CAS 2011

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Stephen Mejias Posted: Jul 16, 2011 0 comments
I’d never heard of Chapman Loudspeakers, but they’ve been around for 40 years, designing and manufacturing a range of compression-line floorstanders, right here in the USA, on Vashon Island, Washington. The company’s T-8 ($8995/pair) uses a new Scan-Speak tweeter, revised Scan-Speak side-firing woofer, and has a sand-dampened internal chamber.

Chapman’s Jesse Jones explained that they wanted the tweeter to be smoother and more forgiving to more types of music while retaining the music’s essential energy.

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Stephen Mejias Posted: Jul 16, 2011 0 comments
On Friday, the California Audio Show seemed fairly quiet, as can be expected for the first day of any show. But early on Saturday a long line to the registration desk promised a busy day of music and hi-fi.
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Stephen Mejias Posted: Jul 16, 2011 1 comments
At a hi-fi show, the halls, stairwells, and elevators talk. If you listen closely, they’ll tell you where the show’s best sound can be found. On the show’s first day, I kept hearing whispers about Jonathan Tinn’s Blue Light Audio room.
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Stephen Mejias Posted: Jul 15, 2011 Published: Jul 16, 2011 1 comments
From down the hall, I heard The Doors. Inside the Wells Audio room, a VPI Scout turntable (still just $1800 after all these years) was spinning “Riders on the Storm.”

The system:

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Stephen Mejias Posted: Jul 16, 2011 2 comments
When the hell did Wilson Audio’s Peter McGrath become so hip? Has the old dude been subscribing to The Wire, hanging out in Greenpoint, going to noise-rock shows in abandoned warehouses?

McGrath used a system comprising Wilson Audio Sasha loudspeakers, gorgeous D’Agostino Momentum monoblock amplifiers, Sooloos Control 15, dCS Debussy DAC, Transparent Audio cables, and ASC Tube Traps to demo music from Pan Sonic to James Blake to Nicolas Jaar.

Nicolas Jaar? Peter McGrath? What the hell? Where am I?

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Stephen Mejias Posted: Jul 16, 2011 0 comments
Typically, the mere thought of digitizing my vinyl is enough to give me the heebie-jeebies—the process can be so tedious and time-consuming—but after watching Channel D’s Rob Robinson quickly and easily set track markers on a virtual LP using his clever Pure Vinyl software ($229), I imagined that even I could have fun with it.
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Stephen Mejias Posted: Jul 15, 2011 Published: Jul 16, 2011 0 comments
In the Amarra room, we listened to the great Cat Stevens singing “Wild World” through Focal floorstanders, Parasound amplification, Amarra’s Model 4 digital-to-analog converter ($4000), and Amarra Mini playback software ($295), which supports up to 192kHz sample rates.

The system’s overall sound was clean, detailed, and transparent, while Cat Stevens’s voice was lovely, full of wonder and pain—just as it should be.

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Stephen Mejias Posted: Jul 16, 2011 0 comments
The fellows in the VooDoo Cable room were playing Joni Mitchell’s Travelogue, arranged and conducted by Vince Mendoza.
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Stephen Mejias Posted: Jul 16, 2011 0 comments
In one of several rooms set up by local dealer Audio Vision, an attractive and deceptively simple little system was making some outstanding music: Simaudio 650 D CD/DAC transport ($7999), Simaudio 600 I integrated amplifier ($7999), Dynaudio C1 Signature loudspeakers ($8950, with stands), and cables and accessories from Shunyata: Black Mamba power cables ($595 each), Anaconda power cables ($1999), Anaconda speaker cables ($3499/2m pair), Anaconda interconnects ($2499/1m pair), Dark Field cable-lifters ($295/pack of 12). The components sat on a Quadraspire Sunoko rack ($395/level).

Dyanudio’s Mike Manousselis always—always—plays good music and on this day it was Radiohead, Cold Cave, Low:

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Stephen Mejias Posted: Jul 15, 2011 3 comments
San Francisco is just as I remember it: Misty and gray, but smiling nonetheless.

The 2011 California Audio Show, sponsored by Dagogo, is being held Friday through Sunday, July 15 through 17, at the Crowne Plaza Hotel, in Burlingame, CA, just minutes away from the San Francisco International Airport.

I arrived moments ago and have settled into my clean, quiet room. Actually, I should say I’ve settled into my fairly quiet room—I’m directly across from the Amarra suite and someone’s playing large-scale orchestral music in there. (It sounds pretty good, too!)

I’ll be blogging as fast as I can, so please check back often.

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Stephen Mejias Posted: Jul 15, 2011 6 comments
Confession: I judge albums by their covers. I do it all the time. And when I saw the cover for Amon Tobin’s ISAM, I decided it would be beautiful, I decided it would be mine.

Because it’s been haunting me lately, satisfying me lately, because it’s found its way into my column and into my mind, because it’s beautiful, because it’s strange, and even at the risk of it becoming inextricably tied to thoughts of uncomfortable seats and smelly hotel rooms, I’ll be using Amon Tobin’s ISAM as a “reference disc” during the 2011 California Audio Show.

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Jason Victor Serinus Posted: Jul 11, 2011 0 comments
The pendulum has swung back to the West Coast. Just one week after the Capital AudioFest, three weeks after AXPONA NYC, and six weeks after T.H.E. Show Newport Beach, the second California Audio Show is set to begin. Scheduled for July 15–17 in the Crowne Plaza SFO in Burlingame, the show is located just minutes from San Francisco Airport, a few giant steps from a major freeway, a free shuttle ride away from the airport's BART (Bay Area Rapid Transit) stop, and an eight-minute walk from CalTrain's Broadway Station.

Show organizer Constantine Soo, founder and editor of Dagogo.com, reports that the show currently promises 42 rooms of various sizes, all with active exhibits playing music. The list of exhibitors and brands, complete with a generous helping of California retailers, service providers, and distributors, includes a host of companies whose equipment resides in the homes and dreams of Stereophile readers.

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