SSI 2010

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Stephen Mejias Posted: Mar 27, 2010 15 comments
Here we see John Atkinson caressing the relatively compact Vivid B1 loudspeaker ($15,000/pair). With the help of a second rear-mounted mid-woofer, the B1 produces a sound far larger than its modest proportions. On A Higher Note’s Philip O’Hanlon tells us that women, in particular, have been fond of this speaker.
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Art Dudley Posted: Mar 27, 2010 6 comments
Maybe I don't know everything after all. In all candor, Legacy loudspeakers had never struck me as the sorts of things I might like. But here at FSI, driven by an attractive Ayon Triton integrated amplifier ($8500), itself fed by an Ayon CD-5 CD player ($9450), I very much enjoyed the big Legacy Whisper XD speakers ($20,000/pair). I wasn't surprised by the punchy, wide-range presentation, but there was a lot more realistic texture and timbral color than I ever expected. And the very nice young couple who ran the suite were patient with my seemingly limitless supply of inane questions. A fine experience.
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Art Dudley Posted: Mar 27, 2010 2 comments
On a number of occasions I've heard the CD-77 CD player from Abbingdon Music Research sound wonderful: organic, textured, and altogether analogish. Today was no exception, as proven by the latest 77.1 version of the AMR player ($9995), distributed in the US by Avatar Acoustics. (Avatar also distributes the unique tuning accessories made by Franck Tchang of Acoustic Systems International.) Other components on dem were a beautiful tube preamp and power amp from Japan's Mactone (price to be determined) and Teo Audio's interesting new Runa loudspeaker (projected to sell for $12,000/pair), all wired together with the latest interconnects and cables from the Teo-distributed Liquid Cable. The system was invitingly detailed without a trace of tizz, and while I'm not the sort who obsesses over imaging, I admit that I was charmed by the Teo speakers' very inviting spatial qualities. Also on display but in use during my visit was the Feickert Blackbird turntable (approximately $7500), for which the word "interesting" seems a cruel understatement.
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Stephen Mejias Posted: Mar 27, 2010 1 comments
As Art mentioned, Totem always does an outstanding job of transforming a simple room into an environment, and at SSI 2010, they surpassed all of their previous efforts. Here’s a look at a row of Totem Tribe on-walls, dressed in new skins. As loudspeakers are often viewed as the most personal component of any system, it makes fine sense to offer the option of truly personalizing them with art. I can imagine buyers selecting fabrics that match their furnishings, or using their favorite artwork, or even creating their own designs.
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Stephen Mejias Posted: Mar 27, 2010 3 comments
“If you don’t mind, ladies and gentleman, I’m going to play you something you don’t ordinarily hear at an audiophile show,” states On A Higher Note’s Philip O’Hanlon, as he moves across the floor and inserts a disc into the lovely Luxman D-06 SACD/CD player ($8500).
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John Atkinson Posted: Mar 27, 2010 2 comments
I first heard the battery-powered amplification from Veloce at the 2009 SSI; this year the Philadelphia-based company was sharing a room with YG Acoustics, whose 3-way Kipod speakers ($38,500/pair) were being driven by the V6 mono 180W amplifiers ($12,500/pair) via Kubala-Sosna Emotion cables. A V.Y.G.R. Baltic M turntable, fitted with a 12" SME 312 tonearm and Air Tight PC-1 cartridge fed Veloce's new LP-1 transformer-based phono module ($3000) and the Veloce Platino LS-1 tube preamp.
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Stephen Mejias Posted: Mar 26, 2010 0 comments
Hathor Acoustik takes its name from the Ancient Egyptian goddess said to have the ability to “cure humanity with her song,” explained designer Luc Allair (right). Salon Son & Image 2010 presents the debut of Hathor’s Reference loudspeaker ($20,000 CAN). Partnered with an elegant, all-Naim system, including CDX2 player, NAC 252 preamp, and NAP 250 amplifier, the Hathors produced a warm, inviting sound, marked by an especially wide and deep soundstage and fleshy, well-focused images.
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John Atkinson Posted: Mar 26, 2010 3 comments
Like Art Dudley below, I started my first day at SSI at the Coup de Foudre room featuring DeVore speakers and Leben amplification. And like Art, I was impressed by the sound, listening to LPs of Skip James and Gil Scott-Heron. (John and Jonathan never play audiophile favorites.) And note the judicious use of the hotel's bed heads, usually hanging on the wall, in front of the window alcove to tame the room acoustics. Good Show sound benefits from the prepared mind—or something.
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Robert Deutsch Posted: Mar 26, 2010 3 comments
In home theater, the latest thing is 3D TV, and while Stereophile doesn’t normally cover Home Theater, I just had to check out the Sony and Samsung 3D demos. With the high-end "shuttered” glasses, the 3D effect was quite startling. However, I thought I’d have a go at producing a 3D-like effect with a 2D image. So here's a photo of Stereophile's assistant editor and blogger Stephen Mejias coming right at you from Montreal—and no shuttered glasses needed! Sony/Samsung, eat your heart out. (For the photographically inclined: this was shot with a Panasonic GF1, 7-14mm Panasonic lens set at 7mm. I love this lens!)
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Art Dudley Posted: Mar 26, 2010 15 comments
Of one room I can honestly say: The sound pulled me in. A succession of convincingly deep, tactile drumbeats caught my ear, and I followed the thwacks to Cabasse, where the Sphère ($150,000/pair, more or less, and reviewed by Michael Fremer a year or so back) held court, driven by Cabasse's own Bel Canto-sourced amps; the Cabasse outboard digital crossover; and McIntosh's C2300 preamp and MCD500 SACD/CD player. No less impressive was Christophe Cabasse himself (left), who patiently led me through the Sphère's impressive technical background—in English, I'm thankful to say. Monsieur Cabasse also reminded me that his company celebrates its 60th anniversary this year, having been founded by Georges Cabasse (père) all the way back in 1960.
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Stephen Mejias Posted: Mar 26, 2010 4 comments
I was intrigued by Grant Fidelity’s small B283 Mk.II tube processor ($225). Placed between a source component and integrated amplifier or between a preamp and amp, the B283 offers users the ability to “feel the difference of tube sound versus solid-state sound, and to experiment with tube-rolling,” Rachel Zhang explained. Interestingly, guitarists have also been known to use the B283 in front of their solid-state amps. Neat.
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John Atkinson Posted: Mar 26, 2010 2 comments
The Give Band's singer/flute player, Caroline St. Louis, was last seen on this Show report wearing a blue wig at the ticket counter. Wearing a wireless mike, she danced and sang to impressive effect.
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Stephen Mejias Posted: Mar 26, 2010 0 comments
The DSPeaker Servo loudspeaker ($3500/pair) is also available in matte white finish. Here, we see a rear view. The speaker cabinets are made of MDF and feature several different internal damping materials.
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Stephen Mejias Posted: Mar 26, 2010 4 comments
Hathor Acoustik takes its name from the Ancient Egyptian goddess said to have the ability to “cure humanity with her song,” explained designer Luc Allair (right). Salon Son & Image 2010 presents the debut of Hathor’s Reference loudspeaker ($20,000 CAN). Partnered with an elegant, all-Naim system, including CDX2 player, NAC 252 preamp, and NAP 250 amplifier, the Hathors produced a warm, inviting sound, marked by an especially wide and deep soundstage and fleshy, well-focused images.
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Stephen Mejias Posted: Mar 26, 2010 2 comments
I walked into the Reference 3A room to be greeted by an impressive orchestral piece. I heard massed strings and scintillating cymbal crashes and booming percussion, all presented with great impact, drama, and scale. Speakers were the Reference 3A Grand Veena ($7995/pair), rated at 89dB efficiency and utilizing five “seamlessly integrated drivers,” including a Murata Exciter for the highest frequencies. Designer Tash Goka explained that the angle of the Grand Veena’s front baffle and the precise positioning of the speaker’s drivers work together to achieve a coherent phase response.

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