CES 2012

Sort By: Post Date | Title | Publish Date
Filed under
John Atkinson Posted: Jan 20, 2012 6 comments
Source Interlink Media's Home-Tech Group's self-styled "Web Monkey" Jon Iverson (center) focuses his attention on the new Vivid G3Giya loudspeaker ($40,000/pair), which is scheduled to start shipping in April. Driven by a Luxman amplifier and hooked up with Kubala-Sosna Emotion cables, the G3Giya is a 2/3 scale version of the G1Giya that so impressed Wes Phillips in July 2010, with twin aluminum-cone 7.5" woofers loaded by the same proprietary ported transmission line, this time curled over more severely because of the speaker's reduced height. (The G1Giya used 11" woofers.)
Filed under
John Atkinson Posted: Jan 20, 2012 0 comments
Vienna Acoustics were demming the latest version of Die Musik speaker, which we first saw and heard at the 2008 CES. VA's Patrick Butler played the role of DJ for me, operating the Jeff Rowland Design Group gear.
Filed under
John Atkinson Posted: Jan 20, 2012 4 comments
While Magico's recent high-performance speakers are notable for their all-aluminum cabinet construction, including the Q5 that was our 2011 "Loudspeaker of the Year," the new S5 ($28,600/pair) uses a more conventional enclosure to bring its price within reach of more than just the 1%. While it still uses a beryllium-dome tweeter, this is not made in house.
Filed under
John Atkinson Posted: Jan 20, 2012 0 comments
2011 witnessed the 40th anniversary of the founding of English manufacturer Meridian and the partnership between electronics engineer Bob Stuart and industrial designer Allen Boothroyd. To celebrate Stuart and Boothroyd created anniversary editions of the DSP-8000 active speaker and 808 Signature Reference CD Player, of which only 40 of each model will be made. Bob Stuart looks suitably proud of the models, which are finished in exclusive “Ruby” finish—not available on other products in the range—even the drivers are treated with a new, polished bezel. Each system is signed by Stuart and Boothroyd, comes with a book illustrating Meridian’s history, and will be set-up in the customer's home by a Meridian engineer.
Filed under
Jon Iverson Posted: Jan 20, 2012 0 comments
MSB has upgraded their Data CD IV disc player to the new Signature model with a machined metal disc drawer and updated networking. The Pro I2S digital output connects directly to the master clock in the DAC so the Data CD drive is controlled by the same clock that is running the DAC modules and motherboard for "hyper accurate data clocking when playing discs".

This is an interesting transport in that it plays CDs and also DVD data discs (such as Reference Recordings HRx discs) with .wav files up to 32/384! The transport sells for $7,995 and in this photo is paired with the Signature Transport Power Base at $3495.

Filed under
Larry Greenhill Posted: Jan 19, 2012 Published: Jan 20, 2012 0 comments
Thiel and Bryston always share an exhibit area in the Sands Convention Center’s Bassano Ballroom, and this year's CES was no exception. James Tanner, Bryston's upbeat product manager, had gathered a terrific playlist of musical selections on a thumb-drive, which drove the company's $2195 BDP-1 digital file transport, $2195 BDA-1 DAC. Livingston Taylor's whistling on "Isn't She Lovely" opened the playlist, just as it did at the Joseph Audio suite, and many others—it was a common selection at the Venetian exhibits. Sound from the $9500 Bryston SP-3 preamp/processor ($7900), three-channel Bryston 6BSST2 amplifier, Thiel CS1.7 speaker prototype and Thiel USS SmartSub Subwoofer produced soundstage depth and imaging that was among the best, almost as good I heard at the much more expensive system in the VTL suite. Tanner walked me through Bryston's newly announced BHA-1 headphone amplifier featured in the photo ($1295), which is highly versatile, including twin XLR outputs for balanced headphones, and both XLR and ¼ jacks for conventional headphones.
Filed under
Jon Iverson Posted: Jan 20, 2012 0 comments
Branching away from strictly audio products, the HDMI Streamer has two HDMI inputs and one HDMI output and a stereo audio output. The idea is to peel the audio off of an HDMI signal and send it to your analog stereo preamp while leaving the video intact for your TV. All perfectly legal says HRT. Available sometime around April for $229.95
Filed under
John Atkinson Posted: Jan 20, 2012 2 comments
The New York debut of Sonus Faber's stunning-looking Aida ($120,000/pair) was compromised by sub-optimal room acoustics and too much noise from outside the dem area. But the speaker, powered by Audio Research's new Reference 250 monoblocks ($25,900/pair) lived up to the promise in Las Vegas. But as I had found in New York, the true magic of the Aida was only to be found if you sat exactly in the sweet spot, when the speakers disappeared and the end of the room dissolved into the recorded acoustic. Certainly the team from WhatsBestForum.com sitting in front of my camera—Hi, Steve!—were enjoying what the Aidas' were doing.

The rest of the system comprised an SME Model 20/3 turntable/tonearm ($17,000) with a Palos Presentation cartridge ($3995), an Audio Research CD8 ($9995) and DAC8 ($4995), Reference Phono 2SE ($12,995) and Reference 5SE linestage ($12,995), all connected with Shunyata cables. Racks were the ubiquitous Harmonic Resolution Systems SXRs and power conditioning was also by Shunyata.

Filed under
John Atkinson Posted: Jan 20, 2012 5 comments
At the previous Shows where I had auditioned it, MBL's extravagantly excessive (or should that be excessively extravagant) X-Treme system had been set-up in inappropriate rooms, Finally, at the 2012 CES, this 4-enclosure system, which basically comprises two of the true omnidirectional upper-frequency modules of the Berlin-based company's 101E Mk.2 speaker (to be reviewed by Mikey Fremer in the April 2012 issue) with two man-sized powered subwoofers, each using six 12" drivers mounted three on each side to cancel mechanically induced vibrations, was set up in a room worthy of it. (The Venetian room was 31' by 22' with a 10' ceiling.) Bi-amped with four file-cabinet–sized MBL 9011 monoblocks—the total system cost was $565,000!—the X-Treme produced a big-bottomed sound that was indeed extreme when required but also delicate when appropriate. Oh my!
Filed under
John Atkinson Posted: Jan 20, 2012 0 comments
It costs $42,000 but TAD's new C600 solid-state line preamplifier features dual-mono construction, an all-discrete signal path, a separate power supply, and fastidious attention paid to detail in both its design and construction. The amber LED display for example, is DC-powered rather than from the usual multiplexed supply, to eliminate EMI interference. And the sound, in conjunction with the D600 SACD player, M600 monoblocks, Reference One floor-standing speakers, and HRS rack to give a system price of $214,500? I'll leave it to Stephen Mejias to describe in his show wrap. Personally, it was a highlight of the 2012 CES.
Filed under
John Atkinson Posted: Jan 20, 2012 1 comments
Costing $165,000/pair, Magico's new Q7—shown here with AudioStream.com editor Michael Lavorgna for scale—embodies everything the Californian company knows about speaker design: a proprietary beryllium-dome tweeter, nano-fiber–sandwich-cone midrange unit and woofers, housed in a sealed all-aluminum enclosure weighing 750 lbs! With the prototype Audeeva music server, Pacific Microsonics DAC, a Spectral preamp, MIT cables, and unidentified amplifiers hidden behind a curtain, the Q7s threw an enormous soundstage on a 176.4kHz/24-bit file of a Reference Recordings orchestral recording, with bass-drum blows that pressurized the room without obscuring a low-level bassoon that was playing at the same time—macro and micro-dynamics.
Filed under
John Atkinson Posted: Jan 20, 2012 0 comments
Other than the soft ring of blue light at the top, Meridian's new M6 powered loudspeaker ($9000/pair) looks unprepossessing but hides a wealth of high technology within its black enclosure. The entire range from 200Hz to 25kHz—two decades!—is handled by a single front-firing 3" driver at the top of the cabinet. This is a development of the drive-unit Meridian designed for the F80 music system and is coupled to a downward-firing woofer, which can be seen in the exploded diagram next to the speaker. The M6 has a digital input and the use of DSP for its crossover and equalization means it can be placed near room boundaries, maximizing its Spouse-Acceptance Factor. I listened to the Sheffield Drum Record from Bob Stuart's Sooloos server, controlled with the new iPad app, followed by Dire Straits, the pizzicato movement from Ravel's String Quartet. and the 2L hi-rez recording of Britten's Simple Symphony, and the M6 demonstrated surprising dynamics and clarity, coupled with an overall ease to its presentation. Yes, the lows were a bit too rich, but this is a fit'n'forget speaker system that non-audiophile music lovers will go ga-ga over.
Filed under
John Atkinson Posted: Jan 19, 2012 0 comments
Demonstrated with Concert Fidelity amps and preamp, the Bricasti M1 D/A processor that I review in the February 2012 issue fed by a Loit CD player, and, like many rooms at CES, wired with Kubala-Sosna Elation and Emotion cables, the Estelon XA Diamond ($64,000/pair) produced sound to match the elegance of its styling. Improvements over the standard XA that I auditioned at the 2011 CES include a diamond tweeter, improved midrange unit and woofer, and changes to the constrained-layer cabinet construction.
Filed under
John Atkinson Posted: Jan 19, 2012 2 comments
If there is one thing audio reviewers like (other than wine, women, and song, of course), it is recommendable products that stay in production for years. And years. I reviewed the original Confidence C4 in 2003, with a follow-up by Wes Phillips in 2007, so it was with some surprise that I encountered the speaker at the 2012 CES. Except that this was the new Signature edition ($22,000/pair), which has a revised crossover, a high gloss finish (that is difficult to photograph :-), and a new coating on the Esotar2 tweeter's soft dome that is said to give a smoother, more open sound. With a standard finish, the C4 costs $20,000/pair; the C1 stand-mount has been similarly improved, with the standard version costing $7700/pair, the high-gloss Signature $8500/pair. Dynaudio is now offering its speakers with a 10 year warranty!
Filed under
Jon Iverson Posted: Jan 19, 2012 0 comments
UK manufacturer Astin Trew had their new DAC 1 on display. Managing Director Michael Osborn was on hand to answer questions and look for US distribution for his products. The DAC 1 features asynch 24/192 USB as well as FireWire and I2S inputs. It has a 6922 buffered tube output stage for single-ended connections and solid state for balanced output. Price should be around $4,500-$5,000 and would arrive in about 2 months once distribution is set up.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading