RMAF 2010

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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Galibier and Daedalus wanted to make sure they would not be missed. Their products surfaced, together and separately, in six different rooms in the top floor of the Marriott Tower.
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Jason Victor Serinus Posted: Oct 22, 2010 4 comments
I was smitten by the sound of San Francisco-based dealer and distributor Tim Nguyen's Tone of Music equipment line-up at the California Audio Show. Tim's RMAF exhibit, which featured the Simon Yorke turntables he distributes, included the Simon Yorke S10 Record Player ($19,950), Convergent Audio Technology preamplifier ($9950) and Jl2 signature amp ($19,950), and Synergistic Research cabling. The big difference was the presence of the Lansche No.3 loudspeaker from Aaudio Imports ($30,000/pair in gloss black), a 2-way with 91dB sensitivity and frequency response of 40Hz–150Hz (!) ±3dB.
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John Atkinson Posted: Oct 22, 2010 0 comments
Also distributed in the US by Aaudio Imports, the German Lansche speakers feature a horn-loaded ionic "singing flame" tweeter similar to that used by Acapella, also from Germany. In an off-site demonstration Friday night, I listened to the company's impressive-sounding flagship, the $80,000/pair, 243-lb Cubus, which combines the ion tweeter with a horn-loaded midrange unit and an 18", reflex-loaded woofer. The Lansche display at RMAF featured the somewhat more affordable three-way No.5 speakers ($40,000/pair), driven by the Ypsilon Aelius monoblocks ($34,000/pair) and PST-100 tube preamplifier ($37,000). Cabling was by Stage III, power distribution by Weizhi, and the front-end was either a Bergmann Sleipner Reference turntable and tonearm ($54,000) or the Ypsilon CDT-100 CD transport and DAC-100 D/A processor. As with many of the rooms in the Tower, the room acoustics cramped what this expensive system was undoubtedly capable of producing. But I was sufficiently impressed by the presentation that I have asked for a sample of the Ypsilon preamp for Michael Fremer to review.
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Jason Victor Serinus Posted: Oct 22, 2010 10 comments
Photo: John Atkinson

t's one thing to know that you're attending what has quickly grown into the largest annual high-end show in the United States. It's something else entirely to try to take in even a third of the 180 exhibits that were spread over the width, breadth and height of the Denver Marriott Tech Center.

RMAF 2010 drew such a huge rush of attendees on the first day (October 15) as to cause at least one overly packed elevator to spend what seemed like a minute in limbo, considering whether it should dare try to ascend. When it finally determined to go up rather than crash down, it moved in fits and starts, and shuddered each time it reached a floor. I think more than one of its occupants took a vow then and there to finally lose some weight. Stereophile ran out of their new-at-the-Show November issue by the end of the second day, and when a member of the Colorado Audio Society donated his collection of back issues to us on Sunday (see the photo), they were all gone within minutes.

Show exhibits extended to eight packed floors, and down into the. . .

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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Welcome to retro city. Not only did the Quad ESL2805 speakers ($10,000/pair), Classic II integrated amp ($6000) and QC24 phono stage ($2449) look from another era, but the equally classic-looking Merrill-Williams turntable ($4000), clamp ring ($649), weight ($249), and 33/45 power supply ($1150) was playing Frank Sinatra's "Days of Wine and Roses."
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Stephen Mejias Posted: Oct 22, 2010 0 comments
I walked into Naim’s Uniti display to hear the Killers doing an alright impersonation of the Beatles. Who knew? The sound was very expressive—not a big sound, but an entirely friendly and welcoming sound—in touch with the emotion of the music.
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Jason Victor Serinus Posted: Oct 22, 2010 2 comments
Some of my happiest sonic experiences at RMAF arrived in the last two rooms I visited: the Tidal Audio/Argento Audio Cables/dCS showcase put together by Doug White of The Voice That Is (Newton Square, PA), and the Simon Yorke/CAT/Synergistic/Lansche exhibit assembled by Tim Nguyen of Tone of Music (San Francisco, CA).
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Stephen Mejias Posted: Oct 22, 2010 1 comments
A dream machine for the used LP lover: AudioDeskSysteme’s record cleaning machine cleans both sides of an 12” record simultaneously, quietly, and thoroughly, without any effort from the user. Just push a button and walk away. Five minutes later, the record is clean and dry. At $3495, however, it’s expensive. Such luxuries don’t come cheap.
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Stephen Mejias Posted: Oct 22, 2010 1 comments
Music Hall’s inexpensive USB turntable, the two-speed, belt-driven USB-1 ($249), uses an aluminum die-cast platter, has a groovy S-shaped tonearm equipped with an Audio-Technica AT3600L moving-magnet phono cartridge, and comes in a high-gloss black finish. Overall, it resembles something Run DMC might’ve brought to a gig.
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John Atkinson Posted: Oct 22, 2010 1 comments
DIY hi-fi used to be an important aspect of audio magazine content 30 and more years ago, but these days it has migrated almost completely to the Internet, with just Ed Dell's AudioXpress magazine still waving the roll-your-own flag in print. Sharing a stand at RMAF were two of the Internet's most notable DIY engineers, Jan Didden from Holland (left) and Bob Cordell from New Jersey (right), and both were venturing into the print medium. Bob had advance copies of his new tome Designing Audio Power Amplifiers for sale, which I will be reviewing in Stereophile early in the New Year. Jan had the first volume of his new bookzine Linear Audio, which has articles on audio design from Bob, as well as Doug Self, Joachim Gerhardt, Nelson Pass, Siegfried Linkwitz, and many others. But if you have any interest at all in the nuts and bolts of audio design, don't wait for my reviews of these books; check them out for yourself. There's audiophile gold within their pages!
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Stephen Mejias Posted: Oct 22, 2010 0 comments
And here’s the new HiFiMan HM-602 ($439) which offers much of the functionality of the larger HM-801, but lacks that model’s modular headphone amp. It uses a Philips TDA-1543 DAC, offers 16GB onboard flash memory, and is about the size of an iPod Classic. Cool.
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Stephen Mejias Posted: Oct 21, 2010 2 comments
See those little, white, star-shaped things? Those are room-tuning accessories from Stein Music. These were scattered, perhaps haphazardly, about the room—on the floor in front of an equipment rack (as seen here), as well as affixed to the walls and ceiling!
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Stephen Mejias Posted: Oct 21, 2010 0 comments
I was impressed by the looks and sound of PMC’s new Fact 3 monitor ($9500/pair). PMC’s Ian Verdugo explained that the company gave the model the “deluxe audiophile treatment,” with a completely new design and modified transmission line. Shown in an attractive Tiger Ebony finish, the Fact 3 uses two 5.5” SEAS mid/woofers and a 0.75” Sonomex soft-dome, ferro-fluid cooled tweeter. On the speaker’s brushed anodized rear panel, users will find two switches for adjusting the high frequency and bass response.
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Jason Victor Serinus Posted: Oct 21, 2010 0 comments
"Bring the concert home!" declared the Jones Audio brochure. The 18-month old company, whose products are "handcrafted" in Seattle, took advantage of RMAF to debut the Jones Audio PA-M300 monoblock amplifier ($24,000/pair). This 300W into 8 ohms, 560W into 4 ohms baby, which uses a 35 lb toroidal transformer, kept company with the Jones Pre-S2 preamplifier (approx. $11,000), the Revel Ultima Salon2 loudspeakers I've lusted after on multiple occasions ($22,000/pair), a Benchmark DAC1 Pre, and Kimber cabling with WBT connectors (approx. $1000 worth).
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Stephen Mejias Posted: Oct 21, 2010 0 comments
Audioaero’s LaSource ($44,000) combines an SACD/CD player with a preamp and DAC, and its “hybrid circuitry” makes use of 32-bit re-sampling technology and a “subminiature” tube output stage. It uses an Esoteric VRDS-NEO/VMK 5 transport mechanism and has a dedicated master clock for jitter and noise reduction.

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