CES 2011

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John Atkinson Posted: Jan 14, 2011 1 comments
"$175,000/pair?" I gulped. I know my beat at the 2011 CES was expensive loudspeakers, but the price of the Trenner & Friedl Duke took my breath away. Yes, the sound in the large room the new Austrian company shared with Cardas, Profundo, and the Jeff Rowland Design Group was superb, but that's a lot of change, even if the manufacturer will fly anywhere in the world to set the speakers up in the customer's home. (The rest of the system comprised a dCS Puccini used as a transport to feed JRDG's new Aeris DAC (the Colorado company's first digital product), $9800; a JRDG Criterion line stage, $18,500; and two JRDG 625 stereo power amplifiers, $13,500; with Cardas Clear cabling.

Each 12" woofer uses a fiber-glass–reinforced paper cone and is loaded by what is referred to as "a hybrid form of horn-resonator and bass reflex design." The mid/HF module is coupled to the woofer modules with spheres of varying hardness, to drain vibrations optimally, and can be adjusted to bring the drivers into proper time alignment at the listening position. The midrange unit features a papyrus cone with an elmwood phase plug and an alnico magnet, while the enclosure is filled with wool from "locally raised sheep" to reduce internal reflections being retransmitted through the drive-unit cone. The tweeter uses a titanium nitride dome loaded with a Tractrix-flare horn, while the supertweeter is a diamond-diaphragm type. The upper-range crossover is passive; the woofers are fed via a line-level crossover, and internal wiring is all Cardas Clear.

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Erick Lichte Posted: Jan 13, 2011 1 comments
Parasound showed off the guts of their new Halo JC 3 Phono Stage ($2300) in the same room as the butt-kicking Atlantic Technology AT-1 loudspeakers. Designed by John Curl, the JC 3’s signal/noise ratio is a high 83dB for moving-magnet cartridges and 73dB for moving-coils. The RIAA curve is said to be accurate to within ±0.1dB and the units are currently shipping. Michael Fremer reviews the JC 3 in the March issue of Stereophile.
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Jon Iverson Posted: Jan 13, 2011 0 comments
Qsonix has been providing a touchscreen-based product line for several years, and have recently teamed up with Wadia to collaborate on the DAC side. The Q205 is a one box single zone system with either 1TB or 2TB of storage, and a touchscreen ranging in size from 15" to 19". Price ranges from $7,450 to $8,250 and comes in six configurations.

The Q210 is a one box five zone system with the same screen and storage options and ranges in price from $7,750 to $8,450. The company also has a standalone server without the touschscreen (but can be controlled by the qsonix app) for $6,650 to $7,150 depending on storage and number of zones.

Qsonix's Mike Weaver was on hand to demonstrate the company's new iPad app which should be available later this quarter. I found I liked how the app was laid out better than their touchscreen software, and it offered real-time scrolling of album covers for browsing a collection, something I haven't seen in other iPad apps yet.

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Jason Victor Serinus Posted: Jan 13, 2011 1 comments
Gary Koh of speaker manufacturer Genesis was happy to show off the new Absolute Fidelity Interface cables. Being sure to note that the product does not use the Genesis name, because it has been designed to be used with all loudspeaker brands, it has been give its own dedicated Absolute Fidelity website.

“To me, a cable should not function as a component; it should be an interface between two components,” said Koh. “Since every component is different, and draws power differently, I’ve designed different cables to interface between different components.”

The Absolute Fidelity Interface line currently includes the Loudspeaker Interface ($3000/2m pair); Turntable Power interface, Amplifier Power interface, and Component Power interface (each $1800/1m pair); and Component Interface (for use between source components, $1800/0.6m pair).

Koh explained that, a few years back, when he could not find a cable sufficiently transparent to do full justice to his Genesis 1.2 loudspeaker, he began rolling his own. Steve McCormack and a few other designers he works with were so impressed with the cable that they urged him to market it.

“I didn’t really launch them,” Koh said with a smile. “They just started selling. You can call this the official launch.”

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Jason Victor Serinus Posted: Jan 13, 2011 0 comments
Kerem Kücükaslan, whose surname means “Little Lion,” was born in Istanbul, where he resides for at least part of the year. Fluent in English, he received his BS in industrial engineering at WPI and a minor degree at MIT.

Kücükaslan founded Echole four years ago in New Hampshire. On display at T.H.E. Show was the complete line of Obsession Signature: speaker cable ($11,000/6ft pair), interconnects ($7500/3ft pair), and power cords ($6850/6ft).

Parts for Echole’s two cable lines, Echole Obsession and Echole Obsession Signature, are manufactured in both the US and Turkey. The wire, which is manufactured in Japan, consists of a proprietary ratio of silver, gold, and palladium. (The Obsession line has less gold and palladium that the Obsession Signature).

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Robert Deutsch Posted: Jan 13, 2011 0 comments
Several weeks before CES, I got an email from PS Audio, inviting me to a press conference that will be held during CES but not as part of the official CES itself. They promised to provide transportation from the Venetian to the Wynn, where PS Audio had a suite. I knew that PS Audio was very much into computer-based audio, an area that for the most part I’ve stayed away from, so I wasn’t all that interested in that part of their presentation; however, I’ve reviewed, and use in my system, PS Audio’s Power Plant Premier AC power regenerator, so I was intrigued by word that they would have information on the successor to the Power Plant Premier.

It turns out that they have two successors, both representing substantial reworking of the product while staying with the principle of “regenerating” rather than merely “conditioning” power. Alas, the “power plant” terminology—which I’ve always thought was quite apt—is gone: the two products are called PerfectWave P5 ($2999) and P10 ($4499). They differ mostly in terms of the amount of maximum current they can produce, the P5 putting out 1000VA and the P10 1200VA. The bigger unit also has more zones. Output impedance is lower than ever, and so is distortion.

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Jason Victor Serinus Posted: Jan 13, 2011 0 comments
Distributed for the first time in the US by Robert Kelly of Kelly Audio Technologies in San Diego, the unusually designed Bertram cable comes in copper, silver, and gold configurations. Pictured is Proxima 2 balanced silver interconnect ($8000/1.5m pair).

Designed by Soren Bertram of Denmark, Proxima 2’s silver ribbon wire is flattened and twisted into what looks like a braid. Boasting an air dielectric and laser-welded terminations, it is third down from Bertram’s top-of-the-line. Also available are the Proxima 2 silver speaker cable ($25,000/2m pair), signal cables, and power cords.

Some readers may recognize Kelly as the former speaker designer for EgglestonWorks and Cello. Out of the business for a number of years, he has returned with an intriguing portfolio of Scandinavian-sourced products.

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Robert Deutsch Posted: Jan 13, 2011 0 comments
I was very impressed with the Monitor Audio PL200 that I reviewed last April; apparently, so were a lot of other audiophiles, but many were put off purchasing the speakers by the $8000/pair price. The new Monitor Audio Gold GX series is intended to appeal to these folks. The GX series offers most of the technology and aesthetic appeal of the Platinum, but at substantially lower prices. The GX300 is broadly similar in appearance and driver complement to the PL200, but costs an easier-on-the-wallet $5500/pair. It was making fine sounds at CES with Simaudio electronics and Simaudio digital source.
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Erick Lichte Posted: Jan 13, 2011 3 comments
Ayre showed off their new VX-R stereo amplifier, a stereo version of their lauded MX-R monoblocks. Rated at 200Wpc into 8 ohms the VX-R is priced at $14,950. The amp is a zero-feedback design, featuring fully balanced discrete circuitry. As usual from Ayre, the chassis is beautifully made of milled aluminum. The sound of the VX-R, driving the TAD Compact Reference monitors was wonderful.
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Robert Deutsch Posted: Jan 13, 2011 5 comments
I took this picture of a room at T.H.E. Show just because I thought it looked cool. The system featured old Apogees, long out of production. The music playing was pleasant. But what were these people selling? Maybe cables. Everyone sells cables. And then I looked at the sign on the door: N.F.S. Audio. N.F.S. Not For Sale. Here’s what a Google search turned up:

“We are a couple of Las Vegas audiophiles who love good music and wine. This will be our sixth year at T.H.E. Show. We hope to provide a fun and relaxing listening experience for show exhibitors and patrons alike. We'll have plenty of music and libations. Every year we bring an excitingly different stereo system with interesting visual effects. Come visit! . . . we'll pour you a glass. . ."

Makes me glad I’m an audiophile.

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Stephen Mejias Posted: Jan 13, 2011 0 comments
NuForce’s Jason Lim explained that the people behind NuForce and Oppo have been friends for a long time, and now that friendship has produced the NuForce Edition Oppo BDP-93 Blu-ray player ($899), scheduled to be available by the end of this month. The NuForce user-upgradeable output board, seen here, will add $400 to the cost of existing Oppo BDP-93 players. “It sounds as good as our CDP-8,” Lim smiled.

An “Extreme” version, featuring synchronous re-clocking of all eight channels, will be available in March for around $1300.

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Erick Lichte Posted: Jan 13, 2011 1 comments
At last year’s CES, many of my favorite rooms featured Sweden’s Marten speakers. The same held true this year. I expected good things when I stopped by Marten’s own room at the Venetian. Not only where they showing off the new version of their Coltrane 2 speaker ($95,000/pair) but also their first amplifier design, the M Amp ($45,000/pair). These monoblock amps have scary low distortion—0.05% at 400W into 8 ohms and use a class-D stage that switches at 600kHz. The amp can output 550Wpc into 8 ohms, 1000Wpc into 4 ohms, and 1700Wpc into 2 ohms.

The folks in the Marten room seemed in dire need of some good music when I came in, having suffered through too much audiophile approved crap during the show. I handed them a CD of the XX, a band I love, and we all bobbed our heads to this sparse but funky Pop. I find this album doesn’t work at all if a system cannot get the interplay between the bass guitar and kick drum right. The Marten system did this very well, sounding rich and articulate. The M Amps never let on that they were class-D amps, sounding more like super powerful tubes or a richly voiced class-A amp. I was thanked for playing some sweet cuts off the XX’s album, and I thanked them for making it sound great.

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Erick Lichte Posted: Jan 13, 2011 0 comments
Conrad-Johnson introduced their new ET5 line stage preamplifier. According Bill Conrad and Lew Johnson, the ET5 is a scaled-down version of the GAT preamp (the silk-screening you see here labeling the ET5 as a GAT is an error). The ET5 shares all of the same parts as the GAT but is a stereo design instead of the GAT’s dual-mono layout. The ET5 uses Vishay resistors, CJD Teflon capacitors, gold plated OFC I/O connectors and vibration-isolated printed circuit boards for the gain circuit. The ET5 ships this month and will cost $9500.
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John Atkinson Posted: Jan 13, 2011 0 comments
The electrostatic Kingsound speakers were hits at 2010 Shows, so I was anticipating good sound in the room where VAC was demming their tubed electronics with the King II speakers ($11,500/pair) and a Spiral Groove SG2 turntable and arm fitted with a Lyra Kleos cartridge. Stands were all-Symposium.)

The bugbears of electrostatic panels have been limited treble dispersion and a lack of low-frequency definition, but listening to Hans Theesink's and Terry Evans' rendition of "You Can't Tell a Book," from the LP Vision, where the guitarist and singer were accompanying themselves with footstomps, the bass remained in control and the top-octave sounded airy and spacious.

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Stephen Mejias Posted: Jan 13, 2011 1 comments
In a show dominated by forward-racing technologies and innovative solutions to complement the ways in which we consume media, DeVore Fidelity and Tone Imports continue to find inspiration in old-fashioned pleasures...

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