At its onset, screeching and chopped vocals, a melody cracked off like a piece of firewood from Crystal Castles "Pale Flesh" from their record (III), play catch up with with a deep rubber-band like bass pulse. Crystal Castles' shrieks echo of Lizzi Bougatsos tribal and petrified screams from Gang Gang Dance's Glass Jar, but as the snare guides you to the turnaround and into the verse, a crackling fire-pit of of diced synthesizers and reversed vocal loops, it becomes clear were dealing with something much more electro, something much more IDM-based than the primal screams indicated before.

At least 2,500 audiophiles attended the November HiFi Show at the luxurious Dusit Thani hotel in Manila, Philippines on November 10 and 11, 2012. The show featured thirty-nine exhibition rooms with a total of thirty plus dealers exhibiting products from across the globe.

Please. One more hit. Just one. That’s all I need. Another song, another act. It won’t hurt. It can’t hurt. I promise this will be the last place we go. Four hours later, we wake up on a subway train in Brownsville, Brooklyn.

Live music can be a dangerous thing. The thrills of a live show, the blending lightshow, the stomach-shaking bass, the spit and the sweat, are irreplaceable, but the life of the live music junkie can drain one’s energy and bank account. Fortunately, thanks to the folks at Concert Vault, you can get your live music fix on daily basis for just $2.99 a month.

There are no numbers indicating whether one is first or fifth. If the solo is listed here, it is simply one of the best.

Well now you can be that guy but with the famous hi-fis.