SSI 2010

Sort By: Post Date | Title | Publish Date
Filed under
Art Dudley Posted: Mar 27, 2010 6 comments
Maybe I don't know everything after all. In all candor, Legacy loudspeakers had never struck me as the sorts of things I might like. But here at FSI, driven by an attractive Ayon Triton integrated amplifier ($8500), itself fed by an Ayon CD-5 CD player ($9450), I very much enjoyed the big Legacy Whisper XD speakers ($20,000/pair). I wasn't surprised by the punchy, wide-range presentation, but there was a lot more realistic texture and timbral color than I ever expected. And the very nice young couple who ran the suite were patient with my seemingly limitless supply of inane questions. A fine experience.
Filed under
Art Dudley Posted: Mar 27, 2010 2 comments
On a number of occasions I've heard the CD-77 CD player from Abbingdon Music Research sound wonderful: organic, textured, and altogether analogish. Today was no exception, as proven by the latest 77.1 version of the AMR player ($9995), distributed in the US by Avatar Acoustics. (Avatar also distributes the unique tuning accessories made by Franck Tchang of Acoustic Systems International.) Other components on dem were a beautiful tube preamp and power amp from Japan's Mactone (price to be determined) and Teo Audio's interesting new Runa loudspeaker (projected to sell for $12,000/pair), all wired together with the latest interconnects and cables from the Teo-distributed Liquid Cable. The system was invitingly detailed without a trace of tizz, and while I'm not the sort who obsesses over imaging, I admit that I was charmed by the Teo speakers' very inviting spatial qualities. Also on display but in use during my visit was the Feickert Blackbird turntable (approximately $7500), for which the word "interesting" seems a cruel understatement.
Filed under
Stephen Mejias Posted: Mar 27, 2010 1 comments
As Art mentioned, Totem always does an outstanding job of transforming a simple room into an environment, and at SSI 2010, they surpassed all of their previous efforts. Here’s a look at a row of Totem Tribe on-walls, dressed in new skins. As loudspeakers are often viewed as the most personal component of any system, it makes fine sense to offer the option of truly personalizing them with art. I can imagine buyers selecting fabrics that match their furnishings, or using their favorite artwork, or even creating their own designs.
Filed under
Stephen Mejias Posted: Mar 27, 2010 3 comments
“If you don’t mind, ladies and gentleman, I’m going to play you something you don’t ordinarily hear at an audiophile show,” states On A Higher Note’s Philip O’Hanlon, as he moves across the floor and inserts a disc into the lovely Luxman D-06 SACD/CD player ($8500).
Filed under
John Atkinson Posted: Mar 27, 2010 2 comments
I first heard the battery-powered amplification from Veloce at the 2009 SSI; this year the Philadelphia-based company was sharing a room with YG Acoustics, whose 3-way Kipod speakers ($38,500/pair) were being driven by the V6 mono 180W amplifiers ($12,500/pair) via Kubala-Sosna Emotion cables. A V.Y.G.R. Baltic M turntable, fitted with a 12" SME 312 tonearm and Air Tight PC-1 cartridge fed Veloce's new LP-1 transformer-based phono module ($3000) and the Veloce Platino LS-1 tube preamp.
Filed under
Art Dudley Posted: Mar 27, 2010 7 comments
The Multi Electronique suite was home to a tasteful, sedate display of Focal loudspeakers and Simaudio electronics, fed by an iMac computer running iTunes: just like home, except these guys had WAV files instead of the AIFFs that I prefer. The music selection was superb, and included the young jazz singer Melody Gardot, whom I hadn't heard before today, and the always interesting Dee Dee Bridgewater. Even without the luxury of an "audiophile" setup—which is to say, these musical furnishings were arranged in the manner of a normal person's home—the sound of the Focal Chorus 826W ($3795/pair), Moon 3.3 DPX D/A converter ($4000), and Moon 3.3 amplifier ($4000) was utterly charming, and I left my comfy red seat with only the greatest reluctance.
Filed under
Stephen Mejias Posted: Mar 26, 2010 4 comments
I was intrigued by Grant Fidelity’s small B283 Mk.II tube processor ($225). Placed between a source component and integrated amplifier or between a preamp and amp, the B283 offers users the ability to “feel the difference of tube sound versus solid-state sound, and to experiment with tube-rolling,” Rachel Zhang explained. Interestingly, guitarists have also been known to use the B283 in front of their solid-state amps. Neat.
Filed under
Art Dudley Posted: Mar 26, 2010 15 comments
Of one room I can honestly say: The sound pulled me in. A succession of convincingly deep, tactile drumbeats caught my ear, and I followed the thwacks to Cabasse, where the Sphère ($150,000/pair, more or less, and reviewed by Michael Fremer a year or so back) held court, driven by Cabasse's own Bel Canto-sourced amps; the Cabasse outboard digital crossover; and McIntosh's C2300 preamp and MCD500 SACD/CD player. No less impressive was Christophe Cabasse himself (left), who patiently led me through the Sphère's impressive technical background—in English, I'm thankful to say. Monsieur Cabasse also reminded me that his company celebrates its 60th anniversary this year, having been founded by Georges Cabasse (père) all the way back in 1960.
Filed under
John Atkinson Posted: Mar 26, 2010 2 comments
The Give Band's singer/flute player, Caroline St. Louis, was last seen on this Show report wearing a blue wig at the ticket counter. Wearing a wireless mike, she danced and sang to impressive effect.
Filed under
Stephen Mejias Posted: Mar 26, 2010 0 comments
The DSPeaker Servo loudspeaker ($3500/pair) is also available in matte white finish. Here, we see a rear view. The speaker cabinets are made of MDF and feature several different internal damping materials.
Filed under
Stephen Mejias Posted: Mar 26, 2010 4 comments
Hathor Acoustik takes its name from the Ancient Egyptian goddess said to have the ability to “cure humanity with her song,” explained designer Luc Allair (right). Salon Son & Image 2010 presents the debut of Hathor’s Reference loudspeaker ($20,000 CAN). Partnered with an elegant, all-Naim system, including CDX2 player, NAC 252 preamp, and NAP 250 amplifier, the Hathors produced a warm, inviting sound, marked by an especially wide and deep soundstage and fleshy, well-focused images.
Filed under
Stephen Mejias Posted: Mar 26, 2010 2 comments
I walked into the Reference 3A room to be greeted by an impressive orchestral piece. I heard massed strings and scintillating cymbal crashes and booming percussion, all presented with great impact, drama, and scale. Speakers were the Reference 3A Grand Veena ($7995/pair), rated at 89dB efficiency and utilizing five “seamlessly integrated drivers,” including a Murata Exciter for the highest frequencies. Designer Tash Goka explained that the angle of the Grand Veena’s front baffle and the precise positioning of the speaker’s drivers work together to achieve a coherent phase response.
Filed under
Stephen Mejias Posted: Mar 26, 2010 4 comments
Grant Fidelity purchasing manager, Rachel Zhang, explained that her company wants to bring “a self-servicing, consumer electronics distribution model to high-end audio.” All of Grant Fidelity’s products are available factory-direct; and, instead of the traditional dealer network, Grant Fidelity utilizes private, home-based demonstrators. The goal is to make available more affordable products for a younger and more varied audience, Zhang said.
Filed under
Art Dudley Posted: Mar 26, 2010 1 comments
I started my day the right way: listening to a good LP of acoustic music. In one of three Coup de Foudre rooms I listened to Skip James's final album on a system comprising the new Brinkmann DD turntable (price TBD) with an EMT TSD 15 fineline phono cartridge ($1800), Auditorium 23 step-up transformer ($995), Leben RS30 EQ moving-magnet phono preamp ($2595), Leben CS300 XS integrated amplifier ($3495), and DeVore Fidelity 3XL loudspeakers ($3700/pair without stands), the latter of which were capable of allowing the music to sound surprisingly, delightfully big. Cables were all by Auditorium 23, and the source and amplification components were supported by a typically beautiful Sapele rack from the Box Furniture company.
Filed under
John Atkinson Posted: Mar 26, 2010 2 comments
Following Michel Plante's speech at the opening night reception, the Give Band played a great set of world-music–influenced rock that, thankfully, was not too loud. (The FoH mixer must have been an audiophile.) The band's CD AudioPhylanthrope, recorded and mastered at the world-famous Guy St-Onge's studio, was launched at SSI as the Show's reference recording. The Give Band are performing at 9pm tonight (Friday, when the Show closes) in the Lounge Stereo Plus on SSI's lower floor, so if you are at the Show, you still have a chance to check them out.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading