RMAF 2010

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Oct 22, 2010 2 comments
Some of my happiest sonic experiences at RMAF arrived in the last two rooms I visited: the Tidal Audio/Argento Audio Cables/dCS showcase put together by Doug White of The Voice That Is (Newton Square, PA), and the Simon Yorke/CAT/Synergistic/Lansche exhibit assembled by Tim Nguyen of Tone of Music (San Francisco, CA).
Filed under
Stephen Mejias Posted: Oct 22, 2010 1 comments
A dream machine for the used LP lover: AudioDeskSysteme’s record cleaning machine cleans both sides of an 12” record simultaneously, quietly, and thoroughly, without any effort from the user. Just push a button and walk away. Five minutes later, the record is clean and dry. At $3495, however, it’s expensive. Such luxuries don’t come cheap.
Filed under
Stephen Mejias Posted: Oct 22, 2010 0 comments
I walked into Naim’s Uniti display to hear the Killers doing an alright impersonation of the Beatles. Who knew? The sound was very expressive—not a big sound, but an entirely friendly and welcoming sound—in touch with the emotion of the music.
Filed under
John Atkinson Posted: Oct 22, 2010 1 comments
DIY hi-fi used to be an important aspect of audio magazine content 30 and more years ago, but these days it has migrated almost completely to the Internet, with just Ed Dell's AudioXpress magazine still waving the roll-your-own flag in print. Sharing a stand at RMAF were two of the Internet's most notable DIY engineers, Jan Didden from Holland (left) and Bob Cordell from New Jersey (right), and both were venturing into the print medium. Bob had advance copies of his new tome Designing Audio Power Amplifiers for sale, which I will be reviewing in Stereophile early in the New Year. Jan had the first volume of his new bookzine Linear Audio, which has articles on audio design from Bob, as well as Doug Self, Joachim Gerhardt, Nelson Pass, Siegfried Linkwitz, and many others. But if you have any interest at all in the nuts and bolts of audio design, don't wait for my reviews of these books; check them out for yourself. There's audiophile gold within their pages!
Filed under
Stephen Mejias Posted: Oct 22, 2010 0 comments
And here’s the new HiFiMan HM-602 ($439) which offers much of the functionality of the larger HM-801, but lacks that model’s modular headphone amp. It uses a Philips TDA-1543 DAC, offers 16GB onboard flash memory, and is about the size of an iPod Classic. Cool.
Filed under
Stephen Mejias Posted: Oct 22, 2010 1 comments
Music Hall’s inexpensive USB turntable, the two-speed, belt-driven USB-1 ($249), uses an aluminum die-cast platter, has a groovy S-shaped tonearm equipped with an Audio-Technica AT3600L moving-magnet phono cartridge, and comes in a high-gloss black finish. Overall, it resembles something Run DMC might’ve brought to a gig.
Filed under
Stephen Mejias Posted: Oct 22, 2010 1 comments
Oswalds Mill Audio is doing something refreshing and beautiful, combining brilliant industrial design with a classic sense of style and a deep love for music.
Filed under
John Atkinson Posted: Oct 22, 2010 6 comments
...was the title of the seminar presented Sunday afternoon by Audio Precision's Jonathan Novick. Audio Precision manufactures high-performance test gear (including the systems used by Stereophile for its reviews) and Novick's presentation concerned, among other things, how graphs, as published by Stereophile, are more meaningful than single figures of merit and how conventional measurements can miss problems with amplifiers that are undoubtedly audible. I came away from this presentation with some ideas on how to improve the magazine's test regime, but most telling was Novick's final slide which paraphrased Albert Einstein: "Not all that matters can be measured. Not all that can be measured, matters!."
Filed under
John Atkinson Posted: Oct 22, 2010 1 comments
Source material in the Nola room was a pair of open-reel recorders from United Home Audio, but on the one piece I listened to, Mussorgsky's Pictures at an Exhibition, it sounded like a dub from LP. Not that there's anything wrong with that!
Filed under
Jason Victor Serinus Posted: Oct 22, 2010 10 comments
Photo: John Atkinson

t's one thing to know that you're attending what has quickly grown into the largest annual high-end show in the United States. It's something else entirely to try to take in even a third of the 180 exhibits that were spread over the width, breadth and height of the Denver Marriott Tech Center.

RMAF 2010 drew such a huge rush of attendees on the first day (October 15) as to cause at least one overly packed elevator to spend what seemed like a minute in limbo, considering whether it should dare try to ascend. When it finally determined to go up rather than crash down, it moved in fits and starts, and shuddered each time it reached a floor. I think more than one of its occupants took a vow then and there to finally lose some weight. Stereophile ran out of their new-at-the-Show November issue by the end of the second day, and when a member of the Colorado Audio Society donated his collection of back issues to us on Sunday (see the photo), they were all gone within minutes.

Show exhibits extended to eight packed floors, and down into the. . .

Filed under
Jason Victor Serinus Posted: Oct 22, 2010 4 comments
It's always a joy to encounter Todd Garfinkle of M•A Recordings. Here he shows his latest audiophile quality CD, Nama. Also available as a 24-bit/176.4kHz hi-rez DVD-ROM format in a plain package that belies the beauty of its contents, the recording is the rightful successor to M•A's Sera una Noche and La Segunda, and features some of the same superb Argentinean artists. I can't wait to take a listen, once I dig it out of my luggage.
Filed under
John Atkinson Posted: Oct 22, 2010 1 comments
Not only was the sound in the Larkspur Suite familiar, so were the speakers. The $80,000/pair Acapella High Violoncello IIs being demmed were the exact same pair that I had very favorably reviewed in the September issue of Stereophile. Amplification was all-Einstein, including The Tube preamp that Michael Fremer reviewed in October.
Filed under
Jason Victor Serinus Posted: Oct 22, 2010 1 comments
Jolida of Maryland sure knows how to produce good sound for people with limited budgets. Playing Leonard Cohen's classic "Back on Boogie Street" through iTunes, with all the sonic compromises that Apple's music server imposes on a system, Jolida's Glass FX tube DAC ($350) and Glass FX 25 Integrated hybrid amplifier ($350) still sounded great. This was not toy hi-fi; it was an indisputable portal into the real thing, with a musicality that put to shame some much more expensive systems I encountered at RMAF.
Filed under
Stephen Mejias Posted: Oct 22, 2010 4 comments
Jeffrey Catalano’s High Water Sound provided my very favorite musical experience of the 2010 Rocky Mountain Audio Fest. Along one wall of the room, there were stacks and stacks of vinyl records, an obvious sign of something good about to happen.
Filed under
Stephen Mejias Posted: Oct 22, 2010 1 comments
Photo: John Atkinson

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading