SSI 2012

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Robert Deutsch Posted: Mar 26, 2012 0 comments
Another interesting product featured in the Canada Pavilion was the exaSound e18DAC ($1999). It is, as the name implies, a DAC, but it's much more than that. Featuring a maximum 384kHz/32-bit sample rate and bit depth, it can function in stereo and 8-channel modes, and has a formidable list of technical specifications, including a 0.13ps master clock with 3 precision quartz oscillators, 17 power filtering stages, galvanic isolation between the USB subsystem and the DAC circuits, true asynchronous USB interface, hardware volume control implemented by the DAC chip for the highest S/N ratio, and has a high-quality headphone amplifier.
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Art Dudley Posted: Mar 26, 2012 0 comments
This Devialet D-Premier D/A integrated amplifier seemed to be flashing its own price: $16.5k, for which the lucky owner gets 240Wpc, sleek styling, and a great deal of up-to-date technology, including 192/24 WiFi capability. I had hoped to learn more about the D-Premier (and the impressive Focal loudspeakers it was driving), but the pleasant young fellow who was running the booth couldn't make himself understood over the very loud playback levels—and the latter finally drove me from the room. John Atkinson will be reviewing the Devialet D-Premier, which he says combines a highly linear class-A amplifier with a class-D output stage in a topology somewhat similar to the late Peter Walker's "current dumping" circuit, in a summer issue of Stereophile.
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Robert Deutsch Posted: Mar 25, 2012 4 comments
One of the unofficial highlights of this year's SSI was the by-invitation-only party given by Montreal dealer Coup de Foudre. The genial hosts were Jennifer Cytrynbaum (Store Manager) and Graeme Humfrey (Product Specialist, Store Owner, jazz guitarist, and a recording engineer of 20 years' experience). They had great food and drinks, and they did their utmost to make sure that everyone has a good time. The picture shows Jennifer in her element, along with Wilson’s Peter McGrath (left), Wavelength’s Gordon Rankin (center) and Graeme Humfrey (far right).
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Robert Deutsch Posted: Mar 25, 2012 0 comments
VTL's Luke Manley was one of the many industry luminaries at the Coup de Foudre party.Through the control-room window of Graeme Humfrey's studio can be seen part of Graeme's large collection of classic pro-audio gear.
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Robert Deutsch Posted: Mar 25, 2012 1 comments
AudioStream.com's Michael Lavorgna explains all the intricacies of computer audio.
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Robert Deutsch Posted: Mar 25, 2012 0 comments
What would a high-end audio store party be without some live music? The musicians playing jazz at the Coup de Foudre party were keyboard artist Marie Claire Durand and bass player Martin Hezlop. They're also Graeme Humfrey's recording clients.
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Art Dudley Posted: Mar 24, 2012 0 comments
Designer, manufacturer, and vintage audio maven Michael Tang brought so many cool things to SSI, I scarcely knew where to begin. The most compelling of all may have been his new Michael Tang Audio APS tonearm ($900), seen here with a vintage Thorens TD 124 turntable and Decca pickup head from his collection, along with his own custom-manufactured hardwood tonearm board. (Yes, I bought one of the latter while I was there.) The reach of the MTA arm may be limited, however: Its distinctive pickup connector is compatible only with obsolete Decca heads. Still...!
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Robert Deutsch Posted: Mar 24, 2012 2 comments
"The World's First Audiophile Case for the iPhone 4S/4," said the sign. I was intrigued. What does being an audiophile have to do with the choice of iPhone case? It turns out that this case is claimed to improve the sound of music played back from an iPhone through earphones. A collaboration between a company named Divoti and Gutwire, well-known for their affordably-priced cables, the case is made of pure titanium, with some germanium dots in the back. It sells for $180. I asked how titanium and germanium was supposed to improve sound, and was told that it had something to do with negative ions being generated, counteracting the positive ions that are supposedly generated by electronic devices like an iPhone.
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Robert Deutsch Posted: Mar 24, 2012 0 comments
Two venerable British makes—who share a North American distributor and neither one content to rest on their laurels—teamed up at SSI 2012, the Tannoy Definition DC8T ($6200/pair) being combined with the Linn Akurate DSM digital streamer ($9200) and Linn Akurate 2200 integrated amp ($6000) to produce a very clean, dynamic sound.
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Art Dudley Posted: Mar 24, 2012 0 comments
In years past, the Montreal record shop Aux 33 Tours operated a generously sized retail booth at SSI, and I invariably helped them to lighten their vinyl load. I was disappointed that they weren't selling records at this year's show—until I noticed their display in the Hilton's hallway: All day Friday and Saturday, they offered a free shuttle service for people who wished to visit their store. (Sadly, the time was too short for me to take that ride.)
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Art Dudley Posted: Mar 24, 2012 3 comments
The curiously named Line Magnetic company of China has begun making a series of relatively affordable tube electronics, all hand-wired, and all with styling details that recall classic products from the first half of the 20th Century. LM's model 211IA integrated amplifier ($1650) was used to drive the new Gibbon 88s from DeVore Fidelity. Each channel of the amp produces 32Wpc from a pair of EL34s running in Ultralinear mode—the 211IA can also be switched to triode operation—with all-tube preamp and driver stages and a silicon-rectified power supply.
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Robert Deutsch Posted: Mar 24, 2012 3 comments
One of the more controversial products at this year's SSI was the demo of "Axial Triphonic Speakers" by Lys Audio. According to company president Jacques Gérin-Lajois (given a running translation from French by one of his associates), this is based on a patent that was obtained 65 years ago, but has not been put into practice until now. As I understand it, it involves starting with a monophonic source, obtained by summing the stereo channels (or multiple channels), and then splitting the mono signal into bass, midrange, and treble, sending these to the appropriate speakers. Depending on the impedances, you can use just one amp to drive all three speakers, or (as was the case with the SSI demo), one amp for the midrange and treble, and another for the bass.
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Robert Deutsch Posted: Mar 24, 2012 0 comments
I think after every audio show I've attended there was some product that I realized too late I should have checked out—typically, when somebody later said to me "Did you hear the XXXX speakers? I thought they were great!"

After CES 2012, there was one product—actually, a line of products—that I had fully intended to seek out, but somehow this intention did not translate into action. It was on the plane returning home that I realized that I missed seeing the new wireless speakers from Dynaudio. I made a note to myself to make sure that one of the first rooms I'll visit at SSI 2012 would be Dynaudio's.

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Art Dudley Posted: Mar 24, 2012 4 comments
California-based Constellation Audio, represented by the well-known engineer Peter Madnick, supplied the amplification for the Magico Q3 loudspeakers. On audition were their Virgo preamplifier ($19,000) and Centaur amplifier ($24,000), set up with elegant looking (and apparently effective) loudspeaker cables and interconnects from Argento Audio of Denmark. Source components were the C1 D/A converter and D1 disc transport from CH Precision of Switzerland.
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Art Dudley Posted: Mar 24, 2012 1 comments
Canada's D2MK Solutions exhibited the interesting new Waterfall Victoria ($6000/pair), a two-way dynamic loudspeaker from France that features an all-glass enclosure. Supporting electronics included the Cary Audio SA2002 solid-state amplifier ($3995), Cary SLP05 preamp (5$8500), and Cary Xciter D/A converter ($1500), the latter playing music files from a laptop computer.

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