RMAF 2011

Sort By: Post Date | Title | Publish Date
Filed under
Stephen Mejias Posted: Oct 19, 2011 0 comments
Ron Sutherland was extremely excited about his versatile, new preamplifier.

“Want to know what it’s called?” he asked.

“Yes.”

“The N1.”

“Oh.”

“Get it?”

“What?”

“N1!”

“Hmm?”

“It’s all-in-one!”

Filed under
Stephen Mejias Posted: Oct 19, 2011 0 comments
In the room presented by Audio Physic, Acoustic Signature, and Trigon, music was sweet and nuanced, played at low volumes, but nevertheless involving and deeply enjoyable. I admired the subtlety of touch, richness of texture, and ease of flow. We listened to a few minutes of One Foot in the Gutter, a live, 1960s recording by the Dave Bailey Sextet, and I swear I could hear the joy and humor in the band’s playing.
Filed under
John Atkinson Posted: Oct 18, 2011 0 comments
One of Colorado dealer Listen-Up's rooms at RMAF featured Musical Fidelity gear, including the M1 CLiC network player ($1999) that Jon Iverson will soon be reviewing for Stereophile. But what caught my attention in this room was the cute Penaudio Cenya speaker ($3995/pair), a two-way stand-mount that uses premium SEAS drive-units. We have been impressed by Penaudio speakers in the past, so it was good to hear that Tempo Distribution will now be importing these Scandinavian speakers, which use a unique cabinet construction combining MDF and plywood, in the US. The sound of John Lee Hooker dueting with Van Morison was surprisingly full-bodied considering the diminutive size of the speakers.
Filed under
John Atkinson Posted: Oct 18, 2011 0 comments
Colorado retailer Listen-Up's B&W and Classé room offered a surprisingly full-bodied sound from the small B&W PM1 speakers ($2800/pair), driven by a Classé CA-2300 amplifier and CT-P800 digital preamplifier via AudioQuest cables. But if you closely, you can see one of the almost-as-tiny B&W PV1 subwoofers ($1500 when last available) fleshing out the low bass. Visitors to the room were encouraged to play their own recordings on the Mac mini that was acting as a server sending asynchronous USB data to the CT-P800.
Filed under
Stephen Mejias Posted: Oct 18, 2011 0 comments
DeVore Fidelity’s John DeVore was as proud of his t-shirt as he was his new Gibbon 88 loudspeaker.
Filed under
Stephen Mejias Posted: Oct 18, 2011 1 comments
Emotiva introduced their Pro line at RMAF, beginning with three active loudspeakers: the Airmotiv4 ($399/pair), Airmotiv5 ($599/pair), and Airmotiv6 ($799/pair). Microphone preamps, DACs, and high-performance monitors are all in the works.

Dan Laufman explained that his background is in pro audio and most of the people involved with Emotiva have some sort of interest in recording and music production. As a frustrated ex-musician, Laufman longed to again be a part of the creative experience.

Filed under
Stephen Mejias Posted: Oct 18, 2011 0 comments
Though there were plenty of new Emotiva components on display—and 27 more in the pipeline!—the story here wasn’t as much about products as it was people. Emotiva’s Dan Laufman has never been happier.

“I spent so much of my life doing things I didn’t want to do. Now that I’m doing what I love, it feels like I’m living a dream.”

Filed under
Stephen Mejias Posted: Oct 18, 2011 5 comments
As we can tell from Michael Lavorgna’s awesome reporting over at AudioStream, computer audio was very hot indeed at RMAF, but there were still lots of old-fashioned vinyl enthusiasts to be found digging through the old-fashioned crates for old-fashioned music.
Filed under
John Atkinson Posted: Oct 18, 2011 0 comments
Their politically incorrect poster may have raised some hackles, but it has to be admitted that Odyssey was making some great sounds in their room at RMAF. Klaus Bunge was showing off the Kismet Reference Monitor standmounts ($2500/pair including stands), which use a Scanspeak beryllium-dome tweeter, driving the speakers with the two-chassis Odyssey Reference Line amplifier ($3500), which combines a tubed input stage with solid-state output. I listened to that old audiophile classic, Radka Toneef singing Jim Webb's "The Moon is a Harsh Mistress," and the tangibility and solidity of the imaging was to be marveled at, given that wide-baffle speakers tend not to throw a stable, well-defined soundstage.
Filed under
Stephen Mejias Posted: Oct 18, 2011 0 comments
The JH Audio booth was always busy with eager listeners. Read John Atkinson's review of the company's top-of-the-line JH16 Pro.
Filed under
Stephen Mejias Posted: Oct 18, 2011 0 comments
Despite their size, the Dynaudio Confidence C2 Signature loudspeakers ($15,000/pair) managed to disappear, leaving a clear view onto the music.
Filed under
Stephen Mejias Posted: Oct 18, 2011 0 comments
The Tape Project’s Piper Payne is a talented mixing and mastering engineer and an active member of the Audio Engineering Society. (Be still, John Atkinson's beating heart!) She also enjoys origami, bunnies, the blues, and Bottlehead headphone amplifiers.

I'm just kidding about the bunnies.

Filed under
Stephen Mejias Posted: Oct 16, 2011 Published: Oct 18, 2011 0 comments
In a third Audioarts room, the company’s Gideon Schwartz selected “Burning” from Wild Beasts’ Smother, one of my favorite albums of the year.
Filed under
John Atkinson Posted: Oct 18, 2011 0 comments
Danish manufacturer Vitus Audio was showing off its new RI-100 integrated amplifier ($13,000) at RMAF with a pair of YG Acoustics' two-way Carmel speakers, connecting everything with Purist Audio Design's Corvus-series cable. (Purist was celebrating its 25th anniversary at RMAF.) Running the 300Wpc amplifier's output stage in class-AB rather than class-A allows the RI-100 to be, for Vitus, relatively affordable.
Filed under
Stephen Mejias Posted: Oct 16, 2011 Published: Oct 18, 2011 0 comments
Audioarts also presented a system comprising BMC amplification (supported by a SolidSteel stand) and Zellaton loudspeakers ($24,950/pair). Every Zellaton driver is completely handmade and takes up to three weeks to produce. The speaker cabinet uses a semi-open construction meant to minimize cabinet resonances.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading