CAS 2010

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Jason Victor Serinus Posted: Aug 02, 2010 19 comments
Grant Fidelity of Calgary, Canada specializes in low-cost, high-value equipment from China. To get an idea of the huge number of components on display by the company whose motto is "Hi-End, Not High Priced," please check out the list on their website. There you'll find a complete list of components on display, descriptions, and pricing. You'll even discover a host of photos taken at the show.
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Jason Victor Serinus Posted: Aug 02, 2010 1 comments
How can you not love these adorable little components with the lovely little sound? With tube holders that glow in the dark, these cuties are manufactured and designed for Fremont, CA-based Napa Acoustic by Mistral in China.
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Jason Victor Serinus Posted: Aug 02, 2010 0 comments
Once again, Acoustic Zen's Robert Lee had me lusting after his Crescendo loudspeakers ($16,000/pair). This time, they were ensconced in the elegantly appointed Elite Audio Systems room put together by proprietor Michael Woods of San Francisco.
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Jason Victor Serinus Posted: Aug 02, 2010 1 comments
Given how impressed John Atkinson and I were by the combination of Acapella High Violoncello II speakers ($80,000/pair) and Einstein electronics demmed at Axpona 2010 and CES last January, I was eagerly anticipating another opportunity to enjoy these imposing babies. The opportunity came in the room co-sponsored by Loggie Audio of Redwood City and Aaudio Imports. (They were the same samples that until recently had resided in JA's listening room for his review in the forthcoming September issue.)
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Jason Victor Serinus Posted: Aug 01, 2010 13 comments
The Simon Yorke S10 Record Player ($19,950), now imported into the US by Tim Nguyen's Tone of Audio in San Francisco, is the replacement for the former Simon Yorke S7. That's the table Michael Fremer used as his reference for 10 years until the far, far more expensive Continuum Labs Caliburn entered his life in 2006. The new S10 is completely hand-machined on a lathe by Simon and his son Spencer from solid raw blocks of aluminum and non-magnetic iron.
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
Teresonic's pairing with Garth Leerer's Musical Surroundings was full of surprises. I confess that I have not enjoyed Mike Zivkovic's single-driver Lowther-powered speakers in the past, finding them unduly bright. Here, they sounded very warm and inviting.
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
Electrocompaniet's display had something for everyone. In their entry room, Electrocompaniet's US distributor, Peder Beckman of Oakland, was demming a small system and a medium system. With prayers that I am not assailed in the comments section for going for Electrocompaniet's high-end system, I headed through a terribly squeaky door for the second room, where Peder's partner, Adam Piotrowski, was showing the Nordic Tone loudspeakers ($29,500/pair), EMC-1UP CD player ($7290), EMP-1 SACD/DVD player ($9990), EC4.8 preamp ($4990), and AW600 Nemo monoblocks ($8950 each). I was especially interested in hearing the Nordic Tones, which created a fair amount of buzz at CES 2010.
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Jason Victor Serinus Posted: Aug 01, 2010 2 comments
An experience in the impressive room assembled by highend-electronics of Apple Valley, CA emphasized the importance of carefully choosing your demonstration discs. As I settled into my seat, a very assertive visitor asked if he could audition two CDs that he brings along to check out deficiencies in equipment. Once obliged, he began to assault us with two tracks of raucous, ear-burning music. I watched the folks next to me wiggle with discomfort as I put my fingers to my ears on the second track.
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Jason Victor Serinus Posted: Aug 01, 2010 2 comments
One of the high points of my time blogging the first Stereophile-sponsored Axpona Show in Jacksonville was hearing the Audience ClairAudient 16+16 loudspeakers and meeting John McDonald. This time, John went from extremely large to relatively small. Instead of the 16+16 or 8+8, he brought his smallest loudspeakers, the Audience ClairAudient 2+2 ($5000/pair), augmented by a prototype ClairAudient subwoofer ($5000).
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
The California Audio Show welcomed the debut showing of the eye-catching JIB line of cables. I say eye-catching because the diminutive sound system at one end of the room was intended solely to provide soft background music for a static display.
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Jason Victor Serinus Posted: Aug 01, 2010 5 comments
How this Oakland resident has lived all these years without knowing about the Profundo distributors in El Cerrito, just two cities over, is beyond me. Regardless, I'm sure glad I got to meet them, because their combination of Transfiguration, Trenner & Friedl, and Heed was making extremely mellow sound. Whether it was Norah Jones singing "Not Too Late" or Bruce Springstein's LP, Ghost of Tom Joad, the system sounded beautiful, smooth, and extremely musical.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
The sound was especially alluring in the Eficion/Stillpoint/Berning/Exemplar room. On display were Eficion F-250 loudspeakers ($8950/pair), Berning Quadrature Z 200W ZOTL monoblocks ($33,000/pair), Exemplar XP2 preamplifier ($12,999, and due for a new chassis of zero-absorption stablewood), Exemplar Expo multi-player ($2500), Stillpoints Isolation System rack ($4800), and prototype power cords, interconnects, and speaker wire. The beauty of Oscar Peterson's playing on First Impression Music's (FIM) We Get Reports, and the rawness of 96/24 Pink Floyd master tracks, left me both wanting to hear the Eficion F-250s at Casa Bellecci-Serinus, and lusting for a Stillpoints rack. The music was so compelling that I was left wondering what the larger, two-piece Eficion F-300 loudspeaker, which I've enthusiastically blogged on other occasions, would sound like when Stillpoints isolation is used under the speaker and between its two boxes.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Kara Chafee of deHavilland/KE Engineering was excited to show off her KE Engineering/deHavilland Model 222 Magnetic Tape Playback Preamplifier ($1995). It, the deHavilland Mercury III linestage preamp with remote ($4495), Sonist Concerto 3, 95dB-sensitive, floorstanding loudspeakers ($3495/pair, or $4195/pair in all wood), and top-of-the-line Wireworld Cable Technology Platinum Eclipse interconnects ($4300/1.5m/pair), Platinum Eclipse speaker cable ($13,3000 for a 2m bi-wired pair), and Silver Electra power cords ($700/2m) arrived intact at the Show. So did the Cary 306 SACD/CD player ($8000), Acoustic Revive power conditioners ($1500 and $2400), vintage 7½ips tape deck (priceless), and a small collection of eBay-sourced tapes. But the deHavilland KE50A monoblock power amplifiers ($9995/pair) that were also shipped were nowhere to be found.
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Jason Victor Serinus Posted: Jul 31, 2010 3 comments
When I entered the Audio Note UK room, someone was in the midst of auditioning a CD of exotic Chinese instruments. The strings sounded beautiful, the highs lovely. On solo piano, the system had a very quiet, enticingly crystalline purity. Soprano Elly Ameling's voice sounded equally beautiful, the voice clear and radiant, even though her piano accompaniment was strangely bloated and over-emphasized. That was no doubt due to room problems that other exhibitors tried to tame with ASC Tube Traps.
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Jason Victor Serinus Posted: Jul 31, 2010 3 comments
The imposing Lotus Group Granada UB II loudspeaker ($125,000/pair), complete with an active crossover and Feastrex Type II field-coil driver, was sounding the best I've ever heard it. The system as a whole was a bit dark for my taste, but a track from Esperanza Spalding's new disc, Chamber Music Society, was just beautiful. Everyone in the room loved it.

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