CES 2012

Sort By: Post Date | Title | Publish Date
Filed under
Jon Iverson Posted: Jan 16, 2012 0 comments
Most DACs are pretty straight forward and simply convert an digital signal to analog. But with the array of choices widening every few months, it might be handy to have a DAC that could do a bit more.

With this in mind, Simaudio is introducing the Moon 180 MiND Music Streamer (at top left in photo). MiND, which is short for Moon intelligent Network Device, allows the user to stream digitally stored music from a computer, NAS drive, the internet, subscriber-based music services or a UPnP enabled device to your DAC via either SPDIF, AES or Toslink outputs.

The MiND will available in April for $1,250 and Simaudio's Lionel Goodfield says that they will be releasing DACs with the MiND built in as an upgrade later this year.

Simaudio also revealed the 32-bit Moon 380D DAC designed around the M-AJiC32 circuitry (an asynchronous jitter elimination system) performing in true 32-bit fully asynchronous mode. There are eight digital inputs, all able to handle up to 24/192 sources. Available in April for $3,900.00 and you can add the MiND streamer for an additional $1,200.00.

Filed under
Larry Greenhill Posted: Jan 16, 2012 0 comments
Paul Stookey, now 74 years young, sounded optimistic, vibrant, and sweet, delivering a solo performance to the audiophile crowd at the Flamingo, as hosted by T.H.E. Show, Cary Audio, and PBN Audio. Somehow Paul has retained all the youthful energy and optimism that characterized his role when was a member of the Peter, Paul and Mary trio. Although I associate him more with the flower child, utopian, flower-child world of the 1960s, celebrating love, sex, freedom and occasionally drugs ("Puff the Magic Dragon"), he easily slipped into the role of audiophile troubador. Although his vocal range had narrowed with the years, his guitar accompaniment was superb.
Filed under
Larry Greenhill Posted: Jan 16, 2012 1 comments
The $25,000, 500W Mark Levinson No.53 digital-switching reference monoblock amplifier made its regular non-playing appearance at CES 2012 but this time with an illuminated cutaway display, allowing its lead design engineer, Mark Seiber, to walk me through its circuitry. The transparent panel, which the display used in place of heatsinks allowed me to easily see the No.53's four major subsections (analog input stage, modulation, amplifier output stage with its eight air-core inductors, and power supply section, which is at the bottom of the chassis.
Filed under
Jon Iverson Posted: Jan 16, 2012 0 comments
I've had the new Peachtree DAC•iT at home for several months and a review will be showing up in Stereophile shortly. It's a great little product for the money ($449) and sports USB, SPDIF and Toslink input and features an ESS Sabre32 9022 chip.
Filed under
Stephen Mejias Posted: Jan 16, 2012 2 comments
Last week, we learned that Gibson and Onkyo were negotiating a deal that would see the legendary guitar manufacturer purchase a stake in Onkyo Japan and acquire a majority interest in Onkyo USA to become the second largest shareholder in Onkyo Corporation. Near the end of show hours on a brisk Tuesday evening, a small group of reporters were invited aboard Gibson’s luxury bus for a bit of freedom from the Convention Center chaos and to learn more about the merger.
Filed under
Larry Greenhill Posted: Jan 16, 2012 0 comments
Harman Specialty Audio introduced the new Revel Performa 3 series of loudspeakers at the 2012 CES. Kevin Voecks, lead audio engineer in the design, was delighted at the increased performance of Performa 3 series, including the $4500/pair, three-way, F208 full-range floorstander and the $1750/pair M106 two-way bookshelf. The F208 replaces the more expensive, $7500 F32 Performa in the previous series.
Filed under
Robert Deutsch Posted: Jan 16, 2012 0 comments
MartinLogan is famous for speakers that use electrostatic drivers—full-range or in combination with dynamic woofers—but they have more recently broadened their offerings to include non-electrostatic models. According to MartinLogan's Peter Soderberg, their aim is to produce speakers that approach the sound of their electrostatic models, but at a lower price and easier to drive. He says that this has become possible with their version of the Heil tweeter (the original Oskar Heil patent having expired). He did a comparison for me between their top-of-the-line electrostatic CLX ($25,000/pair), supplemented by the Depth 1 subwoofer ($2000), and the new Motion 40 ($1995), which uses the Folded Motion (aka Heil) tweeter, in both cases driven by Anthem's new class-D amplifier, top-of-the-line Conrad-Johnson preamp, with a laptop as source. With Patricia Barber singing "Norwegian Wood," the tonal balance of these physically very different speakers was surprisingly similar. Peter Soderberg is pictured here with the CLX and the Motion 40, after what must have been an exceptionally amusing quip on my part.
Filed under
Jon Iverson Posted: Jan 16, 2012 0 comments
It's no secret that I love the Meridian Sooloos touchscreen interface for handling a large music collection. But the Sooloos iPad app and desktop application left a little to be desired in the ease-of-use department compared to the Control 15 17" touchscreen sold by the company. Neither app included the album cover art grid that is essential to the Sooloos' ease of use, and other features were hit and miss.

Not any more. The new iPad app includes the album cover grid as well as almost all of the Focus and navigation features from the Control 15 touchscreen software. So all you need now is a Sooloos core somewhere in the network and an iPad or computer if you want the grid without Meridian's touchscreen. I couldn't see not having a Control 15 in the house, even though I use the iPad as a controller too, but I'm sure some folks would disagree.

Hand model Bob Stuart demonstrated the new cover grid, and it flowed rather smoothly as he browsed the collection. Should be available in the next month or so and is free (though only of use to Sooloos system users). I can't wait to get my hands on it and hope to do a follow-up to my original Sooloos review in the next few months.

Filed under
Robert Deutsch Posted: Jan 16, 2012 0 comments
Joseph Audio's Jeff Joseph is always a smiling, positive presence at CES and other shows, and always seems to have something new in his speaker line, even if "new" is defined as "finally in production." This describes the Perspective ($11,800/pair), making good sounds with relatively affordable Bel Canto equipment ($2995 digital receiver and CD3 transport). The tie Jeff is wearing has cartoon figures designed by Joshua Joseph, Jeff's 11-year-old son.
Filed under
Jon Iverson Posted: Jan 16, 2012 0 comments
There's nothing like a nice big touchscreen to browse a large music collection, and Pathos was showing a prototype of the largest touchscreen dedicated to a music server that I've seen to date. Called the Musiteca, the new product was up and running but clearly had some features to work out. As shown, the product has a built-in DAC, transport for loading discs, and 1TB drive for storage.

In addition to the above features, Pathos' Paolo Andriolo says there will be variable XLR outputs to feed the audio directly to your amp and a free iPad app. Price is predicted to be around $7k and should show up by April.

Filed under
Robert Deutsch Posted: Jan 16, 2012 0 comments
Atlantic Technology's AT-1, which uses their patented H-PAS venting technology, was one of the hits of last year's CES, and the positive impression was confirmed in Erick Lichte's review (September 2011). The H-PAS approach has now been applied to the new AT-2 ($1800/pair). The –3dB point is specified as 41Hz, which I'm told is an anechoic figure. This normally translates to in-room response to the low 30s, and the sound of the AT-2 in the Venetian's less-than-ideal space seemed to confirm this.
Filed under
Jon Iverson Posted: Jan 16, 2012 0 comments
Bel Canto had several digital products on display including the CD3t CD Transport (pictured above) which includes both AES and SPDIF (via BNC connector) outputs at $1,495.

Playing in a side room was the C7R DAC Integrated Receiver with an amplifier section based on the companies REF150 and includes a built-in DAC, FM tuner, phono section and some pretty beefy speaker connectors on the back. This modest size box would make a great companion to the CD3t mentioned above. Retail is $2,995.

The company was also showing off a pair of product updates. The DAC3.5VB MK II includes an improved analog supply that Bel Canto claims better isolates the PCM1792 converter and a new, low-phase-noise main clock oscillator. Price is $5,895. The uLink USB-to-digital audio interface is now 24/192. Shipping next month for $795 MSRP

Filed under
Larry Greenhill Posted: Jan 16, 2012 0 comments
It was good to visit McIntosh Laboratory's 35th floor suite at the Venetian Hotel and spend a few minutes with Ron Cornelius, the product manager, discussing our shared experiences with the legendary McIntosh MR-78 FM tuner. Ron showed me the latest iteration of the company's MC-275 tube amplifier. Now released as version 6, 50th-Anniversary 275, priced at $6500, it reminded me that the amplifier was first shipped in 1961.
Filed under
Larry Greenhill Posted: Jan 16, 2012 0 comments
Sumiko teamed up a pair of Sonus Faber Amati Futura floorstanding speakers — watch for JA's review in the March 2012 issue—with the $4500 REL Gibraltar G1 subwoofer to produce explosive, massive, but tightly controlled bass while playing the "Chinese Drum Poem" selection from disc 3 of the Burmester Demonstration Disc series. The REL G1 is a 108 lb, closed-box, front-firing 12" driver driven by a 600W, high-current amplifier. Sumiko's John Hunter set the gain of the G1 using a small remote. The G1 subwoofer fell totally silent when the music was free of deep bass content, as it should.
Filed under
Larry Greenhill Posted: Jan 16, 2012 1 comments
The Audio Power Labs exhibit took my breath away, Imagine, a huge, beautiful $175,000 per pair, 200Wpc monoblock tube amplifier using 833C, graphite-plate, radio-frequency transmitter tubes that have a bandwidth of 30MHz and run with 1500V on the plates! These tubes were used in the output stage of BCF-1 radio transmitters. Now imagine that the amplifier's designers are named Squeek Rieker (right) and Peeya Iwagoshi (left), and you know why I had to pinch myself to make sure I wasn't dreaming.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading