T.H.E. Show Newport 2012

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Stephen Mejias Posted: Jun 07, 2012 1 comments
One of my favorite demos of T.H.E. Show Newport was provided by Mike Zivkovik and Garth Leerer, respectively of Teresonic and Musical Surroundings.
Stephen Mejias Posted: Jun 07, 2012 2 comments
At the Hilton, T.H.E. Marketplace was home to May Audio, Ginko Audio, Bob’s Devices, Eastwind Imports, Reference Recordings, Lavry Engineering, and Acoustic Sounds.
John Atkinson Posted: Jun 07, 2012 0 comments
There was a continual program of live music at T.H.E. Show Newport Beach, to allow Showgoers to recalibrate their ears. A quintet led by trumpet player William Artope Jr, son of Bill Artope, the Sales & Marketing Director for cable manufacturer Dynamic Design AV, played some excellent straight-ahead modern jazz poolside at the Atrium Hotel.
Jason Victor Serinus Posted: Jun 07, 2012 0 comments
Ever wonder how Sunil Merchant of Sunny Components managed to set up all that equipment in his four different rooms? This peak behind his shower curtain tells the tale.
John Atkinson Posted: Jun 07, 2012 1 comments
Von Schweikert's new VR-44 floorstanding speaker comes in two forms: passive ($22,000/pair), and Aktiv ($25,000/pair) with a 300W amplifier driving the 8.8" composite alloy-cone woofers below 200Hz. Both the woofers and the 6" midrange unit are loaded with labyrinths, and the tweeter is a ring-radiator type. Superbly finished with either Steinway Black Gloss or Mercedes Platinum Silver, the VR-44's produced a full, musical sound at THE Show, driven by Jolida tube amplification and with the source an open-reel recorder from United Home Audio playing a tape of Van Morrison playing "Brown-Eyed Girl."
Jason Victor Serinus Posted: Jun 07, 2012 4 comments
More than Carol Clark's smiles were flowing in the Positive Feedback Online Hospitality Suite on the third floor. You could smell the spirits in the entryway, even before you got close enough to feel the positive spirit. I wish I could have stayed more than 90 seconds. But I doubt you would have gotten many more blogs out of this very light drinker if I had.
John Atkinson Posted: Jun 07, 2012 0 comments
Zesto was also using TAD CR1 speakers for the debut of their new Leto tubed line preamplifier ($7500, top), which, like the Andros phono stage (bottom), is made in the USA. With a system comprising a Gamut D200 power amp, a Merrill Williams turntable fitted with a Triplanar arm and a Dynavector XX2 Mk.II cartridge, a Lindemann DAC fed data from a PC running J River software, with WyWire cables used throughout, the Ozawa performance of Mahler's Symphony 1, with the Boston Philharmonic on a typically bright-sounding DG LP, had me sitting for the entire first movement, so low was the noisefloor and so high the dynamic range. AC power was being conditioned by Spiritual Audio's VX-9 power conditioner.
John Atkinson Posted: Jun 07, 2012 1 comments
Tustin, CA retailer Digital Ear had several rooms at the Atrium hotel featuring Focal speakers and Devialet's revolutionary D-Premier D/A integrated amplifier ($16,500), which I am reviewing in a fall issue of Stereophile. The photo shows the Focal Utopia Scala speakers ($31,500/pair) with the black-finished Devialet hanging on the wall between them, fed digital data from a Meridian-Sooloos server. Despite the awkward-shaped room, the presentation was smooth but with plenty of recorded detail evident.
Jason Victor Serinus Posted: Jun 07, 2012 0 comments
I’m not talking any music; you can get that from my ‘94 Toyota Corolla’s car radio, which is somewhat bearable at low volume. I’m talking about a system where the pace of the Fairfield Four singing something like “These Bones” in classic doo-wop fashion—a Best Buy special, Walter Liederman told me—or the beautiful tonality and sense of space on a recording of the Brahms Clarinet Trio made me first sit up and take notice, then sit back and wish that the music would just go on and on.
Stephen Mejias Posted: Jun 07, 2012 0 comments
Bijan Vahhaji of Definition Audio Video in Santa Monica presented a system made of Sony’s SS-AR1 loudspeaker ($27,000/pair; reviewed by Kal Rubinson in July 2011) with Simaudio amplification and front-end. A laptop running the Foobar media player fed signals via USB to the Sim 650D ($7999; reviewed by Mikey Fremer in November 2011). Cables were Nordost Tyr 2.
Stephen Mejias Posted: Jun 06, 2012 1 comments
I might have missed the wine tastings, but I did not miss the gourmet food trucks. Like vinyl and nautical-themed clothing, lunch trucks have been making a big comeback. Don’t ask why. Just enjoy it.
Stephen Mejias Posted: Jun 06, 2012 0 comments
Bluebird Music’s Jay Rein was pleased to show the Spendor Classic SP2/3R2 loudspeaker ($4295/pair), which takes the tweeter from Spendor’s SA-1 and combines it with the company’s original BBC technology, construction, and design.
Jason Victor Serinus Posted: Jun 06, 2012 2 comments
"Daedalus Audio and ModWright Instruments have teamed up to show how good a sound you can get for close to $15k," Daedalus' Lou Hinkley explained as I entered the room. Indeed, for as much as I could hear over a very loud conversation, the sound of a track from River, Herbie Hancock's Tribute to Joni Mitchell, and another from a Norah Jones album was very, very nice.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Here shown in striking white, the F300 is a 3-way, two section ported loudspeaker whose two sections hold a total of four drivers. (The supertweeter is hidden in back.) The F300 boasts a frequency response of 25Hz–40kHz and, with the right jumper cables between its two sections, an especially warm midrange. Special to this loudspeaker is its Heil Air Motion Transformer tweeter, which produces striking detail.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Everyone who knows Dan Meinwald of EAR USA looks forward to his exhibits, as much for their wonderful sound as for the opportunity to discover sometimes unusual, musically engrossing vinyl titles. This year was no exception. Once an attendee who was dominating the proceedings finally settled down, and Dan played a master tape-sourced file of Heifetz and Smith playing Beethoven's Kreutzer Sonata and a hi-rez copy of the Concierto de Aranjuez (I think), the room transformed from a showcase for a loudmouth into an island of warm sanity. It was luscious.

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