T.H.E. Show Newport 2012

Sort By: Post Date | Title | Publish Date
Stephen Mejias Posted: Jun 07, 2012 0 comments
Although I had a bit of a tough time navigating some of the halls, especially at the more meandering Atrium, signage at T.H.E. Show Newport was pretty good overall. You wouldn’t find audiophiles accidentally turning up at the Whitacker Wellness Institute.
Jason Victor Serinus Posted: Jun 07, 2012 1 comments
This Wyred 4 Sound system pleasantly surprised me. It was solid on rock, yet capable of conveying the delicacy and detail of Antonio Lysy’s wonderful recording of Ginastera’s Triste (Yarlung Records).
John Atkinson Posted: Jun 07, 2012 0 comments
So said the flyer drawing attention to Room 1022 at the Hilton. Intrigued, I went in, to see two pairs of Acoustic Zen Adagio mounted side-by-side, driven by an inexpensive Samsung DVD player and a Rotel amplifier. The sound was good rather than great, but considering the sub-optimal arrangement —side-by-side speakers with widely spaced pairs of tweeter, no acoustic treatment, very inexpensive ancillaries, etc —the sound was very much better than I was expecting, with precise stereo imaging. It turned out that the speakers' interaction with the room was optimized with a digital-signal processing unit, but no further details were forthcoming.
Stephen Mejias Posted: Jun 07, 2012 0 comments
This couple is happy because they're at T.H.E. Show Newport.
Stephen Mejias Posted: Jun 07, 2012 0 comments
Inconspicuous but attractive, the Chapman T-8 Mk.II loudspeaker ($9995/pair) holds a 1” silk-dome tweeter, 5.5” midrange unit, and a 10” woofer beneath its black grille cloth.
John Atkinson Posted: Jun 07, 2012 0 comments
Closing the live program Sunday at the Atrium Hotel was a concert by Audra Lee, daughter of the LA&OC Audio Society's Bob Levi. Leading a rocking trio, with a woman drummer, Audra belted her way through rock standards, including Huey Lewis's "The Power of Love." You can get a free download of Audra's single "I'm All In" here. Audra's debut album will be available in July from iTunes.
Stephen Mejias Posted: Jun 07, 2012 3 comments
Jeffrey Catalano’s High Water Sound room was so hidden, tucked away at the end of a shadowy corridor, that posters were tacked to the Atrium walls, reminding showgoers to stop by.

I had wondered how anyone could possibly find their way there, so I was taken aback when I walked into a packed house of bobbing heads and stomping feet. But I shouldn’t have been surprised: Audiophiles have a way of finding great music.

Jason Victor Serinus Posted: Jun 07, 2012 0 comments
As fate would have it, on my third attempt to enter the Venice Audio Suite—intense conversation made the other passes futile—Mark Waldrep of AIX Records/iTrax had brought in some of his hi-res files for store proprietor Peter Selesnick to hear. The room was quiet, and for good reason: the sound was too beautiful to talk over.
John Atkinson Posted: Jun 07, 2012 1 comments
I first heard the Zesto Andros PS1 phono stage ($3900) at the 2011 Rocky Mountain Audio Fest and was impressed by what I heard. The Andros was being used in the One World Audio room in the Hilton, with a Lindemann amplifier driving speakers from Voce Audio, a name new to me. The Voce UA-3 is a large floorstander using a ring-radiator tweeter recessed behind a short horn. Source was a 1978 Luxman PD-444 turntable fitted with a TriPlanar arm and a Lyra Kleos cartridge. Cabling was all WyWires. The sound of bass player Stanley Clarke's acoustic 2009 album, Jazz in the Garden, with Hiromi on piano and Lenny White on drums, had excellent dynamics but was overall a little mellow.
Stephen Mejias Posted: Jun 07, 2012 0 comments
I walked into Muddy Waters. Folk Singer. But there was nothing muddy about it. The clarity, in fact, was intense. Muddy’s voice was big and present, full of texture; his guitar was similarly powerful.
John Atkinson Posted: Jun 07, 2012 1 comments
Tucked away at the end of a corridor on the Hilton's ground floor, the Estelon Model X Diamond speakers ($64,000/pair) were being driven by Concert Fidelity's new ZL-120V2 Special Edition monoblocks ($34,000/pair) via Fono Acustica cables. Preamp was the Concert Fidelity CF-090LSX2 tube hybrid line stage ($24,000) with the SPA-4C solid-state MC phono preamp ($14,000), and sources were an Esoteric SDACD player feeding the Concert Fidelity DAC-040 tubed D/A processor and a modified Denon DP-3000 direct-drive turntable. Considering the system costs, the sound from CD was a little disappointing—a fine vocal presence upset by uneven low frequencies, which I put down to room acoustic problems—but to my surprise the sound from LP was considerably better focused, with more controlled lows.
Stephen Mejias Posted: Jun 07, 2012 1 comments
The gates to heaven?
Stephen Mejias Posted: Jun 07, 2012 1 comments
One of my favorite demos of T.H.E. Show Newport was provided by Mike Zivkovik and Garth Leerer, respectively of Teresonic and Musical Surroundings.
Stephen Mejias Posted: Jun 07, 2012 2 comments
At the Hilton, T.H.E. Marketplace was home to May Audio, Ginko Audio, Bob’s Devices, Eastwind Imports, Reference Recordings, Lavry Engineering, and Acoustic Sounds.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading