RMAF 2010

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Stephen Mejias Posted: Oct 19, 2010 14 comments
Acoustic Sounds’ Chad Kassem provided a wonderful demo of some of his fine Analogue Productions releases, including Jimmy Lee Robinson’s All My Life and Elvis’ 24 Karat Hits—all sounding absolutely seductive and enveloping with an extremely liquid and relaxed sound—through a system featuring a Clearaudio Concept turntable ($1400), which Kassem was particularly fond of—“for the price, this ‘table is hard to beat”—and Sony’s SS-AR1 loudspeakers, seen here.
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Jason Victor Serinus Posted: Oct 19, 2010 2 comments
Ray Lombardi's international set-up was getting much better sound from JBL's 1400 Array ($11,500/pair) than at the first California Audio Show (CAS) a few months back. In fact, Diana Krall's semi-lethargic rendition of "Let's Face the Music and Dance" sounded much less doped-up than it did when I last heard it at the Aurum Cantus factory in China. The presentation featured crisp and sweet highs, and a natural midrange. Neither Sound Applications power treatment (model not specified) nor ASC Tube Traps could totally tighten up the speaker's soft bottom, but I don't recall it sounding very tight at CAS either.
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Stephen Mejias Posted: Oct 19, 2010 0 comments
In addition to the Cartright cartridge setup tool, Soundsmith was showing the new EZ-Mount cartridge screws ($29.99, review to come from Michael Fremer), which allow for easy cartridge installation; Soundsmith’s new top-of-the-line Sussurro Paua moving-iron cartridge ($3499), inspired by Frank Schroder; the special edition, VPI-branded Zephyr high-output cartridge ($999), designed for use with VPI and other unipivot tonearms; and the neat, little “Intuitive” tool ($49.99), designed to make simple, precise adjustments of tracking force and azimuth to VPI tonearms!
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Jason Victor Serinus Posted: Oct 19, 2010 3 comments
RM Loudspeakers of Fort Smith, Arkansas were showing the CH-11R "True Exponential Folded Horn" ($17,500–$20,000/pair) and RM-105 ported four-way ($9900–$12,400/pair). I love the old school / new school look of these contrasting speakers. Playing the latter with unspecified components and cabling, I especially enjoyed the nice warmth in the bass voices of While You Are Alive, John Atkinson's 2007 recording of Cantus.
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Stephen Mejias Posted: Oct 19, 2010 3 comments
It was a pleasure to meet with Genesis Advanced Technologies’ Carolyn Koh and Kosmic’s Joe Pittman in “one of the few rooms where everything is made in the USA.”
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Jason Victor Serinus Posted: Oct 19, 2010 1 comments
As I learned when he did a demo for members of the Bay Area Audiophile Society in my home some years back, Duke LeJeune is one of the sweetest people in an industry that has its share of sweet people. When I walked into his room, his 95dB-sensitivity, 16-ohm AudioKinesis Strato Prism loudspeakers ($4400/pair) were playing some New Age music of dubious worth. The sound through an Oppo BDP-83 used as a transport, Neko D100 Mk2 DAC ($1395), and Atma-sphere's MP-1 linestage ($4850) and S-30 amplifier ($3950) was enveloping, with particularly warmth in the midrange.
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Stephen Mejias Posted: Oct 19, 2010 1 comments
I had been aware of TTWeight’s line of beautifully crafted, heavy-duty phono accessories—center weights and clamps, outer rings, and mats—and while I knew that TTWeight’s Larry Denham also designed turntables, it wasn’t until seeing them in person that I fully understood the extent to which Denham has gone in perfecting his designs. Turntables aren’t just a hobby or side project for Denham.
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Jason Victor Serinus Posted: Oct 19, 2010 14 comments
At RMAF 2009, Nordost shook up quite a few audiophiles by announcing preliminary results of research that can measure and validate the positive effects after market cabling, supports, and power products. One year later, Nordost announced that the research, jointly conducted by Nordost's competitor, Vertex AQ of the UK in collaboration with military electronic-engineering consultant and sonar expert Gareth Humphries-Jones of North Wales, has taken a major step forward.
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John Atkinson Posted: Oct 19, 2010 3 comments
For the second year running, Head-Fi held a CanJam meet at the 2010 RMAF, with headphone-oriented companies like Sennheiser, HeadRoom, Centrance, JH Audio, BeyerDynamic, Audeze, Head-Direct. Moon Audio, Ray Samuels Audio, Westone, and Ultimate Ears exhibiting in the humongous space of the Marriott's Rocky Mountain Event Center. At the bottom left of the photo is reviewer and occasional Stereophile contributor Steve Guttenberg checking out some BeyerDynamic cans.
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Stephen Mejias Posted: Oct 19, 2010 7 comments
It was awesome to see the limited edition Dynaudio Sapphire, cloaked in a stunning clear blue piano lacquer over a veneer of bird’s eye maple. The sound was just as fine: cymbals and horns had a natural bite, without edge or glare, blooming and blooming and blooming into the room.
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Jason Victor Serinus Posted: Oct 19, 2010 13 comments
Although their atmospherically lit room, which looks very different in this flash-illuminated photo, was dominated visually by 10-year old Genesis loudspeaker prototypes that never made it to market, PS Audio's electronics were what the room was about. The PS Audio Perfect Wave Transport ($2999), which I own; Perfect Wave DAC ($2999) with Bridge ($799); prototype Perfect Wave amp (under $5000); and award-winning Power Plant Premier ($1999), all using Perfect Wave AC-12 ($999/meter) sounded marvelous on a CD from Natasha Atlas. Playing the Pentatone SACD of Schubert's "Trout" Quintet, the highs were especially beautiful, with violins singing with estimable delicacy. It was the best sound I've ever heard from a PS Audio show set-up. This bodes very well for their forthcoming amplifier.
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Stephen Mejias Posted: Oct 19, 2010 3 comments
I caught up with the always affable Lars Goller of Gamut who was very proud of the company’s new S Series speakers. Here we see Goller standing beside the S5 ($30,000/pair), which boasts a very attractive cabinet made of form-pressed solid wood over multi-layered Finnish Beech ply. Externally machined canals in the speaker’s side panels divide the speaker into segments to better control vibrations and minimize coloration, Goller explained. In addition, two large port openings of 5mm-thick solid machined aluminum are threaded directly into the speaker’s rear panel to minimize port turbulence and noise.
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Jason Victor Serinus Posted: Oct 19, 2010 0 comments
Little did I know, as I began my second day at RMAF 2010, how grateful I would be for the laid back sound in the LSA Group and AudioKinesis rooms by the time the day ended. The combination of LSA1 Statement monitors ($2600/pair) and and LSA speaker stands ($379/pair), LSA standard tube hybrid integrated amp ($5000), Exemplar/Oppo CD player ($2500), and Exemplar active cabling (approx. $8000) wasn't particularly fast on my fabulous Marta Gomez recording from Chesky, but it allowed me to slow down and enjoy what was there.
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Stephen Mejias Posted: Oct 19, 2010 1 comments
Composer and artist Joel Durand (left, who in his free time designs beautiful tonearms) and TTWeights’ Larry Denham flank the mightily impressive Black Onyx turntable ($15,000).
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Stephen Mejias Posted: Oct 19, 2010 0 comments
I wonder if our expectations drop somewhat when walking into a room occupied by small, inexpensive, neatly organized gear. The contrast from the massive, overwrought, wildly expensive components found in some rooms is undeniably refreshing, and might allow the music to take center stage. Such is always the case with Audioengine, makers of adorable loudspeakers whose quality belies their small size. The more I learn about the company and the more time I spend with their speakers, the more it seems that they’re here to stay. In fact, I expect great sound from Audioengine. The company simply continues to surpass my expectations.

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