RMAF 2011

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John Atkinson Posted: Oct 18, 2011 0 comments
Colorado retailer Listen-Up's B&W and Classé room offered a surprisingly full-bodied sound from the small B&W PM1 speakers ($2800/pair), driven by a Classé CA-2300 amplifier and CT-P800 digital preamplifier via AudioQuest cables. But if you closely, you can see one of the almost-as-tiny B&W PV1 subwoofers ($1500 when last available) fleshing out the low bass. Visitors to the room were encouraged to play their own recordings on the Mac mini that was acting as a server sending asynchronous USB data to the CT-P800.
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Stephen Mejias Posted: Oct 18, 2011 1 comments
Emotiva introduced their Pro line at RMAF, beginning with three active loudspeakers: the Airmotiv4 ($399/pair), Airmotiv5 ($599/pair), and Airmotiv6 ($799/pair). Microphone preamps, DACs, and high-performance monitors are all in the works.

Dan Laufman explained that his background is in pro audio and most of the people involved with Emotiva have some sort of interest in recording and music production. As a frustrated ex-musician, Laufman longed to again be a part of the creative experience.

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Stephen Mejias Posted: Oct 18, 2011 0 comments
DeVore Fidelity’s John DeVore was as proud of his t-shirt as he was his new Gibbon 88 loudspeaker.
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Stephen Mejias Posted: Oct 18, 2011 0 comments
Though there were plenty of new Emotiva components on display—and 27 more in the pipeline!—the story here wasn’t as much about products as it was people. Emotiva’s Dan Laufman has never been happier.

“I spent so much of my life doing things I didn’t want to do. Now that I’m doing what I love, it feels like I’m living a dream.”

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Stephen Mejias Posted: Oct 18, 2011 5 comments
As we can tell from Michael Lavorgna’s awesome reporting over at AudioStream, computer audio was very hot indeed at RMAF, but there were still lots of old-fashioned vinyl enthusiasts to be found digging through the old-fashioned crates for old-fashioned music.
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John Atkinson Posted: Oct 18, 2011 0 comments
Their politically incorrect poster may have raised some hackles, but it has to be admitted that Odyssey was making some great sounds in their room at RMAF. Klaus Bunge was showing off the Kismet Reference Monitor standmounts ($2500/pair including stands), which use a Scanspeak beryllium-dome tweeter, driving the speakers with the two-chassis Odyssey Reference Line amplifier ($3500), which combines a tubed input stage with solid-state output. I listened to that old audiophile classic, Radka Toneef singing Jim Webb's "The Moon is a Harsh Mistress," and the tangibility and solidity of the imaging was to be marveled at, given that wide-baffle speakers tend not to throw a stable, well-defined soundstage.
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Stephen Mejias Posted: Oct 18, 2011 0 comments
The JH Audio booth was always busy with eager listeners. Read John Atkinson's review of the company's top-of-the-line JH16 Pro.
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Stephen Mejias Posted: Oct 18, 2011 0 comments
Despite their size, the Dynaudio Confidence C2 Signature loudspeakers ($15,000/pair) managed to disappear, leaving a clear view onto the music.
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Stephen Mejias Posted: Oct 18, 2011 0 comments
The Tape Project’s Piper Payne is a talented mixing and mastering engineer and an active member of the Audio Engineering Society. (Be still, John Atkinson's beating heart!) She also enjoys origami, bunnies, the blues, and Bottlehead headphone amplifiers.

I'm just kidding about the bunnies.

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Stephen Mejias Posted: Oct 16, 2011 Published: Oct 18, 2011 0 comments
In a third Audioarts room, the company’s Gideon Schwartz selected “Burning” from Wild Beasts’ Smother, one of my favorite albums of the year.
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John Atkinson Posted: Oct 18, 2011 0 comments
Danish manufacturer Vitus Audio was showing off its new RI-100 integrated amplifier ($13,000) at RMAF with a pair of YG Acoustics' two-way Carmel speakers, connecting everything with Purist Audio Design's Corvus-series cable. (Purist was celebrating its 25th anniversary at RMAF.) Running the 300Wpc amplifier's output stage in class-AB rather than class-A allows the RI-100 to be, for Vitus, relatively affordable.
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Stephen Mejias Posted: Oct 16, 2011 Published: Oct 18, 2011 0 comments
Audioarts also presented a system comprising BMC amplification (supported by a SolidSteel stand) and Zellaton loudspeakers ($24,950/pair). Every Zellaton driver is completely handmade and takes up to three weeks to produce. The speaker cabinet uses a semi-open construction meant to minimize cabinet resonances.
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John Atkinson Posted: Oct 18, 2011 2 comments
The 2011 RMAF saw the debut of MBL's new Corona series, all finished in gloss white. Playing Peter Gabriel's new CD of some of his songs abut accompanied by a orchestra, the C31 CD player ($9200) and C51 300Wpc integrated amplifier ($11,100) sounded open, spacious, and uncolored with the new MBL 116F "Radialstrahler" loudspeaker ($32,000/pair).
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John Atkinson Posted: Oct 18, 2011 0 comments
I stuck my head in the door of Room 8009. "That's Willie Nelson," I recognized that distinctive voice. "But what's he singing? Wait a second, that's Peter Gabriel's 'Don't Give Up'—WT...?" I had to go in and take a seat. Daedalus Athena three-way speakers ($9950/pair) were being driven by AMR AM-77 monoblock amplifiers which in turn were being fed signal from a First Sound Presence Deluxe tubed preamp ($9200). Source was AMR's impressive CD-77 CD Processor. Nice, very nice.
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John Atkinson Posted: Oct 18, 2011 1 comments
I know audiophiles are not supposed to like Diana Krall. But the singer/pianist has true jazz instincts. Her version of Joni Mitchell's "A Case of You," played back an open-reel tape on a Right Sound-modified Studer A80, with the Usher Dancer Mini 2 speakers ($4999/pair) driven by Usher amps and connected with JPS Aluminata cables was gripping. Undoubtedly contributing to the quality of the sound was the fact that, like many exhibitors, Usher had made a serious attempt to modify the acoustics of their room at RMAF with acoustic treatments.

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