RMAF 2010

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Stephen Mejias Posted: Oct 22, 2010 0 comments
I enjoyed a conversation with Jude Mansilla, founder of Head-Fi, organizers of the CanJam conference which was sort of tucked away in the Marriott’s grand Rocky Mountain Event Center. The entire perimeter of the space was occupied by long tables, each showcasing headphones and headphone accessories from companies such as Sennheiser, Head-Direct, JH Audio, Ultimate Ears, CEntrance, Grado, Audeze, and Ray Samuels Audio.
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Stephen Mejias Posted: Oct 22, 2010 0 comments
After walking me through the Naim Uniti display, Naim’s David Dever then ushered me over to a second Naim room where the company was showing off its new NDX network player ($4750, shipping this November).
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John Atkinson Posted: Oct 22, 2010 7 comments
Perhaps the best sound I heard at RMAF was in the large room on the mezzanine shared by Dynaudio, XLO, and Wadia. The Dynaudio Confidence C4s ($20,900/pair), which I first reviewed in March 2003, were sounding as good as I remember them sounding in my own room, perhaps even better. The rest of the system was obviously high-class: a Wadia 971 CD transport ($17,950) fed Wadia's Series 9 Decoding computer ($33,450, comprising the 931 controller and dual-mono 922 DACs), which in turn fed Octave MRE130 tubed monoblocks from Germany ($16,000/pair) sitting on Grand Prix amp stands. Cabling was all by XLO. The 130W Octave amplifiers use two pairs of KT88s in push-pull and the wideband output transformer has a single tap. The amp can also use 6550s or EL34s, and an accessory "black box" increases the B+ storage capacity.
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Stephen Mejias Posted: Oct 22, 2010 0 comments
JH Audio, founded by Jerry Harvey (formerly of Ultimate Ears, and also known for his work as Van Halen’s audio engineer), had on display an entire line of in-ear monitors, from the single-driver JH 5 Pro ($399) to the 3-way JH 16 Pro ($1149). I listened to a bit of Tool’s “Schism,” from the album Lateralus (a John Atkinson fave), through the Ray Samuels Emmeline The Shadow (which was cute as heck), playing from an Apple iPad, and the JH 5. Nice! I was struck by the deep, grumbling lows, the expressive, truthful guitar tones, clarity of the voices, and the pure drive and impact.
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John Atkinson Posted: Oct 22, 2010 0 comments
As with other Shows, RMAF gave audiophiles the opportunity to stock up on LPs—the original hi-rez medium—both old and new. This is the bazaar on the Marriott's ground floor, which was crowded throughout the Show.
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John Atkinson Posted: Oct 22, 2010 2 comments
Peachtree's David Solomon, seen here accosting Stereophile's Stephen Mejias (right) in the hotel's coffee bar, was in ebullient mode. He's holding Peachtree Audio's new idAC ($999), which combines the usual 24/192kHz S/PDIF inputs with a 24/96-capable USB input and an iPod dock that, like the Peachtree iDecco amplifier that is favorably reviewed by Art Dudley in our December 2010 issue, takes the audio data from the iPod in digital form. The iDAC uses the latest version of ESS's 32-bit Sabre32 D/A chip.
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Jason Victor Serinus Posted: Oct 22, 2010 10 comments
Photo: John Atkinson

t's one thing to know that you're attending what has quickly grown into the largest annual high-end show in the United States. It's something else entirely to try to take in even a third of the 180 exhibits that were spread over the width, breadth and height of the Denver Marriott Tech Center.

RMAF 2010 drew such a huge rush of attendees on the first day (October 15) as to cause at least one overly packed elevator to spend what seemed like a minute in limbo, considering whether it should dare try to ascend. When it finally determined to go up rather than crash down, it moved in fits and starts, and shuddered each time it reached a floor. I think more than one of its occupants took a vow then and there to finally lose some weight. Stereophile ran out of their new-at-the-Show November issue by the end of the second day, and when a member of the Colorado Audio Society donated his collection of back issues to us on Sunday (see the photo), they were all gone within minutes.

Show exhibits extended to eight packed floors, and down into the. . .

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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Photograph: John Atkinson
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John Atkinson Posted: Oct 22, 2010 0 comments
Boulder-based retailer Blu Note Design had a passive display in the Marriott's loby, but its active room on the second floor of the Tower was debuting the Avalon Transcendent speaker ($15,000/pair). One of my best sounds at the Show, the 2-way, 3-driver speakers were being driven by a Jeff Rowland Design Group 625 amplifier, a Jeff Rowland Corus preamp, an Ayre C-5XEmp disc player and QB-9 DAC, with Cardas Clear cabling.
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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Galibier and Daedalus wanted to make sure they would not be missed. Their products surfaced, together and separately, in six different rooms in the top floor of the Marriott Tower.
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Jason Victor Serinus Posted: Oct 22, 2010 4 comments
I was smitten by the sound of San Francisco-based dealer and distributor Tim Nguyen's Tone of Music equipment line-up at the California Audio Show. Tim's RMAF exhibit, which featured the Simon Yorke turntables he distributes, included the Simon Yorke S10 Record Player ($19,950), Convergent Audio Technology preamplifier ($9950) and Jl2 signature amp ($19,950), and Synergistic Research cabling. The big difference was the presence of the Lansche No.3 loudspeaker from Aaudio Imports ($30,000/pair in gloss black), a 2-way with 91dB sensitivity and frequency response of 40Hz–150Hz (!) ±3dB.
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John Atkinson Posted: Oct 21, 2010 0 comments
Colorado dealer Listen-Up had three rooms at RMAF. The first one I went into featured Sonus Faber Liuto 3-way speakers ($6000/pair) with PrimaLuna amplification and CD player (the latter the Prologue 8 that Fred kaplan and I reviewed for the magazine a couple years back) and AudioQuest cables and a SolidSteel stand. The Liuto speaker is intended to offer Cremona-like performance for half the price; it combines a 1.25" silk-dome tweeter with a 6" woven composite-cone midrange unit and a 7" magnesium-alloy cone woofer. The nicely finished enclosure follows Sonus Faber's usual technique of laminating cherry sections.
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Jason Victor Serinus Posted: Oct 21, 2010 8 comments
The sound in this room blew me away. When I walked in, Dr. John's "In a Sentimental Mood" was sounding as lovely and mellow as can be. Switching gears 180°, Reference Recordings' LP issue of Stravinsky's Firebird had absolutely amazing bass. "Amazing," I wrote twice in my notes.
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Stephen Mejias Posted: Oct 21, 2010 1 comments
I followed my visit to the Kaiser/GTE/Fono Acustica room with a stop in a room occupied by Tidal Audio, dCS, and Argento Audio.
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Stephen Mejias Posted: Oct 21, 2010 2 comments
Judging by my complete lack of notes on the room occupied by Silver Circle Audio, Sutherland Engineering, and Tyler Acoustics—a VPI Scoutmaster turntable was spinning tunes, with amplification from Plinius driving the speakers—I would have to say that I didn’t do much listening in here. I mean, I heard music, but I was too busy enjoying my conversation with Silver Circle’s David Stanard, and I was too impressed by the appearance of the gear. From the cabinetry of the Tyler Acoustics Decade D1 loudspeakers to the hefty AC cords coming from the Silver Circle Pure Power One 5.0’s rear panel to the exposed circuitry of the Sutherland Engineering 20/20 phono preamp (review to come from Brian Damkroger), to the equipment rack—handmade by Stanard in one afternoon—everything was handsome and personal and showed obvious fine craftsmanship.

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