SSI 2011

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Art Dudley Posted: Apr 06, 2011 0 comments
While visiting Gradient’s North American distributor, Simplifi, I listened to the current version of their classic Revolution loudspeaker ($7995), which had been favorably reviewed in Stereophile back in 1995. Earlier in the show I’d been impressed with the uncanny spatial realism in the MBL room; the interestingly shaped, dipolar Gradient Revolution was at least its equal in that regard. On one record, singer Willie Nelson was right damn there, and when someone in his band started giving hell to a tambourine, the effect was almost nerve-rattlingly real. What a cool speaker!
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Art Dudley Posted: Apr 06, 2011 2 comments
The first time I heard a PHY driver was in an enclosure designed and made by Ocellia Audio, 15-odd years ago. During the years since then, Ocellia head Samuel Furon has continued to refine his complex, intentionally thin-walled designs, and the line has expanded to include some new models. The latest of these is the Calliope.21 Signature ($14,000 as shown, with configurations of this model starting at $9900), which was demonstrated at SSI with an Ocellia Quero integrated amp ($14,000), prototype Ocellia Quero phono preamp (price TBD), and a vintage Platine Verdier turntable with EMT 997 tonearm and Ocellia-modified Denon 103 cartridge.
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John Atkinson Posted: Apr 06, 2011 0 comments
Naim's line of Uniti network-enable music servers . . . er, renderers . . . er, digital music players, can be controlled by a uPnP app runing on iPads and iPhones. Doug Graham's iPad doesn't seem disturbed by his frantic handwaving as it hung in mid-air! New at the Show was the UnitiQute player, which combines a preamplifier with two analog inputs, five 24-bit/192kHz-capable digital inputs, a USB port, and WiFI and Ethernet network connections.
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John Atkinson Posted: Apr 06, 2011 0 comments
This time it's Jacques Riendeau's hand on show, showing off the one-piece aluminum body for the new Oracle MC phono cartridge.
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Robert Deutsch Posted: Apr 06, 2011 2 comments
I have a lot of respect for Dynaudio speakers, and have enjoyed listening to them at various shows, but I've never been as taken with one of their speakers as I was with the new Confidence C1 Mk.II ($8200/pair). With Naim amplification and digital source (including a Squeezebox Touch), the sound was simply exquisite, with highs that were revealing and yet not clinical. The legendary Esotar2 tweeter (shown in the photo) has apparently undergone some evolutionary development, and continues to maintain its status as the best dome tweeter in the world.
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Robert Deutsch Posted: Apr 06, 2011 1 comments
The Give Band's Caroline St-Louis at last Thursday night's concert.
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Robert Deutsch Posted: Apr 06, 2011 0 comments
The title "Ask the Editors" suggests one-way communication: people in the audience ask questions, and, guru-like, Stereophile writers answer these questions. In fact, communication at these events goes in both directions. For example, at the 2011 "Ask the Editors" session, one of the attendees mentioned that he was really impressed with the demo of a speaker made by Live Audio, a company based in Quebec.
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Robert Deutsch Posted: Apr 06, 2011 0 comments
For big speakers, like the Legacy Whisper XD in the story below, the problem in setting up an effective demo in a show environment is that the room may be too small for the speaker. And then for speakers that are more modestly sized, if they're demonstrated in a big room, the speaker may not be able to play loud enough and the bass response may not be sufficiently powerful for the big space. The LSA (Living Sounds Audio) Group's demo featured the LSA2 Statement ($5999/pair) speakers driven by their own LSA Standard tube hybrid integrated amp ($6200) . . .
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John Atkinson Posted: Apr 06, 2011 1 comments
The Helium2 has long been one of Stereophile's long-term reference monitors, so I was expecting good sound when I went into the VMax Services room. And apart from the ubiquitous upper-bass boom that afflicted the standard-sized rooms at the Hilton Bonaventure, good sound was what I heard.
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Art Dudley Posted: Apr 06, 2011 0 comments
My reputation preceded me: Everywhere I went, people who knew me stopped and asked, “Have you heard the new Lowther yet?” The speaker in question was actually a Lowther-alike from the German firm Voxativ, named the Ampeggio ($29,750/pair), and as I told everyone who asked—unsmugly, I hope—I’ve had a loaner pair in my house since mid-March.
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Art Dudley Posted: Apr 06, 2011 0 comments
Dear Mikey: I know you spend a lot more time outside of the US than I do—heck, you probably get out of the house more often than I—so it’s with non-snotty glee that I must inform you: For once in my life I beat you to the draw on the coolest new analog toy in the known universe. At the Teo Audio room, Dr. Chris Feickert gave me a copy of his 7” Adjust+ Test Record ($20), which comes in a red jacket. Its use requires only that you download a special app from Apple App Store (search on “platterspeed”), fit your iPod/iPad/iPhone/whatever with an accessory microphone (I already have one for use with my über-cool Peterson strobe tuner app), cue up the Feickert disc, and measure away. Tests include wow and flutter, crosstalk, skating force, and channel balance. You’ll probably get one soon. Luv ya—Artie.
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John Atkinson Posted: Apr 06, 2011 0 comments
Clarity Audio's large room featured three systems set up along three of the walls, one featuring Nola speakers, one featuring Eggleston speakers, and one featuring the YG Anat 2 Studio speakers seen in the photo. Connected to stylin' Jones 300W monoblocks ($24,000/pair) and a Jones Pre-S-1 preamplifier with Kubula-Sosna cable, the sound of a woman singing Sting's "Roxanne" and John Lennon's "Come Together," accompanied by double bass (Musica Nuda), was palpably real. However, although YG introduced a new version of the Anat at January's CES featuring machined aluminum cones, the speakers at SSI were the older Series 1 model.
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Art Dudley Posted: Apr 06, 2011 0 comments
On my last day at the show I got to meet the founder and chief designer of Gradient, Jorma Salmi: a trim, quietly intense man with a boyish mop of hair. I introduced myself and complimented the originality of his designs; Dr. Salmi looked at me over the tops of his steel-rimmed glasses, smiled kindly, and said, “A little strange, aren’t they?” A moment later he quoted Becket, saying that, in his next design, he would “fail better.” What a cool guy!
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Robert Deutsch Posted: Apr 06, 2011 0 comments
Venerable British audio manufacturer, Naim, has an almost-equally-venerable new Canadian distributor, Plurison. Headed by the genial Daniel Jacques—on the right in the photo, with Doug Graham, Naim's International Export Manager on the left—Plurison's list of distributed brands includes Focal, Mordaunt-Short, MartinLogan, Pathos, YBA, Micromega, and a host of others. It must put Jacques in a quandary when he has to decide what product to take home to listen to on the weekend!
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Art Dudley Posted: Apr 06, 2011 0 comments
Verity Audio’s entry-level Finn ($6495/pair) was an intriguing beast: a 91 dB sensitive loudspeaker that sounded open, authoritative, and smooth—the latter quality more so than the dearer Verity Sarastro II, which sounded overly sibilant in another room. (But the good Lord knows that might have been caused by something else in the chain, so do keep these comments in perspective.) Music was supplied by digital files on a MacBook Pro (running Amarra playback software), addressing the digital inputs of a Musical Fidelity M6CD CD player ($2499), while the controller was Musical Fidelity’s new M1 CliC ($1999). Power was supplied by another new Musical Fidelity product, their M6500 integrated amplifier ($6995): a seemingly sweet-sounding 500Wpc monster that’s dual-mono from A through Z.

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