NY Audio & AV 2012

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Ariel Bitran Posted: Apr 18, 2012 Published: Apr 19, 2012 1 comments
Long lines flooded out of the MBL room on the 18th Floor of the Waldorf=Astoria all weekend long, so I arrived at 9:30am on Sunday morning to see if I could get a good listen to the MBL system by myself. Upon arrival, MBL North America’s representative, Jeremy Bryan, was still setting up his smaller speakers, the mbl 120 Radialstrahler ($21,400/pair, without stands) along with their mbl C21 stereo power amplifier ($9200), mbl C11 preamplifier ($8,800), and mbl C31 CD player ($9,200), all members of their Corona line of electronics.

I sat to the side of the room while Bryan finished his set-up, centered in his listening position, tilting his head back and forth. After the first ten seconds of four to five different demo tracks, Jeremy blurted, “Alright! I think we’re set. Come sit down.”

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John Atkinson Posted: Apr 18, 2012 Published: Apr 19, 2012 0 comments
The MBL room was the last room I visited at the NY Audio & AV Show. I sat down in the sweet spot, on the couch midway between the MBL 101E Mk.2 "radialstrahler" speakers, each driven by a 9011 monoblock; Jeremy Bryan cued up a hi-rez file of Peter Gabriel singing "Wallflower," from his New Blood album; and OMG. This was true virtual reality! Then Jeremy explained what he had to do to tame the room's acoustics—see Ariel Bitran's blog following this one. All I can say is that it was worth the effort!
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Ariel Bitran Posted: Apr 19, 2012 9 comments
Prior to the onset of the Chester Group’s New York Audio & AV Show, there had been some controversy in regards to big-time local dealers Stereo Exchange and Lyric hosting their own events the weekend of the show. These events brought in big brands such as Totem, McIntosh, B&W, and Audio Research, who would be presenting exclusively at their stores. Would these dealer events keep participants away from the New York Audio & AV Show? How would these coinciding events affect one another? Were these signs that the show organizers had not done the work necessary to motivate exhibitors to participate in the New York show?

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John Atkinson Posted: Apr 18, 2012 0 comments
The "Ask the Editors" sessions at the NY Audio & AV Show attracted enthusiastic, informed, and engaged audiences.
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John Atkinson Posted: Apr 18, 2012 2 comments
Ayon's S3 Streamer ($8800) combines a DAC with a tubed preamp stage.
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Ariel Bitran Posted: Apr 18, 2012 1 comments
Ask the Editors, Round Two on day three of the New York Audio & AV show was decidedly more laid back than Ask the Editors, Round One possibly because there were less panelists clamoring over a single microphone. In fact, I’m not even sure if the microphone was used this time around, since everyone could hear each other clearly in the room.

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Ariel Bitran Posted: Apr 17, 2012 Published: Apr 18, 2012 1 comments
The open and relaxed feel of the orchestral music immediately impressed me upon entry to the Wes Bender Studio room. One showgoer played his demo track of Thus Spoke Zarathustra by Richard Strauss, and immediately again, I was overwhelmed by the size these speakers could create yet how relaxed the remained. Music flowed from their pores (and drivers).

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Ariel Bitran Posted: Apr 17, 2012 Published: Apr 18, 2012 0 comments
The Sony SS-AR2 loudspeakers, described here by JA, were one of my many favorites at the show. Their soundstage extended deep, all the way to 42nd street, and they performed with warmth and polite resolution of high-end frequencies. Some said it was too mellow, but to me it sounded just right. Pictured above are Jonathan Lin and Carlos Giraldo from Sony posing with the SS-AR1 enclosure, reviewed in Stereophile last July.
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John Atkinson Posted: Apr 18, 2012 4 comments
The dipolar Gradient speakers from Finland being demmed in the SimpliFi suite had an advantage over conventional speakers at the NY Show, in that they better coped with the Waldorf=Astoria's often-problematic room acoustics. Partnered with Bladelius electronics and DNM cabling, the Revolution speakers (right) were paired with the matching Radiant subwoofer (center), which features two 12" drivers to produce uncolored, full-range low frequencies. Stephen Mejias was sufficiently impressed to look up from his notebook. The white speaker is Gradient's Helsinki 1.5, which Art Dudley reviewed in August 2010
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Ariel Bitran Posted: Apr 18, 2012 0 comments
In the LessLoss Audio room, a gorgeous couple of Kaiser Vivace loudspeakers painted in a Lamborghini Orange finish ($42,500 in painted semi-gloss, add $2500 for the Lambo paint job) paired with electronics from Beyond Frontiers Audio, including their Tulip Tube DAC converter, which runs in a dual mono state with 2 Burr Brown chips, and the Tulip Stereo Integrated amplifier. Tulip, in the designer’s former country of Yugoslavia, is a friendly name for a “good old guy”. Cabling and “ambient field conditioning” in this room were provided by LessLoss, who offered their Anchorwave cables and Blackbody ambient field conditioner. The Blackbody claims to “enhance audio playback quality by modifying the interaction of your gear’s circuitry with the ambient electromagnetic field.”
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John Atkinson Posted: Apr 18, 2012 0 comments
I had seen and heard a prototype of the Light Harmonic's Da Vinci DAC at the 2011 Axpona Show, but the 2012 NY Show saw the debut of the production version of this unique $20,000 DAC, which handle data with sample rates up to 384kHz over an asynchronous USB 2.0 link. Demmed in a system comprising Wilson Sasha W/P speakers, driven by a Pass Labs X100.5 amplifier and XP20 preamp, with all-MIT cabling, wit data sourced from an iPad-controlled Mac mini, the Da Vinci produced a sound that thrilled. A 384k-sampled recording of voice and acoustic guitar by Cookie Marenco sounded palpably real. I am planning on reviewing the Da Vinci in the late fall.
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John Atkinson Posted: Apr 18, 2012 0 comments
I moderated two "Ask the Editors" sessions at the NY Show, where reviewers and editors were put on the spot by probing questions from the audience. My thanks to (from left to right): Alan Sircom (HiFi+, not visible), Stephen Mejias (Stereophile), Jeff Dorgay (ToneAudio), Alan Taffel (The Absolute Sound), Michael Fremer (Stereophile and AnalogPlanet.com), Grant Clauser (Electronic House), and Art Dudley (Stereophile and Fretboard Journal) for their often frank and always informative answers.
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John Atkinson Posted: Apr 18, 2012 0 comments
Driving the Legacy Focus SE speakers was this beautiful tube integrated amp from Ayon, the Triton 3 ($12,000).
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John Atkinson Posted: Apr 18, 2012 2 comments
Was how this Stereophile-sponsored event Saturday and Sunday afternoons was billed. Mikey demonstrated to a packed house how straightforward it is to optimize the performance of an LP player. Close-ups of his work on a VPI turntable fitted with a Soundsmith cartridge were projected on to a screen so all could see what he was doing and why.
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John Atkinson Posted: Apr 18, 2012 0 comments
The "Beyond Frontiers" refers to the fact that the company's designer was responsible for some of the well-respected Sonic Frontiers products from a decade ago. This is the Beyond Frontiers tubed balanced D/A processor, which was being used as the source in the LessLoss room.

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