RMAF 2010

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Jason Victor Serinus Posted: Oct 22, 2010 4 comments
I was smitten by the sound of San Francisco-based dealer and distributor Tim Nguyen's Tone of Music equipment line-up at the California Audio Show. Tim's RMAF exhibit, which featured the Simon Yorke turntables he distributes, included the Simon Yorke S10 Record Player ($19,950), Convergent Audio Technology preamplifier ($9950) and Jl2 signature amp ($19,950), and Synergistic Research cabling. The big difference was the presence of the Lansche No.3 loudspeaker from Aaudio Imports ($30,000/pair in gloss black), a 2-way with 91dB sensitivity and frequency response of 40Hz–150Hz (!) ±3dB.
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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Galibier and Daedalus wanted to make sure they would not be missed. Their products surfaced, together and separately, in six different rooms in the top floor of the Marriott Tower.
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John Atkinson Posted: Oct 22, 2010 0 comments
Also distributed in the US by Aaudio Imports, the German Lansche speakers feature a horn-loaded ionic "singing flame" tweeter similar to that used by Acapella, also from Germany. In an off-site demonstration Friday night, I listened to the company's impressive-sounding flagship, the $80,000/pair, 243-lb Cubus, which combines the ion tweeter with a horn-loaded midrange unit and an 18", reflex-loaded woofer. The Lansche display at RMAF featured the somewhat more affordable three-way No.5 speakers ($40,000/pair), driven by the Ypsilon Aelius monoblocks ($34,000/pair) and PST-100 tube preamplifier ($37,000). Cabling was by Stage III, power distribution by Weizhi, and the front-end was either a Bergmann Sleipner Reference turntable and tonearm ($54,000) or the Ypsilon CDT-100 CD transport and DAC-100 D/A processor. As with many of the rooms in the Tower, the room acoustics cramped what this expensive system was undoubtedly capable of producing. But I was sufficiently impressed by the presentation that I have asked for a sample of the Ypsilon preamp for Michael Fremer to review.
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Jason Victor Serinus Posted: Oct 22, 2010 0 comments
Welcome to retro city. Not only did the Quad ESL2805 speakers ($10,000/pair), Classic II integrated amp ($6000) and QC24 phono stage ($2449) look from another era, but the equally classic-looking Merrill-Williams turntable ($4000), clamp ring ($649), weight ($249), and 33/45 power supply ($1150) was playing Frank Sinatra's "Days of Wine and Roses."
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Stephen Mejias Posted: Oct 22, 2010 0 comments
I walked into Naim’s Uniti display to hear the Killers doing an alright impersonation of the Beatles. Who knew? The sound was very expressive—not a big sound, but an entirely friendly and welcoming sound—in touch with the emotion of the music.
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Jason Victor Serinus Posted: Oct 22, 2010 2 comments
Some of my happiest sonic experiences at RMAF arrived in the last two rooms I visited: the Tidal Audio/Argento Audio Cables/dCS showcase put together by Doug White of The Voice That Is (Newton Square, PA), and the Simon Yorke/CAT/Synergistic/Lansche exhibit assembled by Tim Nguyen of Tone of Music (San Francisco, CA).
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Stephen Mejias Posted: Oct 22, 2010 1 comments
A dream machine for the used LP lover: AudioDeskSysteme’s record cleaning machine cleans both sides of an 12” record simultaneously, quietly, and thoroughly, without any effort from the user. Just push a button and walk away. Five minutes later, the record is clean and dry. At $3495, however, it’s expensive. Such luxuries don’t come cheap.
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Stephen Mejias Posted: Oct 22, 2010 1 comments
Music Hall’s inexpensive USB turntable, the two-speed, belt-driven USB-1 ($249), uses an aluminum die-cast platter, has a groovy S-shaped tonearm equipped with an Audio-Technica AT3600L moving-magnet phono cartridge, and comes in a high-gloss black finish. Overall, it resembles something Run DMC might’ve brought to a gig.
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John Atkinson Posted: Oct 22, 2010 1 comments
DIY hi-fi used to be an important aspect of audio magazine content 30 and more years ago, but these days it has migrated almost completely to the Internet, with just Ed Dell's AudioXpress magazine still waving the roll-your-own flag in print. Sharing a stand at RMAF were two of the Internet's most notable DIY engineers, Jan Didden from Holland (left) and Bob Cordell from New Jersey (right), and both were venturing into the print medium. Bob had advance copies of his new tome Designing Audio Power Amplifiers for sale, which I will be reviewing in Stereophile early in the New Year. Jan had the first volume of his new bookzine Linear Audio, which has articles on audio design from Bob, as well as Doug Self, Joachim Gerhardt, Nelson Pass, Siegfried Linkwitz, and many others. But if you have any interest at all in the nuts and bolts of audio design, don't wait for my reviews of these books; check them out for yourself. There's audiophile gold within their pages!
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Stephen Mejias Posted: Oct 22, 2010 0 comments
And here’s the new HiFiMan HM-602 ($439) which offers much of the functionality of the larger HM-801, but lacks that model’s modular headphone amp. It uses a Philips TDA-1543 DAC, offers 16GB onboard flash memory, and is about the size of an iPod Classic. Cool.
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Stephen Mejias Posted: Oct 22, 2010 1 comments
Oswalds Mill Audio is doing something refreshing and beautiful, combining brilliant industrial design with a classic sense of style and a deep love for music.
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John Atkinson Posted: Oct 22, 2010 6 comments
...was the title of the seminar presented Sunday afternoon by Audio Precision's Jonathan Novick. Audio Precision manufactures high-performance test gear (including the systems used by Stereophile for its reviews) and Novick's presentation concerned, among other things, how graphs, as published by Stereophile, are more meaningful than single figures of merit and how conventional measurements can miss problems with amplifiers that are undoubtedly audible. I came away from this presentation with some ideas on how to improve the magazine's test regime, but most telling was Novick's final slide which paraphrased Albert Einstein: "Not all that matters can be measured. Not all that can be measured, matters!."
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John Atkinson Posted: Oct 22, 2010 1 comments
Source material in the Nola room was a pair of open-reel recorders from United Home Audio, but on the one piece I listened to, Mussorgsky's Pictures at an Exhibition, it sounded like a dub from LP. Not that there's anything wrong with that!
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Jason Victor Serinus Posted: Oct 22, 2010 4 comments
It's always a joy to encounter Todd Garfinkle of M•A Recordings. Here he shows his latest audiophile quality CD, Nama. Also available as a 24-bit/176.4kHz hi-rez DVD-ROM format in a plain package that belies the beauty of its contents, the recording is the rightful successor to M•A's Sera una Noche and La Segunda, and features some of the same superb Argentinean artists. I can't wait to take a listen, once I dig it out of my luggage.
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John Atkinson Posted: Oct 22, 2010 1 comments
Not only was the sound in the Larkspur Suite familiar, so were the speakers. The $80,000/pair Acapella High Violoncello IIs being demmed were the exact same pair that I had very favorably reviewed in the September issue of Stereophile. Amplification was all-Einstein, including The Tube preamp that Michael Fremer reviewed in October.

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