A new-to-me line of battery-powered electronics from Veloce Audio from Ambler, PA, coupled to the YG Acoustics Carmel speakers ($18,000/pair) made some convincingly lovely music from vinyl and digital. The Veloce gear included the Platino SeriesLS1 linestage ($15,000), LP-1 Phono Module, which gets its power from the LS-1 but a stand-alone version is in the works, and the 120W into 8 ohms, class-D Platino V6 monoblock amplifier (projected price $14,000/pair). If the idea of batteries runs you down, the LS1 linestage can run for a claimed 100 hours on a charge and the V6 for 40 hours. Front end duties were handled by an Amazon 1 turntable and the PS Audio Perfect Wave Transport ($2999.99) and DAC ($2999.99). I’d have rounded the prices one way or another if I was PS Audio but I’m not.
More ribbons this time, from Flat Panel Technologies. This company makes what its name suggests mainly for commercial installationsPA systems, car audio and more. Their tiny “Hybrid Speaker” uses a flat panel on one side and relies on the resonance of whatever it’s attached to on the other (metal and hard plastics work best according to FPS) for bass reinforcement. I guess resonance isn’t always bad.
Tonian Acoustics was showing its new loudspeaker, the TL-S1 ($4300/pair as shown and up to $5700/pair with alnico magnet and custom veneer), which uses a modified SEAS driver run full-range augmented with a modified Fountek ribbon tweeter in a semi-open baffle. The speaker comes with several panels that allow more or less sound through an opening in the back of the cabinet, thus the "semi-open" aspect. Driving the TL-S1s were a relatively modest pair of vintage 1980s componentsthe Audiolab 8000 integrated amp and the Magnavox 650 CD player. The system was wired with Tonian Acoustics cable, which is a copper, bronze, and brass composite with cotton insulation (8' speaker cable $480/pair, 1m interconnect $380/pair and power cords $370). Contrary to what you might expect from '80s-era digital (read harsh) and solid-state, this system was relaxed, smooth and easy to listen to.
I have to admit I’ve been intrigued by the Haniwa rooms I’ve heard and the company's room at T.H.E. Show Newport Beach was no exception. And I think what I find so interesting is their quirkiness. (I mean that in the best possible way.) The tiny Compact 2-Way Horn Speakers HSP2B06 sounded fast, light and all-over micro-detailfaster than a speeding bullet. The music choice was equally micro-detailed and faster than a speeding bullet (not to mention quirky), a marriage made out of a kind of obsession. Or at least I’d like to think so.
Personality is all over hi-fi. And while I’d hope that each designer designs what he considers his or her best, the best just doesn’t exist. And it doesn’t exist because we, the people, like different aspects of musical reproduction. The means are different because the ends are, too. Which helps explain why there’s so much wonderful gear out there and so many people interested in hearing and buying it.
While I didn’t get any official numbers for the first day’s attendance at T.H.E. Show, I can say it was very crowded especially, for a Friday afternoon. (I purposely tried to photograph gear not people so don’t let that fool you.) Based on what I saw Friday, I'd say this show is already a great success.
The self-powered (three 130W amplifiers) Phoenix loudspeakers ($5400/pair) from Precision Transducer Engineering (PTE) aren’t for sissies. Especially when they’re used in conjunction with a powered subwoofer strapped to a 400W class-A/B amp of its own. In a tiny hotel room. New electronics from Townshend Audio were also in use, including the Glastonbury Pre 1 preamplifier ($13,000) and the Glastonbury CD Universal Player ($16,000). Vinyl was handled by a SpJ La Luce Turntable. I was actually enjoying my time in the PTE room until someone decided to see how far they could flex the walls and ceiling with soundwaves.
PTE also makes a larger loudspeaker, The Statement ($44,000/pair), which they were going to play later in the day but I didn’t make it back in time. Okay, I admit itI didn't go back because I was afraid.
Hsu Research was showing off its reasonably priced HB-1 Mk2 Horn Bookshelf Speaker ($149/pair in black, $179/pair in real wood veneer) and the oh-so-subwoofery VTF-15H subwoofer ($879). One thing I’ve noticed about most subwoofer demos isvolume (that really should be in all caps but I don’t want to shout). Lots of volume. While this isn’t necessarily a criticism, I felt an overwhelming sense of calm in Hsu’s silent static-display room next door.
To kick off the first ever T.H.E. Show Newport Beach, we have a true reach across the aisle (admittedly involving scissors). Pictured here from left to right are some of hi-fi's genuine celebritiesRobert Harley author of The Complete Guide to High-End Audio, Stereophile's own Michael Fremer keeping a safe distance from the cutting Harry Pearson, founder of The Absolute Sound while T.H.E. Show's President Richard Beers enjoys the show.
Rooms opened to the public at noon today (PST). Stay tuned for further reports!
With well over 115 individual exhibits and hundreds of high-end audio and home theater brands making music just steps away from a wine show, auto show, a cigar show, and live jazz, T.H.E. Show: Newport promises to raise the bar for consumer audio shows in Southern California.
Scheduled for next Friday through Sunday, June 35, in the Newport Hilton, adjacent to Orange County's John Wayne International Airport, T.H.E. Show: Newport is the brainchild of Bob Levi, President of the successful Los Angeles & Orange County Audio Society, and Richard Beers, President of T.H.E. Show. Levi came up with the idea, selling Beers on the notion of a new show that would open the audiophile fiefdom to the area's 24 million inhabitants. Beers in turn summoned forth over a decade of knowledge on show organization, and provided the infrastructure to make the event possible. . .