T.H.E. Show Newport 2011
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Michael Lavorgna Jun 07, 2011 1 comments
LA retailer The Audio Salon was showing an impressive sounding system—Magico Q5 loudspeakers ($59,950/pair), Spectral DMA 360 Series II monoblock amplifiers ($20,000/pair), Spectral DMC 30 SS Series II preamplifier ($10,000), and the Spectral SDR 4000SL CD Player ($19,000). Cable was from MIT and acoustic design was by Art Noxon of ASC. (From Maier Shadi of The Audio Salon: "The Audio Salon built a hidden, non-parallel, zig-zagged wall, and frame system behind the curtains for the acoustical treatments. Over 120 lengths of 8' 2x4's made up the 16 huge 6' x 8' hidden walls.")

The room was very dark, the Q5s were set up very far apart and the California Guitar Trio's version of "Bohemian Rhapsody" from their CD California Guitar Trio Rocks the West rocked my expectations, and I kept expecting (and kind of hoping) Freddie Mercury or his voice, would peer out from behind the curtain.

Michael Lavorgna Jun 07, 2011 0 comments
On A Higher Note is the US distributor for Audioaero, Luxman, Brinkmann, and Vivid Loudspeakers, and Philip O'Hanlon is its founder and president. Philip is also another guy that gets it. Music that is. Actually Philip O'Hanlon has seemingly mastered the art of music presentation and is one of hi-fi's more endearing characters. You really don’t want to leave while the bow-tied and nimble-footed Mr. O'Hanlon is spinning the tunes or telling stories.

To make matters better, the system we listened to was absolutely musically engaging to the extreme. It included the Vivid Audio G2Giya loudspeakers ($50,000/pair), Luxman M-800A class-A stereo amplifier ($19,000), Luxman E-1 phono stage ($4000), Brinkmann Oasis direct-drive turntable ($13,400), Brinkmann 9.6 tonearm ($4000), Brinkmann Pi cartridge ($2700), Audioaero La Source CD/SACD player also used as preamp ($44,000), with Crystal Cable in use throughout.

Michael Lavorgna Jun 07, 2011 0 comments
The only negative I heard from exhibitors came from those whose rooms abutted the outdoor live entertainment area. When I arrived in the M•A Recording and The Signal Collection room, the band outside was in full boogie at full volume. While Chris Sommovigo from the Signal Collection did his best to overcome, the live music overcame our demo.

The promising-looking and, from what little I could deduce from listening through the live music, promising-sounding Transmission Audio MI1I loudspeakers ($4500/pair) were designed by none other than Bo Bengtsson. The speakers were coupled to a Bel Canto C5i integrated amplifier, with a Korg MR 2000 playing digital files from an laptop.

Michael Lavorgna Jun 07, 2011 0 comments
In the second room, the Vandersteen Model 5A Carbon loudspeakers ($24,000/pair) were paired with the Audio Research Reference 150 Vacuum Tube Stereo Power Amplifier ($12,995), Audio Research Anniversary Edition Reference Preamplifier ($25,000), and the Basis Audio Inspiration turntable (no price noted), which that comes with the Vector 4 tonearm with VTA Micrometer, Synchro-Wave Power Supply, Cable Isolation System, Vacuum record hold-down system, and Microthin belt. All cables from AudioQuest.

The Carbon 5A loudspeakers have a 400W subwoofer amplifier built into each speaker and Richard Vandersteen says the frequency response is 22Hz to 30kHz ±2dB, and I believe him—even in this small room, the bass was taut and fast with no bloat to be heard. The sound was relaxed and engrossing.

Michael Lavorgna Jun 07, 2011 0 comments
I can remember visiting a NJ hi-fi dealer with my father, back before I was old enough to drive, to hear Vandersteen speakers and enjoying them then. The diminutive Vandersteen VLR ($1195/pair) sports a coax driver with a 6.5” woofer and 1” alloy dome tweeter for a claimed frequency response—are you going to question what Richard Vandersteen says? Not me, brother!—of 64Hz–21kHz ±3dB. Associated equipment included the Audio Research DSI200 integrated amplifier ($6000), Audio Research DAC8 ($5000), and an Audio Research CD5 as transport. Source material was also streamed from a MacBook Pro using iTunes/Pure Music. Cable included the AudioQuest Sky interconnect, Diamond USB cable and Meteor speaker cable, and there was a Furman line conditioner in use.

We listened to Greg Brown's hysterically sleepy yet gripping "Rain & Snow" from his CD Freak Flag and it held us on the edge of our seats with smiles on our faces.

Michael Lavorgna Jun 07, 2011 0 comments
The bigger rig from the MBL Reference line: Radialstrahler 101E MkII loudspeakers ($70,500/pair), the world premier of the piano-white lacquer with chrome finish, 9011 monoblock amplifiers ($53,000/each), 6010D preamplifier ($26,500), 1611F D/A converter with MBLMCMi asynchronous USB input ($28,700), and 1621A CD transport ($28,000). Additional equipment included a Linux-based vortexbox computer by Simple Design, Wireworld Eclipse 6 cabling, Locus design cynosure USB cable, and SRA Scuttle rack.

Fortune smiled upon me again, as I got to spend time in the MBL room with none other than Michael Fremer. If you don’t already know, Michael is very quick-witted and very funny, seemingly always on the lookout for a zing here or a gaff there. He’s also very serious about music, in a very non-serious way, and we were treated to some greatest hits from a CD he’d brought along for the show including “La Bamba” (the original), Irma Thomas singing “Time Is On My Side” (the original), and lots of other varied and equally wonderful and some wonderfully whacky music. I would also add that Michael Fremer’s informative introductions to each track added to the experience. . .

Michael Lavorgna Jun 07, 2011 0 comments
I was looking forward to the MBL rooms because I’ve never had the time to spend the time listening to their gear. MBL is another singular manufacturer following an extremely personal vision, yet in this case one that tries to widen the appeal, so to speak, to a larger audience. The smaller MBL system consisted of the Radialstrahler 120 loudspeakers ($21,400/pair) with stands ($1630), 9007 monoblock amplifiers ($21,400/each), 6010D preamplifier ($26,500), 1511F DAC with MBLMCMi asynchronous USB input ($11,800), and 1521A transport ($12,200). Cabling was Wireworld Eclipse 6.

This smaller system, which mixed and matched components from MBL's three lines, Reference, Noble and Corona, sounded like a smaller version of the larger system in Room 2. While this sounds like a positively idiotic thing to say, in my experience you can sometimes lose important qualities when moving down a company’s line. While this system is obviously intended for a more modest room and perhaps pocketbook, the presentation was very much cut from the same sonic cloth—resolute, incisive, powerful yet delicate when called for. I could have listened all night. And to state the obvious, the omnidirectional radiation of the Radialstrahler 120 loudspeakers energizes the room in a different way than a conventional speaker. I found MBL’s implementation enchanting. Yes, enchanting.

Michael Lavorgna Jun 07, 2011 0 comments
Oceanside, CA-based retailer The Home Theater Experience was, counterintuitive to their name, showing the old–school style Tannoy Yorkminster SE loudspeakers paired with Cary CAD 805 Anniversary Edition monoblock amplifiers and the Cary SLP 98L preamplifier. Front-end duties were handled either by a Cary CD 303T SACD Professional Version player or a Krell Kid iPod Dock. All cables and room tuning were from Synergistic Research. Yes, another room using the ART acoustic treatments. Hmm. Unfortunately pricing information was not available on a one-sheet and time did not allow for note-taking. Basically it was after the 5:00pm closing time of the show.

This system was also very easy to enjoy and Oscar Peterson sounded like the Maharaja of the keyboard to quote Duke Ellington. You can see in the picture that one very discriminating listener approves of the sound but appears to disapprove of my camera clicks: "Excuse me, we're listening here."

Michael Lavorgna Jun 07, 2011 0 comments
Have you seen the film The Mole People? In brief, a few hapless archaeologists accidentally find a race of Sumerian albinos living deep underground. At first the Sumerian albinos believe the hapless archaeologists are Gods because they have a flashlight and sunlight, which kills your average Sumerian albino who lives deep underground—it literally burns them up. They are worshiped as Gods. But eventually they realize the hapless archaeologists are not Gods and what tips them off is the fact that the archaeologists show emotion and pain. Sumerian albinos living deep underground do not.

I spoke to Richard Beers, T.H.E. Show’s President about attendance at the first ever T.H.E. Show Newport Beach and he scientifically deduced over 4000. This estimate was based on the fact that he’d ordered over 4000 lanyards, the thing every attendee uses to hang their badge around their neck, and they were nearly gone on Saturday afternoon. I heard people talking even higher numbers but I’ve got no way to verify their enthusiasm.

In any event, this event was a complete, 100%, slam-dunk. . .

Michael Lavorgna Jun 06, 2011 0 comments
Apple Valley, California-based retailer and distributor HighEnd Electronics was showing the Voxativ Ampeggio, a single-driver horn-loaded loudspeaker from Germany ($29,750/pair), which will be reviewed by Art Dudley in the August issue of Stereophile. The KR Audio VA 340 MkII, a 300B-based SET handled the Ampeggio's light-weight, 100dB-sensitive load. A modified (by HighEnd Audio) Sony XA9000ES transport ($3000) fed an Audio Synthesis DAX DAC Discrete ($6000). Components sat on a Gregitek Stabtower 2 ($4790) and a Griegtek Stab 1 Platform ($765). Cables were provided by Synergistic Research—Galileo Universal Speaker Cell ($2500) and Galileo Universal Interconnect Cell ($1500). Power cables included the Audio Magic Liquid Air ($500), Synergistic Hologram D ($2600), and the Synergistic Hologram A ($2600). Power conditioning was courtesy Synergistic PowerCell 10 SE ($5000), Audio Magic Ground Disrupter ($700), and a Kemp SNS Plus ($195).

But wait, there's more. . .

Michael Lavorgna Jun 06, 2011 0 comments
Distributor Fidelis AV was showing products from its worldly stable, including the Harbeth Compact 7ES speaker ($3950/pair in Rosewood, $3650/pair in Cherry), the Perreaux Audiant 80i, an 80Wpc integrated amplifier that comes with an internal USB DAC and phono stage ($2995), the Palmer Audio 2.5 turntable ($6000), with an Audio Oragami tonearm ($3000) and Dynavector 20X2 cartridge ($850), all tied together by LFD cables. The more astute observer may notice a little black box sitting on a thin white stand behind the left loudspeaker. That's . . .
Michael Lavorgna Jun 06, 2011 1 comments
Sunny's mere-mortal room included two setups; Octave Audio V80 tube integrated amp ($9950), T+A Music Receiver ($3800), and the Dynaudio DM3/7 loudspeakers ($2000/pair). There was also a desktop system which consisted of the Naim Uniti ($2450) and a pair of Dynaudio Focus 100 active loudspeakers ($2400/pair).

I took a few minutes to speak to Sunil Merchant, President of Sunny's . . .

Michael Lavorgna Jun 06, 2011 1 comments
Covina, CA-based retailer Sunny's put one of their best feet forward with a pair of Wilson Audio Sashas ($27,700/pair), coupled to Boulder electronics that included the 2060 Stereo Power Amplifier ($46,000), 2010 preamplifier ($46,000), 1008 phono preamplifier ($12,000), and 1021 disc player ($27,700). Everything sat on a Finite Elemente Pagoda Signature rack and was cabled with Transparent Opus wire.

While I was in-room we listened to vinyl spinning on the Spiral Groove SG1.1 turntable ($20,000) and there was a lot of musical slam.

Michael Lavorgna Jun 06, 2011 0 comments
The Episode V ($12,500/pair) is a "ground-breaking wide-dispersion speaker" and you can pretty much intuit from the photo of the speaker the angle they’ve taken. The 88dB/4 ohm Episode V was driven by the Simaudio Moon 600i integrated amplifier and a Simaudio Moon SuperNova CD player handled the discs. (Both Simaudio components were courtesy of Definition Audio.) All cable was, and I quote, "audio grade cable." I'd like to tell you more about the dispersion characteristics of this loudspeaker and if it in fact broke any ground but there was not enough time for me to play musical chairs. Sitting centered, out of habit, I found the Episodes sounded airy.
Michael Lavorgna Jun 06, 2011 0 comments
In an approach that's similar in some respects to the Tonian Acoustics TL-S1, the Sonist Concerto 4 ($5895/pair) marries dual, proprietary, 8" treated-paper–cone woofers to a Fountek NeoCD2.0 ribbon tweeter for a claimed frequency range of 27Hz–40kHz and 97dB sensitivity.

While Sonist had a few tube amplifiers on hand, we listened to the Audion Sterling Silver EL34 Anniversary integrated amp ($3499), the Wyred for Sound Sonos sample-rate converter ($890), which converts i2S into 96kHz, up-sampled S/PDIF, and a Wyred for Sound 32-bit DAC ($1499). The DAC has a defeatable 32-bit volume control, 2 coax inputs, 2 Toslink inputs, 1 AES/EBU input, 1 balanced i2S input via HDMI cable, and a 24-bit/192kHz asynchronous USB input. All cabling was the Cable Research Lab Bronze Series.

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