionally low resistance to the arm and cartridge as they follow the inward spiral of the groove. The geometric relationship between the two pivots is such that the headshell—and the cartridge and stylus—maintain perfect tangency to the groove from beginning to end. Thus the headshell requires no offset angle, which also means that no anti-skating force is required. Very cool.