RMAF 2010

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John Atkinson Posted: Oct 22, 2010 7 comments
Driving Von Schweikert VR-3S speakers ($7995/pair) in Room 8032 was the awesome-looking Kronzilla SXI Mk.II monoblock, featuring the largest tubes I have seen in an audio amplifier. Source was the French EEra CD player, and there my handwritten notes become illegible. Apologies :-(
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John Atkinson Posted: Oct 22, 2010 5 comments
One of my two best sounds at RMAF was from Revel's Ultima Salon2 speakers ($22,000/pair), which have been favorites of mine since Larry Greenhill's review appeared in the June 2008 issue of Stereophile. At RMAF, the Revels were being driven by Mark Levinson No.53 monoblocks ($25,000/pair), which in turn were being fed straight from the variable output of a Mark Levinson No.512 SACD player ($15,000). Cabling was all-Transparent. The superbly stable soundstaging extended beyond the physical positions of the speakers, the tonal balance was one of the most neutral I heard at the Show, and the bass was both extended and defined. I would have stayed listening for longer, but the Show only had 30 minutes more to run and I had two more rooms to visit.
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Stephen Mejias Posted: Oct 22, 2010 0 comments
Here’s a look at one of Jude Mansilla’s systems: Apple iPad, Head-Direct HiFiMan HM-801 portable music player, Grado Head-Fi Series HF-2 headphones. I took a quick listen and enjoyed the liquid midrange, the smooth, easy sound.
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Stephen Mejias Posted: Oct 22, 2010 0 comments
“Oh, this is new…and this is new, too. And, oh yeah, we’ve also got this,” went Music Hall’s Leland Leard around and around his busy room, a funhouse of hi-fi and vinyl.
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Jason Victor Serinus Posted: Oct 22, 2010 1 comments
Due to all the positive reviews Emerald Physics loudspeakers have earned, it took several attempts over a three-day span until the crowds in the two Emerald Physics rooms had thinned down enough to allow a brief listen.
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Stephen Mejias Posted: Oct 22, 2010 0 comments
There were lots and lots and lots of headphones at CanJam, a headphone lover’s paradise.
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John Atkinson Posted: Oct 22, 2010 6 comments
As in previous years, the 2010 RMAF featured a full program of seminars. I moderated two of them, the first of which on Saturday morning featured Channel D's Rob Robinson demonstrating how to rip LPs to your PC. Rob flew by the seat of his pants, doing everything in full view of the packed house—including booting-up his Mac mini, hooking up a Music Hall turntable to a preamplifier/ADC and connecting the preamp to the computer with a FireWire link—to make the point that there was nothing intimidating about the process. (His and my thanks to AudioEngine for providing powered speakers to allow the audience to hear what was happening.) The only departure from orthodoxy was that as Robinson was using Channel D's Pure Vinyl program (reviewed by Michael Fremer last August) to capture the data, he was using the program's digital-domain RIAA correction so used a flat-response preamp rather than a true phono preamplifier.
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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Stereophile editor John Atkinson in a pensive mood as he listens to Jonathan Reichbach of Sonic Studio/Amarra speak at the start of the Advances in Computer Audio seminar JA chaired on Sunday morning.
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John Atkinson Posted: Oct 22, 2010 3 comments
New York-based Nola was showing its Metro Grand Reference speakers at RMAF ($25,000/pair). Combining a Raven ribbon tweeter and a 4" midrange, both mounted on an open baffle, with two 6.5" reflex-loaded woofers, this slim tower, driven by an Audio Research Reference 210 power amplfier, Reference 5 preamplifier, and CD8 CD player via Nordost cabling, produced more bass than I thought possible, given its modest drive-unit array. The response is specified as being 6dB down at a low 26Hz. This was one of several systems at RMAF using the Quantum QX4 AC treatment device from Nordost.
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Jason Victor Serinus Posted: Oct 22, 2010 1 comments
Big does not mean five figures in Jolida's book. The most expensive equipment in their main exhibit on the second floor of the Marriott Tower were the Phase 6 Tape Deck from United Home Audio ($15,000) that was playing master tapes from The Tape Project, the Von Schweikert factory-direct VR33 loudspeakers ($3750/pair), and the Fosgate tube phono preamp ($2500).
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Jason Victor Serinus Posted: Oct 22, 2010 2 comments
Elsewhere in this blog, Stephen Mejias enthuses about the Kaiser Kawero loudspeakers ($66,000/pair). I first encountered these loudspeakers at RMAF 2008's Kaiser/Echole exhibit extension in the nearby Hyatt, and have coveted them ever since. Optimally paired and internally wired then and now with Echole's excellent cabling, as well as with modded tube amps that had been re-wired with Echole, the sound of this system was so large, rich, and true that it blew me away. Stephen's summation—"This system, more than any other I heard at RMAF, seemed to bring the musicians and instruments into the room with really impressive body and force"—rings true.
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Jason Victor Serinus Posted: Oct 21, 2010 0 comments
We audiophiles can't resist pushing the boundaries of intimacy. Step on those cables, jostle them amps—we just gotta take a look at what's going on from all angles. Trying not to do permanent damage, here's what I spied on the back of Lowther America's Field-Coil EXR Open-Baffle loudspeaker (estimated price of $15,000/pair).
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John Atkinson Posted: Oct 21, 2010 0 comments
The second Listen-Up room featured PSB Synchrony One speakers ($5000/pair) driven by the NAD M2 Direct Digital amplifier ($5999), both of which were very favorably reviewed by Stereophile. Source was the NAD M5 CD player, wired with AudioQuest cables. Listen-Up has been a B&W dealer pretty much for ever, so I was surprised to see them take on PSB; a staffer told me that B&W's recent decision to have Best Buy sell its affordable speakers led this specialty retailer to look for an additional high-quality loudspeaker line to carry.
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Stephen Mejias Posted: Oct 21, 2010 1 comments
Check out the throng of thick Silver Circle AC cables, each with heavy-duty connectors from Furutech. Also note the lovely side panels of the Silver Circle Pure Power One 5.0. Who knew a power conditioner could be so pretty? The Pure Power One 5.0 ($5000; reviewed by Michael Fremer in our August 2010 issue) includes a 65-lb, 5kVA, custom-built isolation transformer, a proprietary EMI/RF filter, four double-ganged, gold-plated Furutech AC jacks, and a Vesuvius power cord.
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John Atkinson Posted: Oct 21, 2010 0 comments
A familiar dem track was playing when I entered the large room from Colorado Springs retailer Audio Limits: "There'll Be Some Changes Made," from Mark Knopfler and Chet Atkins. However, rather than LP or CD, it was being played back from a PC running the J-River player and feeding the well-regarded Weiss DAC202 Firewire D/A converter ($6670). Speakers were the beautifully finished Venture Reference II Signature ($135,000/pair), which combines an AMT (Air-Motion Transformer) tweeter with a 7" graphite-coned midrange unit and four 8" graphite-coned woofer. Amplification was the Swiss FM Acoustics 811 Mk.II amplifier (455Wpc into 8 ohms, $128,800) and the FM Acoustics 245 preamp ($23,200). Power conditioning was by Isotek and Audience; racks were from Harmonic Resolution Systems. The full-range sound was superbly clean and effortless, but I couldn't help thinking that the room was not doing justice to this very expensive system's potential.

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