CAS 2011

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CAS 2011
DLS Flatbox
Stephen Mejias  |  Jul 19, 2011  |  0 comments
Made in Sweden and now represented in the US by SimpliFi Audio, the DLS Flatbox on-wall loudspeakers come in five sizes (Mini, far right: $249 each; Midi, center: $349 each; Slim Large; Large; and XL, far left: $499 each), can be hung horizontally or vertically, and are available in variations of white and black cabinets and grilles. There are also three subwoofers, including the Flatsub8 ($799), used in the room. Partnered with Resolution Audio’s Opus 21 system and inexpensive DNM cables, the speakers threw a surprisingly wide stage, despite being mounted on temporary plywood walls. As we went up the line, I noted greater bass extension, but the Midi version seemed best balanced with the room and subwoofer.
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CAS 2011
Ending the Show on a Good Note: Gradient, DNM, SimpliFi Audio
Stephen Mejias  |  Jul 19, 2011  |  0 comments
While many exhibitors at the California Audio Show struggled with the sound of their rooms, employing careful, creative speaker placement and a variety of room acoustics treatments, SimpliFi Audio’s Tim Ryan seemed happy to ignore the room altogether.
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CAS 2011
Naim, Nola, and Nordost, Or: Pace, Rhythm, and Timing
Stephen Mejias  |  Jul 17, 2011  |  First Published: Jul 18, 2011  |  0 comments
Walking down the short, narrow corridor which led to the block of rooms hosted by Audio Vision was sort of like walking down the short, narrow length of Lucky 7 Tavern on a Saturday night: It was loud, crowded, and people kept asking me if I wanted a beer.

There sure is a lot of drinking going on at this show, I thought to myself.

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CAS 2011
High Value Audio
Stephen Mejias  |  Jul 18, 2011  |  0 comments
I almost missed the High Value Audio room—it was sort of tucked away, down a long corridor and hidden by the hotel’s West Bay Café (great breakfasts!)—but I’m glad I found it because the sound in here was sweet and inviting, playing an acoustic guitar and vocals piece that just soothed my soul.
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CAS 2011
Acapella, Ypsilon, Bergmann, Einstein
Stephen Mejias  |  Jul 18, 2011  |  0 comments
Rushing around at the end of Saturday, I spent too little time in the room hosted by Redwood City’s Loggie Audio, but, having heard similar setups at recent shows, the sound was what I remembered from Aaudio Imports’ Acapella Violoncello loudspeakers, Ypsilon amplification, and Bergmann turntable: awesome scale, well-extended highs, and a clarity that puts you there with the musicians.

Also on display in this room were updated versions of Einstein’s The Final Cut OTL monoblock amplifier and The Tube preamp. More on these come October at the Rocky Mountain Audio Fest.

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CAS 2011
I Am Your Stereo: The Finite Elemente Soundboard
Stephen Mejias  |  Jul 18, 2011  |  0 comments
The Finite Elemente Soundboard ($995) is available in six lacquer finishes and a lovely walnut, and comes with wall brackets for easy mounting. You can hang it anywhere, just as you would a shelf. In fact, the Soundboard is a shelf—a shelf that sings. There are four down-firing speakers, two front-firing speakers, a top-panel iPod charging dock, and line and USB inputs for use with televisions and computers.

We ported an iPhone and listened for a moment to a track off of Norah Jones’ Come Away with Me. The sound was surprisingly good and detailed. I think the Soundboard would look great in guest rooms or offices.

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CAS 2011
The Smallest Audio Vision Room
Stephen Mejias  |  Jul 17, 2011  |  0 comments
The smallest Audio Vision room held the smallest system:

Bel Canto e.One CD 2 CD player ($2995), Bel Canto C5i integrated amp/DAC ($1995), Bel Canto e.One 1000 MkII monoblock power amplifiers ($6000/pair), Bel Canto e.One DAC3.5VB ($4945), Anthony Gallo 3.5 Reference loudspeakers ($5999/pair), Clearaudio Concept turntable ($1400) with Clearaudio Aurum Beta Wood cartridge ($575), Cardas Clear Light speaker cable ($1039/2m pair) and interconnects ($692/1m pair), and Quadraspire Q4 Evo equipment rack.

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CAS 2011
Stunning Sound from Music Lovers and Musical Surroundings
Stephen Mejias  |  Jul 17, 2011  |  0 comments
In the much smaller Music Lovers/Musical Surroundings room, we heard a sound very different from what we heard in the previous, massive ballroom.
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CAS 2011
Music Lovers and Musical Surroundings, Or: 5 Things About 4pm on Saturday
Stephen Mejias  |  Jul 17, 2011  |  1 comments
1. I had never seen speakers spread so far apart.
2. I had never seen a room that could make the Wilson Audio MAXX Series 3 loudspeakers look small.
3. By 4pm on Saturday afternoon, which is when I made it to this room, just about everyone at the California Audio Show was in a very loose mood (and getting looser).
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CAS 2011
MBL: Space is the Place
Stephen Mejias  |  Jul 17, 2011  |  0 comments
Too often I’m more impressed by a system’s high price than by its high performance. But, in the case of this MBL system, the $260,000 price tag seemed completely understandable. I’m also fascinated by how a system’s sound can be transported from room to room, show to show, across oceans and states. The MBL system I heard at the California Audio Show sounded a lot like the MBL system I heard at the Munich High End Show—a good thing, indeed.
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CAS 2011
KCSM Jazz 91.1
Stephen Mejias  |  Jul 17, 2011  |  2 comments
From left: Barbara Lamb Hall, Melanie Berzon, and Sybil Bolivar of San Mateo’s listener-supported KCSM, 91.1FM. Not only is KCSM one of Sam Tellig’s favorite spots on the FM dial, it’s one of the last all-jazz stations in the world.
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CAS 2011
Magico, Spectral, Audio Research, MIT, Tim Marutani Consulting, Bill Schnee, Blue Coast Records: Awesome!
Stephen Mejias  |  Jul 17, 2011  |  10 comments
Though they were also seen at the Munich Show, Magico’s Q1 monitors ($24,950/pair) are making their US debut here at the California Audio Show. The speaker incorporates much of the technology and design philosophy used in Magico’s Q5, reviewed by Mikey Fremer, but puts it in a smaller package. Like the Q5 and Q3, the Q1 is a sealed-box design with extensive internal bracing.
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CAS 2011
Indie Album Unexpectedly Embraced by the Audiophiles
Stephen Mejias  |  Jul 17, 2011  |  3 comments
There are other examples: Bon Iver’s For Emma, Forever Ago, Iron & Wine’s Our Endless Numbered Days, Feist’s Let it Die, Fleet Foxes’ self-titled debut, and the XX’s XX come to mind. All of these albums were darlings of the indie pop scene and embraced by audiophiles. (What the?)
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CAS 2011
Excited About New Music: Wilson Audio, D’Agostino, ASC, dCS, Transparent Audio
Stephen Mejias  |  Jul 16, 2011  |  2 comments
When the hell did Wilson Audio’s Peter McGrath become so hip? Has the old dude been subscribing to The Wire, hanging out in Greenpoint, going to noise-rock shows in abandoned warehouses?

McGrath used a system comprising Wilson Audio Sasha loudspeakers, gorgeous D’Agostino Momentum monoblock amplifiers, Sooloos Control 15, dCS Debussy DAC, Transparent Audio cables, and ASC Tube Traps to demo music from Pan Sonic to James Blake to Nicolas Jaar.

Nicolas Jaar? Peter McGrath? What the hell? Where am I?

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CAS 2011
The Beginning of Love: Bob Hodas, The Tape Project, VTL, Focal, Siltech, Zanden
Stephen Mejias  |  Jul 15, 2011  |  First Published: Jul 16, 2011  |  0 comments
I had no idea that the very first room I’d enter would offer such exquisite sound and music. I was in Bob Hodas’s Acoustic Analysis room and The Tape Project was spinning the Bill Evans Trio, the Sonny Rollins Quartet, Kenny Burrell & John Coltrane, and so much soul.

It was a packed room of bobbing heads and tapping toes, unable to resist the smooth, smooth flow. Here was a lively sound, a vibrant sound, a sweet, flowing, blooming, effortless sound, marked by so much body and heart and an absolutely wonderful sense of timing.

The system:

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