RMAF 2010

Sort By: Post Date | Title | Publish Date
Filed under
Stephen Mejias Posted: Oct 21, 2010 1 comments
Check out the throng of thick Silver Circle AC cables, each with heavy-duty connectors from Furutech. Also note the lovely side panels of the Silver Circle Pure Power One 5.0. Who knew a power conditioner could be so pretty? The Pure Power One 5.0 ($5000; reviewed by Michael Fremer in our August 2010 issue) includes a 65-lb, 5kVA, custom-built isolation transformer, a proprietary EMI/RF filter, four double-ganged, gold-plated Furutech AC jacks, and a Vesuvius power cord.
Filed under
John Atkinson Posted: Oct 21, 2010 0 comments
A familiar dem track was playing when I entered the large room from Colorado Springs retailer Audio Limits: "There'll Be Some Changes Made," from Mark Knopfler and Chet Atkins. However, rather than LP or CD, it was being played back from a PC running the J-River player and feeding the well-regarded Weiss DAC202 Firewire D/A converter ($6670). Speakers were the beautifully finished Venture Reference II Signature ($135,000/pair), which combines an AMT (Air-Motion Transformer) tweeter with a 7" graphite-coned midrange unit and four 8" graphite-coned woofer. Amplification was the Swiss FM Acoustics 811 Mk.II amplifier (455Wpc into 8 ohms, $128,800) and the FM Acoustics 245 preamp ($23,200). Power conditioning was by Isotek and Audience; racks were from Harmonic Resolution Systems. The full-range sound was superbly clean and effortless, but I couldn't help thinking that the room was not doing justice to this very expensive system's potential.
Filed under
John Atkinson Posted: Oct 21, 2010 0 comments
"Good grief, those look like Apogees," I muttered as I went into the Analysis Audio room and saw the Analysis Omega planar-ribbon speakers ($22,000/pair). Driven by Arion HS-500 hybrid monoblocks ($5995/pair), which combine a tube input stage with a class-D output stage, the speakers sounded a bit too warm in the upper bass on Jennifer Warnes version of Leonard Cohen's "Way Down Deep," but this could well have been a room effect. The soundstaging was to die for, in terms of stability and accuracy.
Filed under
Jason Victor Serinus Posted: Oct 21, 2010 2 comments
I ended Saturday's incredibly packed tour of the 15 rooms on the Marriott Tower's 10th floor with a stop in Musical Fidelity's room. It was a good choice. This was the first room at the show where I pulled out Channel Classics' superbly recorded hybrid SACD of the Ebony Band Amsterdam performing a unique arrangement of Revueltas' elemental, gutsy, phantasmagorical Sensemaya. The sense of air was immense, with amazing soundstaging that belied the small size of the room. I also loved the height of the soundstage, and the deep reaches of the bass. But as much as I savored the presentations' air and depth, this hardly laid-back system sounded a bit tipped-up in the highs, a common factor in many of the smaller rooms at the Marriott.
Filed under
Stephen Mejias Posted: Oct 21, 2010 2 comments
Aperion Audio introduced their new Verus Grand line of speakers: the Verus Grand Tower ($1798/pair), Verus Grand bookshelf ($598/pair), and Verus Grand center channel ($699), all with very nicely finished, curved cabinets in attractive high-gloss cherry or piano black lacquer.
Filed under
Jason Victor Serinus Posted: Oct 21, 2010 0 comments
Departure Audio seems to take their name seriously. In a system fine-tuned by Shakti Hallographs (the candelabra-like devices at the edges of the photograph) and the infamous you know whats from Synergistic, the Fort Collins dealership was showing Canton Reference 7.2 loudspeakers ($7000, presumably for the pair), Herron Audio's VTSP-3A preamplifier ($6550) and M1 power amps ($6850, presumably for the pair), Arcam CD 37 ($2295), Blue Circle Audio BC 507 DAC ($2095, with options available), Audio Magic cabling and Oracle power conditioning ($7500). The sound was clean and incisive, which means somewhat tipped up. I would have stayed to explore more, but constant conversation in the room led me to take Departure Audio's name literally.
Filed under
John Atkinson Posted: Oct 21, 2010 5 comments
Michael Fremer enthuses over the sound of the Esoteric E-03 phono preamplifier in our forthcoming December issue, and this $6500 component was being featured in Esoteric's ground-floor room at RMAF, fed from a VPI Scoutmaster turntable fitted with a Dynavector DV20X phono cartridge. The rest of the system, which sounded excellent on Eva Cassidy's Songbird LP, comprised Esoteric's C-03 preamp, A-03 class-A solid-state amp, and MG-20 tower speakers, hooked up with Esoteric's XL cables. (I very much liked the MG-20 when I reviewed it in the August 2008 issue.) The digital front-end was the X-05 player feeding the $4800 D-07 D/A processor, which I will be reviewing in the January 2011 issue of Stereophile.
Filed under
Jason Victor Serinus Posted: Oct 21, 2010 8 comments
The sound in this room blew me away. When I walked in, Dr. John's "In a Sentimental Mood" was sounding as lovely and mellow as can be. Switching gears 180°, Reference Recordings' LP issue of Stravinsky's Firebird had absolutely amazing bass. "Amazing," I wrote twice in my notes.
Filed under
John Atkinson Posted: Oct 21, 2010 0 comments
Colorado dealer Listen-Up had three rooms at RMAF. The first one I went into featured Sonus Faber Liuto 3-way speakers ($6000/pair) with PrimaLuna amplification and CD player (the latter the Prologue 8 that Fred kaplan and I reviewed for the magazine a couple years back) and AudioQuest cables and a SolidSteel stand. The Liuto speaker is intended to offer Cremona-like performance for half the price; it combines a 1.25" silk-dome tweeter with a 6" woven composite-cone midrange unit and a 7" magnesium-alloy cone woofer. The nicely finished enclosure follows Sonus Faber's usual technique of laminating cherry sections.
Filed under
Stephen Mejias Posted: Oct 21, 2010 2 comments
Judging by my complete lack of notes on the room occupied by Silver Circle Audio, Sutherland Engineering, and Tyler Acoustics—a VPI Scoutmaster turntable was spinning tunes, with amplification from Plinius driving the speakers—I would have to say that I didn’t do much listening in here. I mean, I heard music, but I was too busy enjoying my conversation with Silver Circle’s David Stanard, and I was too impressed by the appearance of the gear. From the cabinetry of the Tyler Acoustics Decade D1 loudspeakers to the hefty AC cords coming from the Silver Circle Pure Power One 5.0’s rear panel to the exposed circuitry of the Sutherland Engineering 20/20 phono preamp (review to come from Brian Damkroger), to the equipment rack—handmade by Stanard in one afternoon—everything was handsome and personal and showed obvious fine craftsmanship.
Filed under
Stephen Mejias Posted: Oct 21, 2010 1 comments
I followed my visit to the Kaiser/GTE/Fono Acustica room with a stop in a room occupied by Tidal Audio, dCS, and Argento Audio.
Filed under
John Atkinson Posted: Oct 21, 2010 0 comments
I had been impressed by the sound Classic Audio were producing from their T1.3 Reference speakers at last March's Axpona Show in Florida. In Colorado, the Michigan-based company was using the smaller T3.4 speakers, which still use a field-coil–energized 15" woofer and Fostex horn tweeter, but with slightly smaller, Tractrix-flare midrange horn crossing over at 300Hz rather than 250Hz. The speakers were being driven by Atma-Sphere M60 tube monoblocks and an MP-1 preamplifier.
Filed under
Stephen Mejias Posted: Oct 21, 2010 2 comments
See those little, white, star-shaped things? Those are room-tuning accessories from Stein Music. These were scattered, perhaps haphazardly, about the room—on the floor in front of an equipment rack (as seen here), as well as affixed to the walls and ceiling!
Filed under
Stephen Mejias Posted: Oct 21, 2010 0 comments
I was impressed by the looks and sound of PMC’s new Fact 3 monitor ($9500/pair). PMC’s Ian Verdugo explained that the company gave the model the “deluxe audiophile treatment,” with a completely new design and modified transmission line. Shown in an attractive Tiger Ebony finish, the Fact 3 uses two 5.5” SEAS mid/woofers and a 0.75” Sonomex soft-dome, ferro-fluid cooled tweeter. On the speaker’s brushed anodized rear panel, users will find two switches for adjusting the high frequency and bass response.
Filed under
Jason Victor Serinus Posted: Oct 21, 2010 0 comments
"Bring the concert home!" declared the Jones Audio brochure. The 18-month old company, whose products are "handcrafted" in Seattle, took advantage of RMAF to debut the Jones Audio PA-M300 monoblock amplifier ($24,000/pair). This 300W into 8 ohms, 560W into 4 ohms baby, which uses a 35 lb toroidal transformer, kept company with the Jones Pre-S2 preamplifier (approx. $11,000), the Revel Ultima Salon2 loudspeakers I've lusted after on multiple occasions ($22,000/pair), a Benchmark DAC1 Pre, and Kimber cabling with WBT connectors (approx. $1000 worth).

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading