The 2011 SSI was my first chance to see and hear the Limited Edition Les Paul Signature version of Thiel's well-received CS3.7 loudspeaker. The last complete design by the late Jim Thiel, the CS3.7 was favorably reviewed by Wes Phillips in December 2008. Wes concluded that he "loved, loved, loved the Thiel CS3.7!"
The first time I heard a PHY driver was in an enclosure designed and made by Ocellia Audio, 15-odd years ago. During the years since then, Ocellia head Samuel Furon has continued to refine his complex, intentionally thin-walled designs, and the line has expanded to include some new models. The latest of these is the Calliope.21 Signature ($14,000 as shown, with configurations of this model starting at $9900), which was demonstrated at SSI with an Ocellia Quero integrated amp ($14,000), prototype Ocellia Quero phono preamp (price TBD), and a vintage Platine Verdier turntable with EMT 997 tonearm and Ocellia-modified Denon 103 cartridge.
Naim's line of Uniti network-enable music servers . . . er, renderers . . . er, digital music players, can be controlled by a uPnP app runing on iPads and iPhones. Doug Graham's iPad doesn't seem disturbed by his frantic handwaving as it hung in mid-air! New at the Show was the UnitiQute player, which combines a preamplifier with two analog inputs, five 24-bit/192kHz-capable digital inputs, a USB port, and WiFI and Ethernet network connections.
I have a lot of respect for Dynaudio speakers, and have enjoyed listening to them at various shows, but I've never been as taken with one of their speakers as I was with the new Confidence C1 Mk.II ($8200/pair). With Naim amplification and digital source (including a Squeezebox Touch), the sound was simply exquisite, with highs that were revealing and yet not clinical. The legendary Esotar2 tweeter (shown in the photo) has apparently undergone some evolutionary development, and continues to maintain its status as the best dome tweeter in the world.
The title "Ask the Editors" suggests one-way communication: people in the audience ask questions, and, guru-like, Stereophile writers answer these questions. In fact, communication at these events goes in both directions. For example, at the 2011 "Ask the Editors" session, one of the attendees mentioned that he was really impressed with the demo of a speaker made by Live Audio, a company based in Quebec.
For big speakers, like the Legacy Whisper XD in the story below, the problem in setting up an effective demo in a show environment is that the room may be too small for the speaker. And then for speakers that are more modestly sized, if they're demonstrated in a big room, the speaker may not be able to play loud enough and the bass response may not be sufficiently powerful for the big space. The LSA (Living Sounds Audio) Group's demo featured the LSA2 Statement ($5999/pair) speakers driven by their own LSA Standard tube hybrid integrated amp ($6200) . . .
The Helium2 has long been one of Stereophile's long-term reference monitors, so I was expecting good sound when I went into the VMax Services room. And apart from the ubiquitous upper-bass boom that afflicted the standard-sized rooms at the Hilton Bonaventure, good sound was what I heard.
My reputation preceded me: Everywhere I went, people who knew me stopped and asked, “Have you heard the new Lowther yet?” The speaker in question was actually a Lowther-alike from the German firm Voxativ, named the Ampeggio ($29,750/pair), and as I told everyone who askedunsmugly, I hopeI’ve had a loaner pair in my house since mid-March.
Dear Mikey: I know you spend a lot more time outside of the US than I doheck, you probably get out of the house more often than Iso it’s with non-snotty glee that I must inform you: For once in my life I beat you to the draw on the coolest new analog toy in the known universe. At the Teo Audio room, Dr. Chris Feickert gave me a copy of his 7” Adjust+ Test Record ($20), which comes in a red jacket. Its use requires only that you download a special app from Apple App Store (search on “platterspeed”), fit your iPod/iPad/iPhone/whatever with an accessory microphone (I already have one for use with my über-cool Peterson strobe tuner app), cue up the Feickert disc, and measure away. Tests include wow and flutter, crosstalk, skating force, and channel balance. You’ll probably get one soon. Luv yaArtie.
Totem was demonstrating its new Element series loudspeakers with the Classé CA-M600 600W monoblocks that I enthusiastically reviewed in the March issue of Stereophile. The three Element modelsthe Fire stand-mount at $5995/pair, the floorstanding Earth at $8995/pair, and Metal at $12,995/pairall use a new 7" woofer designed and manufactured in-house. But what's with the tie around the guy's head in the wall-sized photo?
Not just the public attendees made for the Aux 33 Tours room at SSI. Seen here browsing the jazz LPs (in denim jacket and deshabillé hair) is Graeme Humfrey, one of the proprietors of Montreal high-end retailer Coup de Foudre.
Totem always makes a splash at shows; this time the demos featured the Element series that was introduced at the 2011 Las Vegas CES. As a nod to the Image part of the name of the show, they also had a huge screen with four commercial-grade projectors, and a very stylish video presentation. The man with the "Einstein" hair on the left side in the picture is Totem president Vince Bruzzese, one of the recipients of SSI's Lifetime Achievement awards.
Although many (maybe most) of the demos at the 2011 SSI were computer-based, vinyl continued to have a presence, notably in the Aux 33 Tours room, which had an excellent assortment of LPs for sale. And not all the people showing an interest in LPs were old fogeys, as the photo illustrates.