Ariel Bitran

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Ariel Bitran Posted: Jan 31, 2013 1 comments
Vladmir Lamm flips the record. The LP1 is on the top of the shelf to his left.

On Wednesday January 29th, 2013, Innovative Audio Video Showrooms hosted the NYC premier of the Lamm LP1 Signature phono preamplifier ($32,790).

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Ariel Bitran Posted: Jan 05, 2013 3 comments
I'm running sound at a new DIY venue in Brooklyn called The LAB, and occasionally I snag some good tunes. Here's a sample…

*******

Kashka is a Canadian synth-pop duo formed by vocalist/lyricist Kat Burns and synth programmer and multi-instrumentalist James Bunton. The pair arrived by way of Toronto with stacks of keyboards, drum machines, and a laptop. After a show of reverb-drenched harmonies and airy synth patches, Kat handed me a purple colored tape of their most recent album Vichada. A tape? I didn't quite understand.

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Ariel Bitran Posted: Jan 04, 2013 4 comments

Her voice aches like a memory.

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Ariel Bitran Posted: Jan 04, 2013 3 comments
“Dude, I have a huge stack of records you should probably take a look at, tons from Tía Viví, Dad, Mom, and Bobe. There’s probably some stuff in there you can take with you,” Alberto advised.

“It’s fine bro. We’re gonna go record shopping on Saturday.”

“Dude. Just look!”

“I’m good for now. Trust me.”

My brother should not have tickled the monster’s belly.

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Ariel Bitran Posted: Dec 14, 2012 0 comments
I've already admitted I have a live music problem, OK? I don't need something awesome like GigFi making my addiction worse. Much much worse.
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Ariel Bitran Posted: Dec 13, 2012 10 comments

At its onset, screeching and chopped vocals, a melody cracked off like a piece of firewood from Crystal Castles "Pale Flesh" from their record (III), play catch up with with a deep rubber-band like bass pulse. Crystal Castles' shrieks echo of Lizzi Bougatsos tribal and petrified screams from Gang Gang Dance's Glass Jar, but as the snare guides you to the turnaround and into the verse, a crackling fire-pit of of diced synthesizers and reversed vocal loops, it becomes clear were dealing with something much more electro, something much more IDM-based than the primal screams indicated before.

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Ariel Bitran Posted: Dec 12, 2012 2 comments
Photos by Ariel Bitran

With its asphalt black casework, divine symmetry, and two front-facing gold-capped passive radiators, the gently-curved TDK Life on Record Wireless boombox screams thick gold chains and Adidas track-suits, but its elegant layout and sleek lines keep the design from being retro. At Pepcom, three whisky-sodas deep, the pulsing passive radiators beckoned me. I know this is Stereophile, a magazine committed to stereo listening, but how could I say no to a boombox I could hold on my shoulder at a basketball game at the Parade Grounds and actually look like I fit in. Well, maybe not me, but the boombox for sure.

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Ariel Bitran Posted: Dec 06, 2012 3 comments
This past Wednesday (12/5/2012) at New York City’s In Living Stereo, a diverse crowd of music lovers and audiophiles congregated on the listening room’s floor for a chance to hear a few choice sides from the new Beatles LP remasters. Attendees overflowed from the listening room into the lobby where they waited in anticipation to sit on that floor and get a listen to the new LPs.
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Ariel Bitran Posted: Nov 27, 2012 Published: Nov 28, 2012 3 comments
Amidst the concrete bodegas and basketball court fences of Bushwick, there rests a blue-lit doorway hiding strange and warm sounds. A sustained piano, tinkling cymbals, and alien coos float across a colorful hall of books and busted boomboxes. A trumpet blasts and whizzes downwards as the bass plods on. What you hear is Attention Screen, a free-jazz-something super-group featuring budget loudspeaker specialist and all-around nice guy Bob Reina on the piano and special guest Stereophile Editor John “Entwistle” Atkinson on the electric bass. The show takes place at 8pm this Friday, November 30th at Goodbye Blue Monday (1087 Broadway) in Brooklyn, NY.
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Ariel Bitran Posted: Nov 28, 2012 4 comments
Show organizer Antonio De Leon (far left) and President of the Phillipines Benigno Aquino III (center) listen together.

At least 2,500 audiophiles attended the November HiFi Show at the luxurious Dusit Thani hotel in Manila, Philippines on November 10 and 11, 2012. The show featured thirty-nine exhibition rooms with a total of thirty plus dealers exhibiting products from across the globe.

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Ariel Bitran Posted: Nov 20, 2012 7 comments
“A change is gonna come, oh yes it is,” said once the wise prophet Samuel. What the prophet failed to foretell was that change never just comes, change is made. Well audiophiles, this is your opportunity to make a change. Valiant Stereophile forum poster sometimesuk2012 started a petition on Change.org to “Stop the Loudness Wars and Release High Definition Music Downloads”. You can find out more about the petition and sign your name here. Here’s your chance to stop whining about that over-compressed pap—see Jason Victor Serinus' report from the 133rd AES Convention—and start enjoying some well-recorded pop. It all starts with your signature.
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Ariel Bitran Posted: Nov 12, 2012 86 comments
CMJ in New York City is a clusterfuck. Too many bands billed at each venue for them to handle with ease in one night. Too many shows to choose from all within a 2-block radius with about fifty bands you have never heard of and only nine you have. And too many people who are there for the “CMJ” experience rather than to witness the bands. Nevertheless, this CMJ was a good one.
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Ariel Bitran Posted: Nov 12, 2012 3 comments
Bill Graham: holocaust survivor, legendary concert promoter, and all-around badass.
Photo by Mark Sarfati

Please. One more hit. Just one. That’s all I need. Another song, another act. It won’t hurt. It can’t hurt. I promise this will be the last place we go. Four hours later, we wake up on a subway train in Brownsville, Brooklyn.

Live music can be a dangerous thing. The thrills of a live show, the blending lightshow, the stomach-shaking bass, the spit and the sweat, are irreplaceable, but the life of the live music junkie can drain one’s energy and bank account. Fortunately, thanks to the folks at Concert Vault, you can get your live music fix on daily basis for just $2.99 a month.

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Ariel Bitran Posted: Nov 07, 2012 5 comments
In X-Men in High Fidelity we are introduced to the Beast, an audiophile, and the uncanny X-Men who listen to his hi-fi and get involved in his crazy tweaks and projects. Here Beast gets a hold of Cyclops...

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