SSI 2010

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Stephen Mejias Posted: Mar 26, 2010 0 comments
The Antique Sound Lab AQ 1001 Mk.II integrated amplifier ($1995) did a fine job of driving Reference 3A’s Grand Veena loudspeakers to concert hall levels. The AQ 1001 Mk.II is rated to deliver 50W in pentode mode and 25W in triode mode, and offers manual bias adjustment for each tube. The latest incarnation of this long-standing design incorporates new output transformers with no negative feedback and a choke-regulated power supply for “a faster and more dynamic sound,” Reference 3A’s Tash Goka told me.
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Robert Deutsch Posted: Mar 26, 2010 6 comments
Shows like SSI are about the cutting edge in audio, with the latest and (purportedly) greatest on display and demonstration. Given this, I always get a kick out of spotting a piece of equipment that just does not seem to belong in such august company. This Sanyo JCX 2600K stereo receiver is from another era—circa 1978–1981 according to the ever-helpful Google search. Looks like it's in great shape. I spotted it on a shelf in an area of the show where they were setting up racks of LPs for sale. What was it doing there? I have no idea. Wonder how it compares sonically with the latest-and-greatest?
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John Atkinson Posted: Mar 26, 2010 0 comments
The Salon Son & Image has been organized for the past 4 years by Michel Plante and Sarah Tremblay, who were to be seen everywhere on the Show's opening day. I have been involved in running Shows for almost 30 years, and I must say that from the visitors' perspective and, I hope, the exhibitors', the 2010 event was superbly organized. Good signage, a great venue, and overall good sound, I take my hat off to Michel and Sarah. They even partnered with CEDIA for the first time at the 2010 Show to present "CEDIA University," a series of training seminars for custom installation. The evening of the first day, Michel thanked everyone in a short speech at the opening reception and wished them "Bon Salon!" before handing the stage over to the Give Band.
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Art Dudley Posted: Mar 26, 2010 9 comments
Next door to Cabasse, Samuel and Jean-Pierre of L'Atelier-Audio had somewhat less English—and my command of French is virtually non-existent. But I had no trouble understanding the music played through their Ocellia Calliope 30 Twin Signature loudspeakers (exhibited in pre-production form, price TBD), driven by their Quaero 300B push-pull amps ($15,000/pair) and Quaero Signature preamp ($9000). As with all Ocellia loudspeakers, the very efficient Calliope 30 Twins use high-sensitivity drivers from the French company Phy, and the exquisitely beautiful cabinets are built with intentionally very thin walls, braced in a manner not unlike a guitar or violin, and equipped with an adjustable port/open baffle system for matching the loudspeaker to the volume of air in the listening room. The performance was lovely, insofar as I could tell in such an unavoidably setting, and I've requested a pair for review.
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John Atkinson Posted: Mar 26, 2010 0 comments
I was also impressed by the sound of the $7000/pair Joseph Pulsar stand-mount that Stephen Mejias blogged about. What was notable about the set-up was that, in order to tame the hotel room acoustic, Jeff had set-up the speakers, driven by Simaudio's new 175Wpc Moon 700i integrated amplifier via Cardas Clear cables, to fire across the room's diagonal. If you have problems getting an optimal transition between the mid-bass and upper bass in your room, you might want to try this set-up (significant other not objecting, of course).
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Stephen Mejias Posted: Mar 26, 2010 2 comments
With the Joseph Audio Pulsar ($7000/pair), introduced at the 2009 CES, Jeff Joseph’s goal was to turn his top-of-the-line Pearl into “a convenient, single-serving size speaker with real bass slam.” The Pearl’s 1” tweeter is mated to a magnesium-done woofer made by Seas to Joseph’s specs. Joseph explained that the Pulsar is designed to radiate sound evenly over a very wide angle to avoid wave interference, and make for simple placement and good sound throughout the listening room.
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Stephen Mejias Posted: Mar 26, 2010 0 comments
Hathor Acoustik takes its name from the Ancient Egyptian goddess said to have the ability to “cure humanity with her song,” explained designer Luc Allair (right). Salon Son & Image 2010 presents the debut of Hathor’s Reference loudspeaker ($20,000 CAN). Partnered with an elegant, all-Naim system, including CDX2 player, NAC 252 preamp, and NAP 250 amplifier, the Hathors produced a warm, inviting sound, marked by an especially wide and deep soundstage and fleshy, well-focused images.
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John Atkinson Posted: Mar 26, 2010 3 comments
Like Art Dudley below, I started my first day at SSI at the Coup de Foudre room featuring DeVore speakers and Leben amplification. And like Art, I was impressed by the sound, listening to LPs of Skip James and Gil Scott-Heron. (John and Jonathan never play audiophile favorites.) And note the judicious use of the hotel's bed heads, usually hanging on the wall, in front of the window alcove to tame the room acoustics. Good Show sound benefits from the prepared mind—or something.
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Robert Deutsch Posted: Mar 26, 2010 3 comments
In home theater, the latest thing is 3D TV, and while Stereophile doesn’t normally cover Home Theater, I just had to check out the Sony and Samsung 3D demos. With the high-end "shuttered” glasses, the 3D effect was quite startling. However, I thought I’d have a go at producing a 3D-like effect with a 2D image. So here's a photo of Stereophile's assistant editor and blogger Stephen Mejias coming right at you from Montreal—and no shuttered glasses needed! Sony/Samsung, eat your heart out. (For the photographically inclined: this was shot with a Panasonic GF1, 7-14mm Panasonic lens set at 7mm. I love this lens!)
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Stephen Mejias Posted: Mar 26, 2010 4 comments
I was intrigued by Grant Fidelity’s small B283 Mk.II tube processor ($225). Placed between a source component and integrated amplifier or between a preamp and amp, the B283 offers users the ability to “feel the difference of tube sound versus solid-state sound, and to experiment with tube-rolling,” Rachel Zhang explained. Interestingly, guitarists have also been known to use the B283 in front of their solid-state amps. Neat.
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Art Dudley Posted: Mar 26, 2010 15 comments
Of one room I can honestly say: The sound pulled me in. A succession of convincingly deep, tactile drumbeats caught my ear, and I followed the thwacks to Cabasse, where the Sphère ($150,000/pair, more or less, and reviewed by Michael Fremer a year or so back) held court, driven by Cabasse's own Bel Canto-sourced amps; the Cabasse outboard digital crossover; and McIntosh's C2300 preamp and MCD500 SACD/CD player. No less impressive was Christophe Cabasse himself (left), who patiently led me through the Sphère's impressive technical background—in English, I'm thankful to say. Monsieur Cabasse also reminded me that his company celebrates its 60th anniversary this year, having been founded by Georges Cabasse (père) all the way back in 1960.
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John Atkinson Posted: Mar 26, 2010 2 comments
The Give Band's singer/flute player, Caroline St. Louis, was last seen on this Show report wearing a blue wig at the ticket counter. Wearing a wireless mike, she danced and sang to impressive effect.
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Stephen Mejias Posted: Mar 26, 2010 0 comments
The DSPeaker Servo loudspeaker ($3500/pair) is also available in matte white finish. Here, we see a rear view. The speaker cabinets are made of MDF and feature several different internal damping materials.
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Stephen Mejias Posted: Mar 25, 2010 2 comments
You’ve heard this before from us, but only because it’s true and remains an important point: A great part of the fun (and, therefore, value) in attending hi-fi shows comes from the chance encounters that inevitably take place in the show halls. We’re all trying to get somewhere fast, and these encounters invariably slow us down, but almost always for the better. We get to see the people who work so hard to bring great music into our homes. Here, for instance, I had the pleasure of bumping into Ayre Acoustics’ Steve Silberman (left) and Magico’s Irv Gross (far right).
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Stephen Mejias Posted: Mar 25, 2010 0 comments
Simple "Enter" signs posted on exhibitors' doors, and made to match the color of the show hall, work to create a welcoming environment at SSI 2010.

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