RMAF 2012

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John Atkinson Posted: Oct 21, 2012 1 comments
As someone who fell in love with the sound of Apogee full-range ribbon speakers in the early 1980s, I made a point of visiting the room featuring Analysis Audio planar ribbon speakers. Driven by Arion HS-500 amplifiers ($5995/pair), which combine a class-D output stage with a tube input and driver stage, via JPS cables, a track from Patricia Barber’ Companion album sounded sweet and rich on the Omega ribbons ($24,200/pair with external crossovers), but with a touch of color in the mind-bass that was audible on kick drum.
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Art Dudley Posted: Oct 21, 2012 12 comments
The next-to-the-last demonstration I heard at RMAF 2012 was among the two or three most impressive. Doing business as Volti (it means to move forward) Audio, Maine resident Greg Roberts builds horn loudspeakers that seem to embody both the superb craftsmanship and musical impact of America's finest vintage-audio products. His newest, the Vittora ($15,000/pair), is a three-way loudspeaker with a horn-loaded 15" bass driver, horn-loaded 2" compression driver for the midrange, and horn-loaded 1" compression driver for the treble, with passive crossover networks, stepped attenuators for the mids and trebles, and an all-plywood cabinet in a choice of veneers. Based on a brief audition with EMM Labs digital source components and a BorderPatrol S20 single-ended 300B amp ($13,750), I can only say that the Vittora is, if anything, underpriced. My first question to Mr. Roberts was, "Who do I have to kill to borrow a review pair?"; we're still working out the details. . .
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John Atkinson Posted: Oct 21, 2012 2 comments
A reader complained recently that exhibitors at audio Shows tend to demonstrate cost-no-object systems. He was right—they do. As Stephen Mejias has explained, exhibiting at a show is an expensive proposition and most companies go for broke with the systems they show, wanting to get the maximum “Wow factor,” hence return, on that investment.

Colorado retailer Audio Limits was no exception, its large room off the Marriott’s atrium featuring Venture Ultimate Reference loudspeakers ($135,000/pair) driven by FM Acoustics 115 monoblocks ($108,200/pair), an FM Acoustics 245 preamp ($25,800), with the source either a PC laptop running XX High End software, a Weiss Jason transport ($22,7070), or a Weiss Man301 network player ($9083 without DAC), Weiss Medea+ FireWire D/A converter ($21,799) . . .

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Jason Victor Serinus Posted: Oct 21, 2012 1 comments
Peering behind the curtain in a Show room reveals, not the Wizard of Oz, but instead. . .
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John Atkinson Posted: Oct 21, 2012 0 comments
In the other Hear No Evil room, Kevin Deal introduced PrimaLuna's new DiaLogue Premium Integrated amplifier ($3299). This amp can be fitted with KT66/6L6GC, KT77/EL34, or 6550/KT88 tubes and, driving a pair of KEF R900 speakers ($5000/pair) did sonic justice to Nils Lofgren’s homage to Keith Richards, “Keith Don’t Go.” Source was PrimaLuna’s ProLogue Premium CD player ($3299), which now has a 24/192k-capable USB input based on an M2Tech module as well as the tubed clock circuit used in the earlier Prologue Eight player.
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John Atkinson Posted: Oct 21, 2012 1 comments
Styled to resemble Sonus Faber’s cost-no-object “The Sonus Faber” flagship design, the new Sonus Faber Venere range of speakers made its debut at RMAF. Costing $2498/pair, ie, around less than 2% of the big speaker’s price, the Venere 2.5 was demmed with an Audio Research DSI200 class-D integrated amplifier ($5995), a Wadia Model 121 decoding computer ($1299), a Pro Ject Xtension turntable with Sumiko Blackbird cartridge ($3699) a Pro Ject Phono Box ($999), and Pro Ject’s new Stream Box ($1999). The LP of Jeff Buckley’s classic album Grace was reproduced with appropriate impact and a color-free tonal balance. Even considering the relatively affordable price of the system, this was still one of the better-sounding rooms I heard at RMAF.
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Jason Victor Serinus Posted: Oct 21, 2012 0 comments
No, I’m not talking about one of the young women who always seem to drive Stephen Mejias to distraction at shows. Rather, I’m speaking of Estelon’s Model XB loudspeakers ($32,900/pair). Designed for more modestly sized rooms, this Estonian speaker was producing realistic, full-range sound courtesy of Vitus Audio’s SM 010 monoblock amplifiers, SL 102 preamplifier, and SCD010 CD player. Power Conditioner was Silver Circle Audio’s Tchaik 6, cabling Kubala-Sosna’s Elation, and rack and feet from Stillpoints.
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John Atkinson Posted: Oct 21, 2012 0 comments
Denver retailer Gold Sound’s room featured the Focal 836W speakers ($4500/pair), a three-way design related to the French manufacturer’s 826W Anniversary Edition speaker that Robert Deutsch enthusiastically reviewed in November 2010. Driven by a Cambridge Audio 851A integrated amplifier ($1795) and a Cambridge 851C CD player ($1795) and hooked up with Crystal cables, this relatively affordable system punched above its weight, producing a big, naturally balanced sound.
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John Atkinson Posted: Oct 21, 2012 11 comments
One of the final rooms I visited at the 2012 RMAF was Sony’s. An as-yet-to-be-named floor-standing speaker was being demmed with Pass Labs amplification, Kimber Kables, and a Mytek DSD-capable DAC, taking data over USB from a laptop. The speaker has much in common with the superb SS-AR2 that I reviewed in October, but is shorter and, as can be seen from Jason Serinus’ photo, has an intriguing array of two supertweeters above and below the tweeter.
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John Atkinson Posted: Oct 21, 2012 2 comments
Not listed in the Show Guide but providing the power in the Fidelis room was the Bully Sound Corporation’s 60S class-A amplifier ($7900). BSC is a new company founded by Brett D’Agostino, son of one Dan D’Agostino, and with the Harbeth Monitor 30.1 speakers ($5995/pair) so beloved by Sam Tellig, JD Souther’s “New Kid in Town,” played with J River Media Center sending the data to Bricasti’s superb M1 DAC ($8495) via USB, sounded sweet. Until I noticed the Stein Harmonizers sprinkled around the room. (You can see one sitting on top of the speaker.) Would the system sound so good without the Steins? I didn’t dare ask, though Mikey Fremer swears they made his system sound worse!
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Jason Victor Serinus Posted: Oct 21, 2012 1 comments
Sunday afternoon is always the slowest time at an audio show, but you couldn’t tell it from the room dominated by Hsu subwoofers. In the only room I encountered on floors 4 and 5 of the Atrium that was playing action DVDs or Blu-rays, the movie’s obligatory, super-hyped explosions were resonating far outside the door. In what I take to be a statement about popular culture and the American obsession with violence, the darkened room was so packed that there was no way I could even stand in the doorway.
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Jason Victor Serinus Posted: Oct 20, 2012 1 comments
Having heard at last Randy Bankert’s 97dB-sensitive Sonist Concerto 4 floorstanding loudspeakers ($5895) with electronics and cabling that do them justice, I understand what beautiful sound they are capable of producing. Together with Snake River Audio interconnects and speaker cable ($1100–$2449 for a 3m bi-wire pair of speaker cables), whose outer shell shimmers like a snake slithering in the sun, the Hong Kong sourced Increcable TIA-280 80Wpc integrated amplifier, and a Cary CAD-306 Pro SACD/CD player, this system produced solid bass and beautiful highs.
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Jason Victor Serinus Posted: Oct 20, 2012 2 comments
It’s a great name, isn’t it? Your Final System, based in Rochester, NY, is an Internet-based, high-end audio consulting firm specializing in custom USB 2.0 cables and computer music servers that will travel anywhere in the US to set up their music server. Unfortunately, shit happens. YFS’s McIntosh 275 amplifier died right as the show was getting underway, they hunted around until they located Jolida electronics that were fresh out of the box. Given the insufficient break-in time, it’s inappropriate to comment on the sound of a system that also included a customized YFS HD Ref 3 Digital Music Server/Transport ($13,000), Bricasti M1 DAC ($8600), Von Schweikert VR-44 Aktive loudspeakers ($26,000/pair), and YFS cabling (including their REF USB cables ($350 each).
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Jason Victor Serinus Posted: Oct 20, 2012 1 comments
High Fidelity Services of Braintree, MA was producing good, solid sound on well-recorded rock on a system that mixed two products it imports and distributes, Neat Acoustics’ Ultimatum XL6 loudspeakers ($14,280/pair) and Scheu Analog’s Das Laufwerk 1 turntable with 12" Tacco arm and Scheu/Benz cartridge ($15.995), with Zanden’s Model 2500 CD player ($22,000), Model 6000 integrated amplifier ($22,000), and 1300 phono stage ($13,750); Running Springs’ Maxim power conditioner ($6400); and Chord Cable Company’s SArum cabling ($8400).
BMS
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Jason Victor Serinus Posted: Oct 20, 2012 3 comments
Assistance Audio, North American distributor for BMS, was showing off the company’s drivers. As I was soon to learn, Lacoustic, JBL, and Volti are but three of the audio manufacturers that use BMS’s drivers in their products.

The company’s Jack Arnott explained that BMS’s drivers can be found everywhere from soundstages in LA to naval paging systems and home audio installations. “I’m using my own cabinets so you can see what’s inside,” he said. “I am using Home Depot speaker cable because I am selling speaker components, not speaker cable." Well, I must say that both Tony Bennett and K.D. Lang’s duet on “La Vie en Rose” and the opening chorale from Glenn Gould’s second recording of Bach’s Goldberg Variations sounded quite beautiful.

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