CES 2012

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Robert Deutsch Posted: Jan 19, 2012 2 comments
As well as providing a list of equipment in the demo system, Sonist’s Randy Bankert offered visitors a choice of libation.
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Jon Iverson Posted: Jan 19, 2012 1 comments
I'd file this one under DAC/preamp/streamer, with plenty of features and more to be announced. What we know: based on the company's DAC 8, there will be six digital inputs including all the usual suspects as well as wired and wireless networking, vTuner and UPnP. The DAC can upsample to 24/192 and includes a front panel display for control info and selected meta-data via DLNA/UPnP networked devices. Price will be around $15k.
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John Atkinson Posted: Jan 19, 2012 1 comments
For the past few years, Colorado company YG Acoustics has been exhibiting in a large "air-wall" space in the Sands Convention Center. Their reason for doing so was that it was a great place for a new company to get foot traffic, but the downside was that it took heroic efforts to get sound quality that would indicate what YG speakers were capable of. For the 2012 Show, they had moved to a large suite in the Venetian Tower, and finally they were showing what their $119,000/pair flagship, the Anat III Signature, was capable of.
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Robert Deutsch Posted: Jan 18, 2012 4 comments
Although I don't consider myself an expert on headphones by any means, I know that they fall into three basic categories: (1) circumaural (pad around the ear, the back closed or open) (2) supra-aural (pad on the ear), (3) in-the-ear (tightly or loosely fitting). (There were also the Jecklin Float headphones, which involved a pad on top of your head, with the transducers being positioned some distance from the ears. These have never enjoyed widespread success, and I don't think they're being made any more.) However, I was intrigued by one of the pre-CES emails, announcing "ear-free" headphones.
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John Atkinson Posted: Jan 18, 2012 2 comments
As they had at the 2011 Show, Magnepan's Mark Winey (left) and Wendell Diller (right) were demonstrating their system behind a curtain, so that listeners' preconceptions would not affect their opinions of the sound. It turned out that the speakers being demmed, driven by Bryston amplification, were a pair of the Minnesotan company's MMG planars ($599/pair), to which had been added a $5000 Tricenter center channel speaker. This seemed a bit odd to me, but Wendell explained that they were showing an unlikely combination that might be just what a specific customer needed.
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Robert Deutsch Posted: Jan 18, 2012 0 comments
Revel's well-received Performa series of loudspeakers has been completely overhauled, with a number of advances in materials and manufacturing technologies. The new Performa3 series now consists of 10 models, including three floorstanders, two stand-mounted monitors, and various home theater speakers. The drivers are all new, and, according to Revel's Kevin Voecks, they have exceptionally low distortion, which contributes to clarity and transparency. This was very much in evidence with the pair of M106s ($1700/pair) and F308s (at $6000/pair, the most expensive speaker in this series) that I listened to.
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Robert Deutsch Posted: Jan 18, 2012 2 comments
In my posting on Opera Loudspeakers, I wrote about company names, and how they might suggest something about the product and the priorities of a speaker's designer. In the case of Volent Corporation, I must admit to being puzzled. What does this mean? The Dictionary of Difficult Words defines "volent" as "exercising will power." How does a speaker do that? Finally, going through the company's website, I found the following explanation: "the name Volent [is] derived from the phrase, 'Voice of Excellence': signifying not only the quality of reproduced sound but also the vocal appreciation of music lovers."
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Robert Deutsch Posted: Jan 18, 2012 0 comments
Totem is expanding their Element line, which features bass drivers running full-range up to the tweeter’s passband. The latest speaker in this line is the Ember ($4200/pair) a two-way using a 6" Torrent driver designed and made by Totem. Driven by Boulder electronics, a pair of Embers produced a full-range sound, with the sort of bass that made you wonder if there was a subwoofer in the system. Not bad for a 6" driver!
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Robert Deutsch Posted: Jan 18, 2012 0 comments
Stephen Mejias has written about Anssi Hyvönen of Amphion, who believes that music reproduction doesn't have to be loud to be effective, and that, in fact, the hallmark of a really good speaker is its ability to be involving at low levels. Amphion's demos always provide for a soothing experience at shows, and so it was at CES 2012, this time using the new Argon7Ls ($5999/pair) with Nuforce electronics.
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John Atkinson Posted: Jan 18, 2012 4 comments
I always look forward to visiting Vladimir Lamm's room at a Show; my Brooklyn neighbor both has excellent taste in music and knows how to set up a system so that it works with the room. At CES, Vladimir was driving Wilson MAXX3 speakers ($68,000/pair) with his four-chassis ML3 Signature single-ended 32W tubed amplifiers ($139,200/pair), LL1 Signature dual-mono tube preamplifier ($42,690/pair), and LP2 phono preamplifier ($7590). Cabling was all Kubala-Sosna Elation series—$92,500 worth—which with the Onedof turntable with Graham Phantom II tonearm and Benz Micro cartridge, the Neodio digital front end, and Harmonic Resolution Systems racks, gave a total system costs of $599,000! (This is what you would pay for a 3-bedroom family home in our part of Brooklyn.)
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Robert Deutsch Posted: Jan 18, 2012 0 comments
This Kim Kristiansen slide illustrates the effectiveness of Dali's SMC/linear drive magnetic system in reducing distortion. I believe the lowest curve shows the distortion levels of this the woofer—built completely in-house—that uses the linear drive magnetic system with SMC.
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John Atkinson Posted: Jan 18, 2012 0 comments
The opening night of T.H.E. Show, cable manufacturer ZenSati ApS sponsored a recital by the Russian pianist Hagia Pastor, following a short speech on the state of the audio industry by yours truly. I am not ashamed to admit that Dr. Pastor put on a better show :-)
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Robert Deutsch Posted: Jan 18, 2012 1 comments
Wharfedale is one of those venerated British names in audio. And while its image is perhaps on the old-fashioned side, there's absolutely nothing old-fashioned about the latest Jade series of loudspeakers—unless you're thinking of old-fashioned craftsmanship. The price of speakers in the Jade series ranges from $1200/pair (stand-mounted Jade-1) to $4200/pair (floorstanding Jade-7), and the manufacturing is vertically integrated: they make every component of each speaker!
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Robert Deutsch Posted: Jan 18, 2012 1 comments
Taiwan-based Lawrence Audio has three speaker models: the Mandolin ($5500/pair), Violin ($7500/pair), and Cello ($19,000/pair). They're described as being "inspired by musical masters," and, come to think of it, all three speakers bear a resemblance to largish string instruments, with a "belly" that houses the woofer, and the part of the cabinet housing the midrange and tweeter look somewhat like the neck of a cello or string bass. The midrange driver and tweeter are once again based on the Heil design. The system I heard, featuring the Cellos, sounded very promising.
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Robert Deutsch Posted: Jan 18, 2012 0 comments
Somebody should do a study, categorizing the names of audio manufacturers. The most common approach is to name the company after the designer, or to use his initials. And then there are all those names that incorporate the word "audio," "sound," "music," and variations thereof. There are names that give no indication of the nature of the company's products, but are just memorable.

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