CAS 2010

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Jason Victor Serinus Posted: Aug 02, 2010 7 comments
Just as I entered Emeryville's Hilton Garden Inn on the final day of the show, YG Acoustics' Yoav Geva (fourth from left) and his extended family were making their first visit to the Hilton. Filling most of an elevator, our little passel of smiling faces made its way to the YG Acoustics room.
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Jason Victor Serinus Posted: Aug 02, 2010 5 comments
Fritz Heiler of southern California has been building custom loudspeaker systems for 37 years. Called into action at CAS 2010 were his Carbon 7s ($1750/pair shipped, or $1650/pair for show attendees who acted in time). Equipped with ScanSpeak drivers, these babies have a frequency response of 39Hz–20kHz, ±3dB, and a sensitivity of 88dB. Their special crossover is free of caps and resistors, having only one small inductor on the mid/bass driver.
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Jason Victor Serinus Posted: Aug 02, 2010 0 comments
Given the size and promise of this system, I was eager to audition it with Mahler's Symphony No.2. Through the Tigris 8" tower speakers ($9500/pair), Cinénova Grande 7 seven-channel power amplifier in two front-channel mode ($5999/piece), older B&K Reference 50 processor, Cambridge Audio Azur 840C CD player ($1700), Ethereal interconnects, and Nordost Valhalla speaker cable, the low bass was disconcertingly disconnected from the other instruments in Mahler's Symphony No.2. Given that the subwoofer was not being used, I have no explanation, either for that, or for a gray and muted palette that lacked all sense of air. I prefer to think that this system was particularly hard-hit by the power fluctuations and room challenges that I describe in my show summation.
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Jason Victor Serinus Posted: Aug 02, 2010 0 comments
Music Lovers Audio of Berkeley and San Francisco had the big and small of the Wadia line on display. When I entered the room, the Wadia 571 CD/digital preamp/DAC ($13,950) was on standby, and Wadia's diminutive 170 Transport iPod dock ($379) and 151 PowerDACMini ($1195) were doing the iPhone.
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Jason Victor Serinus Posted: Aug 01, 2010 2 comments
An experience in the impressive room assembled by highend-electronics of Apple Valley, CA emphasized the importance of carefully choosing your demonstration discs. As I settled into my seat, a very assertive visitor asked if he could audition two CDs that he brings along to check out deficiencies in equipment. Once obliged, he began to assault us with two tracks of raucous, ear-burning music. I watched the folks next to me wiggle with discomfort as I put my fingers to my ears on the second track.
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Jason Victor Serinus Posted: Aug 01, 2010 2 comments
One of the high points of my time blogging the first Stereophile-sponsored Axpona Show in Jacksonville was hearing the Audience ClairAudient 16+16 loudspeakers and meeting John McDonald. This time, John went from extremely large to relatively small. Instead of the 16+16 or 8+8, he brought his smallest loudspeakers, the Audience ClairAudient 2+2 ($5000/pair), augmented by a prototype ClairAudient subwoofer ($5000).
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
The California Audio Show welcomed the debut showing of the eye-catching JIB line of cables. I say eye-catching because the diminutive sound system at one end of the room was intended solely to provide soft background music for a static display.
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Jason Victor Serinus Posted: Aug 01, 2010 5 comments
How this Oakland resident has lived all these years without knowing about the Profundo distributors in El Cerrito, just two cities over, is beyond me. Regardless, I'm sure glad I got to meet them, because their combination of Transfiguration, Trenner & Friedl, and Heed was making extremely mellow sound. Whether it was Norah Jones singing "Not Too Late" or Bruce Springstein's LP, Ghost of Tom Joad, the system sounded beautiful, smooth, and extremely musical.
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Jason Victor Serinus Posted: Aug 01, 2010 13 comments
The Simon Yorke S10 Record Player ($19,950), now imported into the US by Tim Nguyen's Tone of Audio in San Francisco, is the replacement for the former Simon Yorke S7. That's the table Michael Fremer used as his reference for 10 years until the far, far more expensive Continuum Labs Caliburn entered his life in 2006. The new S10 is completely hand-machined on a lathe by Simon and his son Spencer from solid raw blocks of aluminum and non-magnetic iron.
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
Teresonic's pairing with Garth Leerer's Musical Surroundings was full of surprises. I confess that I have not enjoyed Mike Zivkovic's single-driver Lowther-powered speakers in the past, finding them unduly bright. Here, they sounded very warm and inviting.
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Jason Victor Serinus Posted: Aug 01, 2010 0 comments
Electrocompaniet's display had something for everyone. In their entry room, Electrocompaniet's US distributor, Peder Beckman of Oakland, was demming a small system and a medium system. With prayers that I am not assailed in the comments section for going for Electrocompaniet's high-end system, I headed through a terribly squeaky door for the second room, where Peder's partner, Adam Piotrowski, was showing the Nordic Tone loudspeakers ($29,500/pair), EMC-1UP CD player ($7290), EMP-1 SACD/DVD player ($9990), EC4.8 preamp ($4990), and AW600 Nemo monoblocks ($8950 each). I was especially interested in hearing the Nordic Tones, which created a fair amount of buzz at CES 2010.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Acoustic Science Corp's Chris Klein had his work cut out for him. His Tube Traps were in eight rooms at the show.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Back in the Audio Image room, one day later, Bob Kehn was showing the King Audio The King electrostats ($8500/pair). Before I arrived, these lovely panels were paired with VAC amplification. Unfortunately, those babies didn't have enough juice for the Kings. Upon the urging of Bob Walters, coordinator of the Bay Area Audiophile Society, the VACs that sounded so good on the Magico V-2 were traded for Aesthetix's Atlas Hybrid amp ($8000) and Janus Signature preamp/phono ($10,000).
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Jason Victor Serinus Posted: Jul 31, 2010 7 comments
Gary Leonard Koh's Genesis 7.1 loudspeaker ($7999/pair) has never sounded as good, clear, and invitingly transparent as it does right now in Marc Silver's Soundscape Audio & Video Room (Santa Rosa, CA). I was mesmerized by an LP of Les Brown and His Band of Renown, and again in love with the FIM/Puget Sound Studios remastering of Oscar Peterson's We Get Requests.
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Jason Victor Serinus Posted: Jul 31, 2010 0 comments
Even if equipment is as excellent as it was in the Eficion/Stillpoints room, no system can sound better than its source material. On that score, I doubt any room save Cookie Marenco's Blue Coast Studios set-up, which was recording acoustic musicians live to DSD, could top Bruce A. Brown's hi-rez files. Bruce's Puget Sound Studios not only does all the mastering for Winston Ma's First Impressions Music (FIM), but also supplies all the 96/24 hi-res tracks for the Chesky Bros' HDTracks site.

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